30th Anniversary Collection: 1963-1993 (club edition)

~ Release by The Hollies (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Dear Eloise (1993 Stereo remix)
recording of:
Dear Eloise
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3:04
2Jennifer Eccles (1993 Stereo remix)
recording of:
Jennifer Eccles
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:01
3Open Up Your Eyes (1993 Stereo remix)
recording of:
Open Up Yours Eyes
writer:
Allan Clarke (of The Hollies) and Graham Nash
2:49
4Wings (1993 Stereo remix)
recording of:
Wings
writer:
Allan Clarke (of The Hollies) and Graham Nash
3:05
5Like Everytime Before (1993 Stereo remix)
recording of:
Like Every Time Before
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
2:10
6Do the Best You Can (1993 Stereo remix)
phonographic copyright (℗) by:
The Hollies Ltd. (in 2011)
recorded at:
Chappells Studios in London (Greater London), England, United Kingdom (from 1967-05-14 until 1967-05-15)
recording of:
Do the Best You Can (from 1967-05-14 until 1967-05-15)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
3.652:49
7Man With No Expression (1993 Stereo remix)
recording of:
Horses Through a Rainstorm
writer:
Graham Nash and Terry Reid
publisher:
Nash Notes and Unichappell Music, Inc.
3:25
8Listen to Me (1993 Stereo remix)
recording of:
Listen to Me
composer:
Tony Hazzard (songwriter)
2:38
9Sorry Suzanne (1993 Stereo remix)
recording of:
Sorry Suzanne
composer:
Tony Macaulay and Geoff Stephens
publisher:
Interworld Music Ltd. and Welbeck Music Ltd.
sub-publisher:
Sonora Musikförlags AB
3:21
10Not That Way at All (1993 Stereo remix)
recording of:
Not That Way at All
writer:
Allan Clarke (of The Hollies)
2:50
11He Ain’t Heavy, He’s My Brother (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.854:20
12Cos You Like to Love Me (1993 Stereo remix)
producer:
Ron Richards
recording of:
'Cos You Like to Love Me
writer:
Tony Hicks
53:00
13I Can’t Tell the Bottom From the Top (original Stereo mix)
cover recording of:
I Can't Tell the Bottom From the Top
composer:
Guy Fletcher (keyboardist) and Doug Flett (songwriter)
4:08
14Gasoline Alley Bred (original Stereo mix)
producer:
Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1970)
recording of:
Gasoline Alley Bred
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Tony Macaulay
cover recording of:
Gasoline Alley Bred
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Tony Macaulay
53:56
15Long Cool Woman in a Black Dress (original Stereo mix)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
4.153:18
16Long Dark Road (original Stereo mix)
recording of:
Long Dark Road
writer:
Tony Hicks and Kenny Lynch (English singer, songwriter, entertainer & actor)
4:17
17The Air That I Breathe (original Stereo mix)
engineer:
Mike Jarratt (recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.84:11
18The Woman I Love (Stereo)
recording of:
The Woman I Love
lyricist and composer:
Nik Kershaw
3:36
19Nothing Else but Love (Stereo)
recording of:
Nothing Else but Love
writer:
Richard Marx
4:09
20Purple Rain (live) (Stereo)
recorded at:
Harrogate Convention Centre in Harrogate, North Yorkshire, England, United Kingdom (in 1991)
live cover recording of:
Purple Rain (in 1991)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
5:01