Mass in B minor

~ Release by J.S. Bach; Michel Corboz, Ensemble Vocal & Instrumental de Lausanne (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1h-Moll-Messe, BWV 232: Credo in unum Deum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:44
2h-Moll-Messe, BWV 232: Patrem omnipotentem
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3h-Moll-Messe, BWV 232: Et in unum Dominum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
alto vocals and mezzo-soprano vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:39
4h-Moll-Messe, BWV 232: Et incarnatus est
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
5h-Moll-Messe, BWV 232: Crucifixus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
6h-Moll-Messe, BWV 232: Et resurrexit
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
7h-Moll-Messe, BWV 232: Et in Spiritum Sanctum Dominum
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:33
8h-Moll-Messe, BWV 232: Confiteor
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
9h-Moll-Messe, BWV 232: Et expecto
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
10h-Moll-Messe, BWV 232: Sanctus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
11h-Moll-Messe, BWV 232: Osanna in excelsis
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34
12h-Moll-Messe, BWV 232: Benedictus
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
tenor vocals:
Markus Schäfer (tenor) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:00
13h-Moll-Messe, BWV 232: Osanna in excelsis (da capo)
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
bass vocals:
Marcos Fink (bass-baritone) (from 1996-09-15 until 1996-09-17)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34
14h-Moll-Messe, BWV 232: Agnus Dei
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
alto vocals and mezzo-soprano vocals:
Bernarda Fink (mezzo-soprano) (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:08
15h-Moll-Messe, BWV 232: Dona nobis pacem
recording engineer:
Joseph Rotzetter (engineer) (in 1996-09)
producer:
François Garcin (editor)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (conductor and composer) (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Auditorium Stravinsky in Montreux, Vaud (Canton of Vaud), Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21