Kantaten: Nun komm, der Heiden Heiland, BWV 61 / Schwingt freudig euch empor, BWV 36

~ Release by Johann Sebastian Bach; Thomanerchor Leipzig, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch (see all versions of this release, 1 available)

Annotation

℗ & © «1981 Eterna/Edel Germany GmbH»

Annotation last modified on 2026-02-07 23:44 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Nun komm, der Heiden Heiland, BWV 61: Ouvertüre: Nun komm, der Heiden Heiland
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:13
2Nun komm, der Heiden Heiland, BWV 61: No. 1. Der Heiland ist gekommen
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:43
3Nun komm, der Heiden Heiland, BWV 61: No. 2. Komm, Jesu, komm zu deiner Kirche
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach4:10
4Nun komm, der Heiden Heiland, BWV 61: No. 3. Siehe, ich stehe vor der Tür
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:05
5Nun komm, der Heiden Heiland, BWV 61: No. 4. Öffne dich, mein ganzes Herze
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
baritone vocals:
Arleen Augér (soprano) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach4:23
6Nun komm, der Heiden Heiland, BWV 61: No. 5. Amen! Komm, du schöne Freudenkrone
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:00
7Schwingt freudig euch empor, BWV 36: No. 1. Schwingt freudig euch empor
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: I. Coro “Schwingt freudig euch empor” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:00
8Schwingt freudig euch empor, BWV 36: No. 2. Nun komm, der Heiden Heiland
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach4:24
9Schwingt freudig euch empor, BWV 36: No. 3. Die Liebe zieht mit sanften Schritten
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: III. Aria (Tenore) “Die Liebe zieht mit sanften Schritten” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach5:39
10Schwingt freudig euch empor, BWV 36: No. 4. Zwingt die Saiten in Cythara
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: IV. Choral “Zwingt die Saiten in Cythara” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 377)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach1:20
11Schwingt freudig euch empor, BWV 36: No. 5. Willkommen, werter Schatz
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: V. Aria (Basso) “Willkommen, werter Schatz!” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach3:47
12Schwingt freudig euch empor, BWV 36: No. 6. Der du bist dem Vater gleich
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VI. Choral (Tenore) “Der du bist dem Vater gleich” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach2:10
13Schwingt freudig euch empor, BWV 36: No. 7. Auch mit gedämpften, schwachen Stimmen
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
soprano vocals:
Arleen Augér (soprano) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach8:40
14Schwingt freudig euch empor, BWV 36: No. 8. Lob sei Gott, dem Vater
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer) (from 1980-10 until 1981-02)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VIII. Choral “Lob sei Gott, dem Vater g’ton” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 264)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach0:38