Complete Recordings on Decca & Philips

~ Release by London Philharmonic Orchestra, Bernard Haitink (see all versions of this release, 1 available)

Tracklist

1▶CD: Beethoven: Symphonies nos. 1 & 5
2▶CD: Beethoven: Symphonies nos. 2 & 6 "Pastoral" / The Creatures of Prometheus, Overture
3▶CD: Beethoven: Symphony no. 3 "Eroica" / Coriolan Overture / Leonora Overture no. 3
4▶CD: Beethoven: Symphonies nos. 4 & 7 / Egmont Overture
5▶CD: Beethoven: Symphony no. 8 / Triple Concerto
6▶CD: Beethoven: Symphony no. 9 "Choral"
7▶CD: Beethoven: Piano Concerto nos. 1 & 2
8▶CD: Beethoven: Piano Concerto nos. 3 & 4
9▶CD: Beethoven: Piano Concerto no. 5 / Fantasia in C minor, "Choral Fantasy"
10▶CD: Dvořák: Cello Concerto / Silent Woods / Rondo in G minor
11▶CD: Holst: The Planets / Elgar: Enigma Variations
12▶CD: Liszt: Symphonic poems: Ce qu'on entend sur la montagne / Tasso / Les préludes
13▶CD: Liszt: Symphonic poems: Orpheus / Prometheus / Mazeppa / Festklänge
14▶CD: Liszt: Symphonic poems: Héroïde funèbre / Hungaria / Hamlet
15▶CD: Liszt: Symphonic poems: Hunnenschlacht / Die Ideale / Von der Wiege bis zum Grabe / Mephisto Waltz no. 1
16▶CD: Liszt: Piano Concertos nos. 1 & 2 / Totentanz
17▶CD: Mendelssohn: Symphonies nos. 1 & 4 / Meeresstille und glückliche Fahrt
18▶CD: Mendelssohn: Symphonies nos. 3 & 5 / The Hebrides Overture
19▶CD: Mozart: Overtures
20▶CD: Rimsky-Korsakov: Scheherazade / Rachmaninoff : Rhapsody on a Theme of Paganini
21▶CD: Shostakovich: Symphonies nos. 1 & 9
22▶CD: Shostakovich: Symphony no. 2 "To October" / Symphony no. 3 “The First of May”
23▶CD: Shostakovich: Symphony no. 4
24▶CD: Shostakovich: Symphony no. 7 “Leningrad”
25▶CD: Shostakovich: Symphony no. 10
26▶CD: Shostakovich: Symphony no. 15 / The Age of Gold, Ballet suite
27▶CD: Stravinsky: The Firebird
28▶CD: Stravinsky: Petrushka / The Rite of Spring
29▶CD: Verdi: Don Carlo (1)
30▶CD: Verdi: Don Carlo (2)
31▼CD: Verdi: Don Carlo (3)
#TitleArtistRatingLength
1Don Carlo: Atto IV. No. 14. Introduzione, scena e cantabile “Ella giammai m’amò!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:53
2Don Carlo: Atto IV. No. 15. Scena “Il grande inquisitor!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
bass vocals [Il grande inquisitore]:
Robert Lloyd (operatic bass)
tenor vocals [Lerma]:
Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:33
3Don Carlo: Atto IV. “Nell’ispano suol mai l’eresia dominò”
bass vocals [Il grande inquisitore]:
Robert Lloyd (operatic bass)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Allora son io che a voi parlerò, sire. Nell'ispano suol mai l'ere sia dominò” (Il grande inquisitore)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:38
4Don Carlo: Atto IV. No. 16. Scena e quartetto “Giustizia! O sire!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:02
5Don Carlo: Atto IV. “Ah! Sii maledetto, sospetto fatale”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:41
6Don Carlo: Atto IV. No. 17. Scena ed aria “Pietà! Perdon! Per la rea che si pente”
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:41
7Don Carlo: Atto IV. “O don fatale”
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:43
8Don Carlo: Atto IV. No. 18. Morte di Rodrigo “Son io, mio Carlo”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:54
9Don Carlo: Atto IV. “Per me giunto è il dì supremo”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:01
10Don Carlo: Atto IV. “O Carlo, ascolta…”
baritone vocals [Rodrigo]:
Dmitri Hvorostovsky (Russian operatic baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:09
11Don Carlo: Atto IV. “Mio Carlo, a te la spada io rendo!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
bass vocals [Il grande inquisitore]:
Robert Lloyd (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals [Eboli]:
Olga Borodina (mezzo-soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
tenor vocals [Lerma]:
Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:15
12Don Carlo: Atto V. No. 19. Scena ed aria “Tu che le vanità”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:42
13Don Carlo: Atto V. “Francia, nobile suol”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:19
14Don Carlo: Atto V. “È dessa!”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Act V. “È dessa!” (1886 unabridged version in 5 acts)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
version of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta)
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:19
15Don Carlo: Atto V. “Ma lassù ci vedremo in un mondo migliore”
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Act V. “Ma lassu ci vedremo” (1886 unabridged version in 5 acts)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
version of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi4:01
16Don Carlo: Atto V. “Sì, per sempre!”
bass vocals [Filippo]:
Roberto Scandiuzzi (italian operatic bass)
bass vocals [Il grande inquisitore]:
Robert Lloyd (operatic bass)
bass vocals [un frate]:
Ildebrando d’Arcangelo (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals [Elisabetta]:
Galina Gorchakova (Russian lyric soprano)
tenor vocals [Carlo]:
Richard Margison (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:46