Stardust: The Complete Capitol Recordings 1955-1959

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

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#TitleRatingLength
1The Blues Don't Care
2:10
2Avalon
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Avalon (on 1958-07-01)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
1:45
3Baby, Won't You Please Come Home?
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:11
4The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:32
5Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (jazz trombonist) (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (jazz trumpeter) (on 1958-07-01), Thad Jones (American jazz trumpeter) (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:44
6Look out for Love
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
1:58
7Wee Baby Blues
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson (US boogie‐woogie pianist) and Big Joe Turner
publisher:
Leeds Music Ltd.
3:16
8Madrid
alto saxophone:
Marshall Royal (on 1958-07-02) and Frank Wess (on 1958-07-02)
baritone saxophone:
John Fowlkes (on 1958-07-02)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-02)
drums (drum set):
Sonny Payne (on 1958-07-02) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-02)
guitar:
Freddie Green (on 1958-07-02)
piano:
Gerald Wiggins (on 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-02) and Billy Mitchell (US jazz saxophonist) (on 1958-07-02)
trombone:
Henry Coker (jazz trombonist) (on 1958-07-02), Al Grey (trombone) (on 1958-07-02) and Benny Powell (jazz trombonist) (on 1958-07-02)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-02), Wendell Culley (jazz trumpeter) (on 1958-07-02), Gene "Snooky" Young (on 1958-07-02), Thad Jones (American jazz trumpeter) (on 1958-07-02) and Joe Newman (US jazz trumpeter) (on 1958-07-02)
vocals:
Nat King Cole (on 1958-07-02)
orchestra:
The Count Basie Orchestra (on 1958-07-02)
conductor:
Dave Cavanaugh (on 1958-07-02)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Madrid (on 1958-07-02)
writer:
Nat King Cole and Johnny Lange
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
2:50
9To Whom It May Concern
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
2:58
10Love-Wise
producer:
Lee Gillette
conductor:
Nelson Riddle (in 1958)
arranger:
Nelson Riddle
recording of:
Love-Wise (in 1958)
lyricist:
Kenward Elmslie
composer:
Marvin Fisher
3:55
11In the Heart of Jane Doe
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
3:02
12My Heart's Treasure
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
2:56
13You're Bringing out the Dreamer in Me
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
3:08
14Give Me Your Love
2:09
15Coo Coo Roo Coo Coo Paloma
3:04
16Non Dimenticar (Don't Forget)
recording of:
Non dimenticar (English lyrics)
lyricist:
Michele Galdieri
composer:
Gino Redi (Italian composer)
translator:
Shelley Dobbins (American songwriter)
publisher:
Hollis Music, Inc.
translated version of:
T’ho voluto bene (Non dimenticar)
2:50
17Bend a Little My Way
2:24
18This Morning It Was Summer
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
3:58
19A Thousand Thoughts of You
producer:
Lee Gillette
conductor:
Nelson Riddle
arranger:
Nelson Riddle
2:58
20For You
recording of:
For You
lyricist:
Al Dubin (in 1930)
composer:
Joe Burke (American composer) (in 1930)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:19
21Crazy She Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:34
22Until the Real Thing Comes Along3:08
23You Are My Love
1:54
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Credits

Release

Discogs:https://www.discogs.com/release/1932792 [info]
purchase for mail-order:https://www.bear-family.com/cole-nat-king-stardust-the-complete-capitol-recordings-1955-1959-vol.1-11-cd-deluxe-box-set.html?action=notify&number=BCD16342 [info] (ended)