Annotation

Hanna Glawari: Elisabeth Schwarzkopf - Graf Danilo Danilowitsch: Erich Kunz - Camille de Roussillon: Nicolai Gedda - Valencienne: Emmy Loose - Baron Mirko Zeta: Anton Niessner - Raoul de Saint-Brioche: Josef Schmiedinger

Annotation last modified on 2021-10-19 19:45 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Die lustige Witwe: Ouvertüre
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Introduktion (The Merry Widow: Overture)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe
part of:
The Merry Widow (English lyrics by Adrian Ross)
Franz Lehár8:28
2Die lustige Witwe: Akt I: „Verehrteste Damen und Herren“ (Cascada, Chor, Zeta)
baritone vocals:
Otakar Kraus (baritone) and Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:44
3Die lustige Witwe: Akt I: Dialog: „Und jetzt, meine Herrschaften“ (Zeta, Valencienne, Camille)
baritone vocals:
Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:47
4Die lustige Witwe: Akt I: „So kommen Sie! ’s ist niemand hier!“ (Valencienne, Camille)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:10
5Die lustige Witwe: Akt I: „Ich bin eine anständ’ge Frau“ (Valencienne, Camille)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:09
6Die lustige Witwe: Akt I: Dialog: „Exzellenz, Exzellenz, die Glawari kommt“ … „Bitte, meine Herrn!“ (Njegus, Zeta, Hanna, Cascada, Saint‐Brioche, Männerchor)
baritone vocals:
Otakar Kraus (baritone) and Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Josef Schmidinger (operatic tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:27
7Die lustige Witwe: Akt I: Dialog: „Gnädige Frau, ich rechne es mir zu hohen…“ (Zeta, Hanna, Njegus)
baritone vocals:
Anton Niessner
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog „Ah, gnädige Frau, ich bin glücklich, Sie in meinem Hause begrüßen zu können” (Valencienne, Zeta, Hanna, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:58
8Die lustige Witwe: Akt I: „Also bitte, ich bin hier. Wo ist Vaterland?“ … „O Vaterland, du machst bei Tag“ … „Da geh’ ich zu Maxim“ (Danilo)
baritone vocals:
Erich Kunz (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:18
9Die lustige Witwe: Akt I: Dialog: „Njegus, Geliebter, wo ist Vaterland“ (Danilo, Njegus, Hanna, Valencienne, Zeta)
baritone vocals:
Erich Kunz (baritone) and Anton Niessner
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
spoken vocals:
Hella Kürty (German actress)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog: „Njegus, Geliebter, ich bin hier” … „Bitte noch, bitte noch” (Danilo, Njegus, Hanna, Valencienne, Zeta)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:45
10Die lustige Witwe: Akt I: „Mein Herrschaften, es ist Damenwahl… Damenwahl…“ (Zeta, Männerchor, Hanna, Danilo, Cascada, Saint‐Brioche)
baritone vocals:
Otakar Kraus (baritone), Erich Kunz (baritone) and Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
tenor vocals:
Josef Schmidinger (operatic tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:40
11Die lustige Witwe: Akt I: „Hilfe kommt zur rechten Zeit!“ … „O kommet doch, oh kommt, ihr Ballsirenen“ (Danilo, eine Frau, Frauenchor, alle)
baritone vocals:
Erich Kunz (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. „Hilfe kommt zur rechten Zeit!” ... „O kommet doch, oh kommt, ihr Ballsirenen” (Danilo, eine Frau, Frauenchor, alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:57
12Die lustige Witwe: Akt I: „O Vaterland, du machst bei Tag“ … „Der junge Mann tanzt Polka“ (Danilo, Cascada, Saint‐Brioche, Hanna, Valencienne, Männerchor)
baritone vocals:
Otakar Kraus (baritone) and Erich Kunz (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Josef Schmidinger (operatic tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. „O Vaterland, du machst bei Tag” … „Der junge Mann tanzt Polka” … „Pardon, Madame, zuviel Reklam’!” … „Der Letzte ging, Sie sind befreit” (Danilo, Cascada, Saint-Brioche, Hanna, Valencienne, Männerchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:19
13Die lustige Witwe: Akt I: „Pardon, Madame, zuviel Reklam’!“ (Camille, Hanna, Danilo, Valencienne, Saint‐Brioche, Cascada, Männerchor)
baritone vocals:
Otakar Kraus (baritone) and Erich Kunz (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor) and Josef Schmidinger (operatic tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt I. „O Vaterland, du machst bei Tag” … „Der junge Mann tanzt Polka” … „Pardon, Madame, zuviel Reklam’!” … „Der Letzte ging, Sie sind befreit” (Danilo, Cascada, Saint-Brioche, Hanna, Valencienne, Männerchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:49
14Die lustige Witwe: Akt I: „Der letzte ging, Sie sind befreit“ (Danilo, Hanna)Franz Lehár1:52
15Die lustige Witwe: Akt II: „Ich bitte, hier jetzt zu verweilen“ (Hanna, Chor)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
partial recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár2:49
16Die lustige Witwe: Akt II: „Nun lasst uns aber wie daheim“ „Es lebt’ eine Vilja“ (Vilja‐Lied) (Hanna, Chor)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár5:36
17Die lustige Witwe: Akt II: Dialog: „Was sagen Sie, Njegus“ (Zeta, Njegus, Hanna, Danilo)
baritone vocals:
Erich Kunz (baritone) and Anton Niessner
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog „Was sagen Sie, Njegus“ (Zeta, Njegus, Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:39
18Die lustige Witwe: Akt II: „Heia, Madel, aufgeschaut“ … „Dummer, dummer Reitersmann“ (Hanna, Danilo)
baritone vocals:
Erich Kunz (baritone)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:56
19Die lustige Witwe: Akt II: Dialog: „Herr von Cascada, verzichten Sie auf die Witwe!“ (Saint‐Brioche, Cascada, Danilo, Zeta)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Otakar Kraus (baritone), Erich Kunz (baritone) and Anton Niessner
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:02
20Die lustige Witwe: Akt II: Dialog: „Valencienne, bitte geben“ … „Mein Freund, Vernunft!“ (Camille, Valencienne)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (Camille, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:55
21Die lustige Witwe: Akt II: „Wie eine Rosenknospe“ (Camille, Valencienne)Franz Lehár2:21
22Die lustige Witwe: Akt II: „Sieh dort den kleinen Pavilion“ (Valencienne, Camille)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. “Sieh dort den kleinen Pavillon” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:18
23Die lustige Witwe: Akt II: Dialog: „Die Baronin und Herr Rosillon sind im Pavilion“ (Njegus, Zeta, Danilo)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Erich Kunz (baritone) and Anton Niessner
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ah, die Baronin und Herr Rosillon"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:20
24Die lustige Witwe: Akt II: „Ha! Ha!… Wie eine Rosenknospe“ (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
baritone vocals:
Erich Kunz (baritone) and Anton Niessner
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:09
25Die lustige Witwe: Akt II: Dialogue: „Nun wissen Sie, meine Herrschaften“ (Hanna, Chor, Camille, Valencienne, Danilo, Zeta)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
Franz Lehár2:36
26Die lustige Witwe: Akt II: „Ein flotter Ehestand soll’s sein“ (Hanna, Camille, Zeta, Valencienne, Chor, Danilo)
baritone vocals:
Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
spoken vocals:
Hella Kürty (German actress)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. “Die Ehe ist für mich privat” … “Ein flotter Ehestand soll’s sein” … “Das hat Rrrrass’” (Hanna, Camille, Zeta, Valencienne, Chorus, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:30
27Die lustige Witwe: Akt II: „Es waren zwei Königskinder“ (Danilo, Hanna, die anderen)
baritone vocals:
Erich Kunz (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt II. "Es waren zwei Königskinder" (Danilo, Hanna, Alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:29
28Die lustige Witwe: Akt III: Dialog: „Njegus, was ist das mit der Musik“ (Zeta, Njegus)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Anton Niessner
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt III. Dialog „Njegus, was ist das mit der Musik” (Zeta, Njegus)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:47
29Die lustige Witwe: Akt III: „Ja, wir sind es, die Grisetten“ (Valencienne, Grisetten)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
spoken vocals:
Hella Kürty (German actress)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:32
30Die lustige Witwe: Akt III: Dialog: „Gospodina Glawari“ (Danilo, Hanna)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor)
recording of:
Die lustige Witwe: Akt III. Dialog „Gospodina!” (Danilo, Hanna)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:44
31Die lustige Witwe: Akt III: „Bei jedem Walzerschritt“ (The Merry Widow Waltz) (Hanna, Danilo)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Erich Kunz (baritone)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:59
32Die lustige Witwe: Akt III: Dialog: „Exzellenz, man hat im Pavilion diesen Fächer gefunden“ (Njegus, Zeta, Valencienne)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Anton Niessner
spoken vocals:
Hella Kürty (German actress)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!”
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:20
33Die lustige Witwe: Akt III: „Ja, das Studium der Weiber ist schwer“ (Hanna, Zeta, Danilo, alle)
producer:
Walter Legge (British classical producer) (in 1953)
baritone vocals:
Erich Kunz (baritone) and Anton Niessner
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Ackermann (conductor) (in 1953)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1953)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:41