The Complete Sarah Vaughan on Mercury, Volume 3: Great Show on Stage: 1957-1959

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Annotation

6 cd boxset

Annotation last modified on 2017-10-12 09:43 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleRatingLength
1Smoke Gets in Your Eyes
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-15)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-15)
drums (drum set):
Sonny Payne (on 1958-12-15)
guitar:
Freddie Green (on 1958-12-15)
piano:
Ronnell Bright (on 1958-12-15)
reeds:
Marshall Royal (on 1958-12-15)
tenor saxophone:
Frank Foster (saxophonist) (from 1958-12-01 until 1958-12-15) and Billy Mitchell (US jazz saxophonist) (on 1958-12-15)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-15), Benny Powell (jazz trombonist) (on 1958-12-15) and Al Grey (trombone) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-15), Eugene Young (on 1958-12-15) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-15)
vocals:
Sarah Vaughan (on 1958-12-15)
cover recording of:
Smoke Gets in Your Eyes (on 1958-12-15)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
?:??
2Moonlight in Vermont
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
reeds:
Marshall Royal (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
cover recording of:
Moonlight in Vermont (on 1958-12-23)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
3Cheek to Cheek
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
reeds:
Marshall Royal (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-23)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
?:??
4Missing You
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
reeds:
Marshall Royal (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
recording of:
Missing You
writer:
Ronnell Bright
?:??
5Just One of Those Things
alto saxophone, flute and woodwind:
Frank Wess (on 1958-12-23)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
clarinet and reeds:
Marshall Royal (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
cover recording of:
Just One of Those Things (on 1958-12-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
?:??
6No ’Count Blues
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-12-23)
double bass:
Richard Davis (American jazz bassist) (on 1958-12-23)
drums (drum set):
Sonny Payne (on 1958-12-23)
guitar:
Freddie Green (on 1958-12-23)
piano:
Ronnell Bright (on 1958-12-23)
reeds:
Marshall Royal (on 1958-12-23)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-23) and Billy Mitchell (US jazz saxophonist) (on 1958-12-23)
trombone:
Henry Coker (jazz trombonist) (on 1958-12-23), Al Grey (trombone) (on 1958-12-23) and Benny Powell (jazz trombonist) (on 1958-12-23)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-12-23), Eugene Young (on 1958-12-23) and Thad Jones (American jazz trumpeter) (on 1958-12-23)
woodwind:
Frank Wess (on 1958-12-23)
vocals:
Sarah Vaughan (on 1958-12-23)
?:??
7Detour Ahead
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
live cover recording of:
Detour Ahead (on 1958-03-07)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
?:??
8Three Little Words
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
live cover recording of:
Three Little Words (on 1958-03-07)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
?:??
9Speak Low
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
cover recording of:
Speak Low (One Touch of Venus) (on 1958-03-07)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
?:??
10Like Someone In Love
recorded in:
Chicago, Illinois, United States (on 1958-03-07)
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
live cover recording of:
Like Someone in Love (on 1958-03-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
11You’d Be So Nice to Come Home To
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
live cover recording of:
You’d Be So Nice to Come Home To (on 1958-03-07)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
?:??
12I’ll String Along With You
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
vocals:
Sarah Vaughan (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
live cover recording of:
I’ll String Along With You (on 1958-03-07)
lyricist:
Al Dubin (in 1934)
composer:
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
?:??
13All of You
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
live cover recording of:
All of You (Silk Stockings musical) (on 1958-03-07)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
?:??
14Thanks for the Memory
double bass:
Richard Davis (American jazz bassist) (on 1958-03-07)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-03-07)
piano:
Ronnell Bright (on 1958-03-07)
tenor saxophone:
Frank Wess (on 1958-03-07)
trombone:
Henry Coker (jazz trombonist) (on 1958-03-07)
trumpet:
Wendell Culley (jazz trumpeter) (on 1958-03-07) and Thad Jones (American jazz trumpeter) (on 1958-03-07)
recorded at:
London House in Chicago, Illinois, United States (on 1958-03-07)
live cover recording of:
Thanks for the Memory (on 1958-03-07)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1938 winner)
?:??
5▶CD
6▶CD