Bach 333: Sacred Cantatas IV

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 168, 137, 164, 79, 110 (1725)
2▶CD: Cantatas 57, 151, 28, 16 (1725-1726)
3▶CD: Cantatas 32, 13, 72, 43 (1726)
4▶CD: Cantatas 146, 129, 39 (1726)
5▶CD: Cantatas 88, 170, 187, 45 (1726)
6▶CD: Cantatas 102, 35, 17, 19 (1726)
7▶CD: Cantatas 27, 47, 169, 56 (1726)
8▶CD: Cantatas 49, 98, 55, 52, 58 (1726-1727)
9▶CD: Cantatas 82, 157, 84 (1727)
10▼CD: Cantatas 34, 193, 117, 188 (1727-1728)
#TitleRatingLength
1"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 1. [Chorus:] "O ewiges Feuer, o Ursprung der Liebe"
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
7:19
2"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 2. Recitative: "Herr, unsre Herzen halten dir"
tenor vocals:
Christoph Genz (tenor) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
0:39
3"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 3. Aria: "Wohl euch, ihr auserwählten Seelen"
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
6:21
4"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 4. Recitative: "Erwählt sich Gott die heilgen Hütten"
bass vocals:
Panajotis N. Iconomou (bass-baritone) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
0:31
5"O ewiges Feuer, o Ursprung der Liebe", BWV 34: 5. Tutti: "Friede über Israel!"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-06-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-06-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-06-11)
recorded at:
Holy Trinity in Long Melford, Suffolk, England, United Kingdom (on 2000-06-11)
live recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (on 2000-06-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
2:10
6"Ihr Tore zu Zion", BWV 193: 1. [Chorus:] "Ihr Pforten zu Zion, ihr Wohnungen Jakobs, freuet euch!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
chorus master:
Ulrike Grosch (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": I. Coro "Ihr Tore zu Zion" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
4:18
7"Ihr Tore zu Zion", BWV 193: 2. Recitative: "Der Hüter Israels entschläft noch schlummert nicht"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
soprano vocals:
Caroline Stam (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": II. Recitativo (Sopran) "Der Hüter Israel entschläft noch schlummert nicht" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:38
8"Ihr Tore zu Zion", BWV 193: 3. Aria: "Gott, wir danken deiner Güte"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
soprano vocals:
Caroline Stam (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": III. Aria (Sopran) "Gott, wir danken deiner Güte" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
5:41
9"Ihr Tore zu Zion", BWV 193: 4. Recitative: "O Leipziger Jerusalem, vergnüge dich an deinem Feste!"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
alto vocals:
Michael Chance (British countertenor) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": IV. Recitativo (Alt) "O Leipziger Jerusalem" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:47
10"Ihr Tore zu Zion", BWV 193: 5. Aria: "Sende, Herr, den Segen ein"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
alto vocals:
Michael Chance (British countertenor) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
3:17
11"Ihr Tore zu Zion", BWV 193: 6. Recitative: "Nun, Herr, so weihe selbst das Regiment"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": V. Aria (Alt) "Sende, Herr, den Segen ein" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
0:47
12"Ihr Tore zu Zion", BWV 193: 7. Chorus ab initio repetatur: "Ihr Pforten zu Zion"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-11 until 1999-03-19)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-11 until 1999-03-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-11 until 1999-03-19)
chorus master:
Ulrike Grosch (from 1999-03-11 until 1999-03-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-11 until 1999-03-19)
recording of:
Kantate, BWV 193 "Ihr Tore zu Zion": VI. Coro "Ihr Tore zu Zion" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-08-25)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 193 "Ihr Tore zu Zion"
4:24
13"Sei Lob und Ehr dem höchsten Gut", BWV 117: 1. [Chorale] Versus 1: "Sei Lob und Ehr dem höchsten Gut"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:56
14"Sei Lob und Ehr dem höchsten Gut", BWV 117: 2. Recitative Versus 2: "Es danken dir die Himmelsheer"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:10
15"Sei Lob und Ehr dem höchsten Gut", BWV 117: 3. [Aria] Versus 3: "Was unser Gott geschaffen hat"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
2:46
16"Sei Lob und Ehr dem höchsten Gut", BWV 117: 4. Versus 4 Choraliter: "Ich rief dem Herrn in meiner Not"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:54
17"Sei Lob und Ehr dem höchsten Gut", BWV 117: 5. Recitative Versus 5: "Der Herr ist noch und nimmer nicht"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
1:22
18"Sei Lob und Ehr dem höchsten Gut", BWV 117: 6. [Aria] Versus 6: "Wenn Trost und Hülf ermangeln muss"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 2001-06 until 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:09
19"Sei Lob und Ehr dem höchsten Gut", BWV 117: 7. [Aria] Versus 7: "Ich will dich all mein Leben lang"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
alto vocals:
Robin Blaze (countertenor) (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:27
20"Sei Lob und Ehr dem höchsten Gut", BWV 117: 8. Recitative Versus 8: "Ihr, die ihr Christi Namen nennt"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
tenor vocals:
Satoshi Mizukoshi (in 2010-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
0:44
21"Sei Lob und Ehr dem höchsten Gut", BWV 117: 9. [Chorale] Versus 9: "So kommet vor sein Angesicht"
sound engineer:
Matthias Spitzbarth (in 2010-06)
producer:
Thore Brinkmann
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2010-06)
performer:
Bach Collegium Japan (in 2010-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2010-06)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (in 2010-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
3:58
22"Ich habe meine Zuversicht", BWV 188: 1. [Sinfonia]
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:58
23"Ich habe meine Zuversicht", BWV 188: 2. Aria: "Ich habe meine Zuversicht"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:09
24"Ich habe meine Zuversicht", BWV 188: 3. Recitative: "Gott meint es gut mit jedermann"
bass vocals:
Gotthold Schwarz (bass-baritone/conductor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
2:00
25"Ich habe meine Zuversicht", BWV 188: 4. Aria: "Unerforschlich ist die Weise"
vocals:
William Towers (Countertenor) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
6:06
26"Ich habe meine Zuversicht", BWV 188: 5. Recitative: "Die Macht der Welt verlieret sich"
soprano vocals:
Joanne Lunn (British soprano vocalist) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
0:34
27"Ich habe meine Zuversicht", BWV 188: 6. Chorale: "Auf meinen lieben Gott"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 2000-11-11 until 2000-11-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 2000-11-11 until 2000-11-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 2000-11-11 until 2000-11-12)
recorded at:
Old Royal Naval College Chapel in Greenwich, London (Greater London), England, United Kingdom (from 2000-11-11 until 2000-11-12)
live recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott" (from 2000-11-11 until 2000-11-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 25)
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
0:54
11▶CD: Cantatas 171, 156, 159, 120a (1729)
12▶CD: Cantatas 174, 149, 51, 192, 112 (1729-1731)
13▶CD: Cantatas 29, 140, 36 (1731)
14▶CD: Cantatas 177, 9, 97, 14 (1732-1735)
15▶CD: Cantatas 100, 195, 197, 197a (c. 1728-1736)
16▶CD: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
17▶CD: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]