Ombra mai fu

~ Release by Francesco Cavalli; Philippe Jaroussky, Artaserse (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Xerse: Atto I, Scena I. “Ombra mai fu”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Xerse / Ombra mai fu (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Xerse
Francesco Cavalli3:19
2Statira, principessa di Persia: Atto II, Scena X. “All’armi, mio core”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Statira, principessa di Persia: Atto II, Scena X. “All’armi, mio core” (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Statira, principessa di Persia
Francesco Cavalli3:06
3Erismena: Atto II, Scena XXII. “Dove mi conducete?”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Erismena / Dove mi conducete ? ... (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Erismena
Francesco Cavalli0:56
4Erismena: Atto II, Scena XXII. “Uscitemi dal cor, lagrime amare”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Erismena / Uscitemi dal cor, lagrime amare (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Erismena
Francesco Cavalli5:47
5Calisto: Atto I, Scena XII. “Interprete mal buona ... L’uomo è una dolce cosa”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La Calisto: Act I: Interprete mal buona son (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giovanni Faustini
part of:
La Calisto: Act 1
Francesco Cavalli2:51
6Calisto: Atto I, Scena XIII. “Ninfa bella”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La Calisto, Act 1: "Ninfa bella" (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giovanni Faustini
part of:
La Calisto: Act 1
Francesco Cavalli4:16
7Eliogabalo: Atto I. Sinfonia
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
L'Eliogabalo: Sinfonia (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Eliogabalo
Francesco Cavalli2:00
8Elena: Atto III, Scena I. “Ecco l’idolo mio … Mio diletto, mio sospiro”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
soprano vocals:
Emőke Baráth (soprano) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Elena / Ecco l'idolo mio... Mio diletto, mio sospiro (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Elena
Francesco Cavalli3:34
9Ercole amante: Atto I. Sinfonia
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Ercole amante / Sinfonia Atto I (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Ercole amante
Francesco Cavalli0:55
10Eliogabalo: Atto I, Scena XIII. “Io resto solo ? … Misero, così va”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
L'Eliogabalo: "Io resto solo ?" ... "Misero, cosi va" (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Eliogabalo
Francesco Cavalli3:28
11Ormindo: Atto II, Scena VI. “Che città”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
L'Ormindo, Act 2: "Che città" (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Ormindo
Francesco Cavalli3:19
12Gli amori d’Apollo e di Dafne: Atto III, Scena III. “Ohimè, che miro?”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Gli Amori d'Apollo e di Dafne: Atto III, Scena 3: Ohimè, Che Miro? (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Gli amori d'Apollo e di Dafne
part of:
Gli Amori d'Apollo e di Dafne: Atto III
Francesco Cavalli0:53
13Gli amori d’Apollo e di Dafne: Atto III, Scena III. “Misero Apollo”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Gli Amori d'Apollo e di Dafne: Atto III, Scena 4: Misero Apollo (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Gli amori d'Apollo e di Dafne
part of:
Gli Amori d'Apollo e di Dafne: Atto III
Francesco Cavalli4:21
14Orione: Prologo. Sinfonia
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Orione / Sinfonia, Prologo (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Orione
Francesco Cavalli3:31
15Eritrea: Atto I, Scena VIII. “O luci belle”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
soprano vocals:
Emőke Baráth (soprano) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Eritrea / O luci belle (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Eritrea
Francesco Cavalli2:29
16Giasone: Atto I, Scena II. “Delizie, contenti”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Il Giasone: Act 1: Delizie contente (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giacinto Andrea Cicognini
part of:
Il Giasone: Act 1
Francesco Cavalli3:49
17Doriclea: Prologo. Sinfonia
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Doriclea / Sinfonia, contenti (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Doriclea
Francesco Cavalli1:25
18Calisto: Atto II, Scena I. “Erme, e solinghe cime … Lucidissima face”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La Calisto: Act II: Lucidissima face (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
librettist:
Giovanni Faustini
part of:
La Calisto: Act 2
Francesco Cavalli3:26
19La virtù de’ strali d’Amore: Atto II, Scena IV. “Alcun più di me felice non è”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La virtù de' strali d'Amore / Alcun più di me felice non è (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
La virtù de' strali d'Amore
Francesco Cavalli1:03
20Pompeo Magno: Atto II, Scena XVI. “Cieche tenebre”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Pompeo Magno / Cieche tenebre (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
Pompeo Magno
Francesco Cavalli2:24
21Xerse: Atto II, Scena IX. “La bellezza è un don fugace”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
Xerse (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
librettist:
Nicolò Minato
Francesco Cavalli2:13
22La virtù de’ strali d’Amore: Atto I, Scena VIII. “Il diletto interrotto”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La virtù de' strali d'Amore / Il diletto interrotto (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
La virtù de' strali d'Amore
Francesco Cavalli0:41
23La virtù de’ strali d’Amore: Atto I, Scena VIII. “Desia la verginella”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La virtù de' strali d'Amore / Desia la verginella (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
La virtù de' strali d'Amore
Francesco Cavalli2:33
24La virtù de’ strali d’Amore: Atto III, Scena III. “Che pensi, mio core?”
sound engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Ensemble Artaserse (from 2017-06-26 until 2017-07-03)
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2017-06-26 until 2017-07-03)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 2017-06-26 until 2017-07-03)
recording of:
La virtù de' strali d'Amore / Che pensi, mio core (from 2017-06-26 until 2017-07-03)
composer:
Francesco Cavalli (Baroque composer)
part of:
La virtù de' strali d'Amore
Francesco Cavalli2:56

Credits

Release

photography:Josef Fischnaller (photographer)
Zsófia Raffay (photographer)
Denis Rouvre (Photographer)
liner notes:Philippe Jaroussky (countertenor)
Jean-François Lattarico
executive producer:Alain Lanceron
Discogs:https://www.discogs.com/release/15762043 [info]