| # | Title | Artist | Rating | Length |
|---|
| 1 | Because the Night | Patti Smith Group | 4.6 | ?:?? |
| 2 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.45 | ?:?? |
| 3 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 4.8 | ?:?? |
| 4 | Yellow River | Christie | 3.35 | ?:?? |
| 5 | September- producer:
- Maurice White
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1975, in 1978), Columbia Records (in 1978) and Sony Music Entertainment (in 1978)
- part of:
- Billboard: The 500 Best Pop Songs (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
- recording of:
- September
- writer:
- Al McKay, Maurice White and Allee Willis
- publisher:
- Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Earth, Wind & Fire | 4.6 | ?:?? |
| 6 | Hold the Line- recording engineer:
- Dana Latham, Gabe Veltri and Tom Knox
- assistant engineer:
- Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
- engineer and mixer:
- Tom Knox
- producer:
- Bruce Dickinson and Toto
- bass:
- David Hungate and Michael Porcaro
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- guitar:
- Steve Lukather
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Jeffrey Porcaro and Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Jean-Michel Byron and Bobby Kimball (in 1978-08)
- vocals:
- Bobby Kimball, David Paich, Steve Lukather and Steve Porcaro
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 4.25 | ?:?? |
| 7 | All by Myself- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- edit of:
- All by Myself by Eric Carmen
- recording of:
- All by Myself
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4 | ?:?? |
| 8 | More, More, More | The Andrea True Connection | 4.75 | ?:?? |
| 9 | Blame It on the Boogie- engineer:
- Don Murray
- executive producer:
- Mike Atkinson and Bobby Colomby
- mixer:
- John Luongo
- bass:
- Gary King (in 1978) and Nathan Watts (in 1978)
- congas:
- Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
- drums (drum set) and percussion:
- Rick Morotta (in 1978)
- flute, saxophone and trumpet:
- Seawind Horns
- guitar:
- Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
- keyboard:
- Greg Phillinganes (in 1978)
- background vocals:
- Jackie Jackson , Marlon Jackson and Randy Jackson
- lead vocals:
- Michael Jackson (in 1978)
- horn arranger:
- Jerry Hey
- arranger:
- Michael Jackson
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording in Hollywood, Los Angeles, California, United States, The Record Plant in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio in Los Angeles, California, United States
- cover recording of:
- Blame It on the Boogie (in 1978)
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
- recording of:
- Blame It on the Boogie
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
| The Jackson 5 | 4.3 | ?:?? |
| 10 | Without You- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- acoustic guitar:
- John Uribe (in 1971-06)
- bass guitar:
- Klaus Voormann (in 1971-06)
- drums (drum set):
- Jim Keltner (in 1971-06)
- piano:
- Gary Wright (in 1971-06)
- vocals:
- Harry Nilsson (in 1971-06)
- conductor:
- Paul Buckmaster (in 1971-06)
- brass and strings arranger:
- Paul Buckmaster
- phonographic copyright (℗) by:
- BMG Music (in 1971, in 1991), RCA Records (in 1971), Sony Music Entertainment (in 1971), RCA Corporation (in 1972) and RCA Records, Inc. (in 1989)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
- cover recording of:
- Without You (in 1971-06)
- writer:
- Tom Evans and W. Peter Ham
- publisher:
- 100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music and WB Music Corp. (until 2019-05-28)
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
| Harry Nilsson | 4.3 | ?:?? |
| 11 | Samba pa ti- engineer:
- David Brown and John Fiore
- producer:
- Fred Catero, Bob Irwin, Santana and Carlos Santana
- bass guitar:
- David Brown (on 1970-07-19)
- congas and percussion:
- Michael Carabello (on 1970-07-19)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1970-07-19)
- drums (drum set):
- Michael Shrieve (on 1970-07-19)
- guitar:
- Carlos Santana (on 1970-07-19)
- keyboard:
- Gregg Rolie (on 1970-07-19)
- percussion:
- Rico Reyes (on 1970-07-19)
- tabla:
- Steven Saphore (on 1970-07-19)
- arranger:
- Gregg Rolie and Carlos Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1970), Sony BMG Music Entertainment (in 1970) and Sony Music Entertainment Inc. (in 1970)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (on 1970-07-19)
- recording of:
- Samba pa ti (on 1970-07-19)
- composer:
- Carlos Santana
- publisher:
- BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music and Universal Music Careers
| Santana | 3.75 | ?:?? |
| 12 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | ?:?? |
| 13 | Time After Time- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (in 1983), Sony Music Entertainment (Holland) B.V. (in 1983) and Sony Music Entertainment Inc. (in 1983, in 1984)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- a cappella versions:
- Time After Time by Forte A Cappella
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 19), Billboard: The 500 Best Pop Songs (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
- recording of:
- Time After Time
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control , Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Cyndi Lauper | 4.25 | ?:?? |
| 14 | I Love to Love | Tina Charles | 4.65 | ?:?? |
| 15 | Don't Answer Me | The Alan Parsons Project | 3.8 | ?:?? |
Play on ListenBrainz