»Ein feste Burg ist unser Gott«: Chöre und Choräle auf Luther-Worte

~ Release by Martin Luther, Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate »Ein feste Burg ist unser Gott« BWV 80: 1. Chor: Ein feste Burg ist unser Gott
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:54
2Kantate »Ein feste Burg ist unser Gott« BWV 80: 5. Choral: Und wenn die Welt voll Teufel wär
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1978-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:07
3Kantate »Ein feste Burg ist unser Gott« BWV 80: 8. Choral: Das Wort sie sollen lassen stahn
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
timpani:
Mathias Holm (German timpanist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet I]:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet II]:
Paul Lachenmeier (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
violin:
Kurt Guntner (violinist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1978-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:28
4Kantate »Aus tiefer Not schrei ich zu dir« BWV 38: 1. Chor: Aus tiefer Not schrei ich zu dir
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": I. Choral. "Aus tiefer Not schrei ich zu dir" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach3:45
5Kantate »Aus tiefer Not schrei ich zu dir« BWV 38: 6. Choral: Ob bei uns ist der Sünden viel
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": VI. Choral "Ob bei uns ist der Sünden viel" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 31)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach1:17
6Kantate »Erhalt uns Herr bei deinem Wort« BWV 126: 1. Chor: Erhalt uns Herr bei deinem Wort
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
double bass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) and Elmar Schloter (organist) (in 1973-05, in 1974-02)
trumpet:
Pierre Thibaud (French trumpeter) (in 1974-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1974-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": I. Coro "Erhalt uns Herr bei deinem Wort" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:46
7Kantate »Erhalt uns Herr bei deinem Wort« BWV 126: 6. Choral: Verleih uns Frieden gnädiglich
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1973-05, in 1974-02)
cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1974-02)
double bass:
Herbert Duft (double bass player) (in 1973-05, in 1974-02)
oboe [oboe I]:
Manfred Clement (oboist) (in 1973-05, in 1974-02)
oboe [oboe II]:
Robert Eliscu (in 1973-05, in 1974-02)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1974-02) and Elmar Schloter (organist) (in 1973-05, in 1974-02)
trumpet:
Pierre Thibaud (French trumpeter) (in 1974-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1973-05, in 1974-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-05, in 1974-02)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": VI. Choral "Verleih uns Frieden gnädiglich" (in 1974-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 321)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach1:45
8Kantate »Nun komm, der Heiden Heiland« BWV 61: 1. Chor: Nun komm, der Heiden Heiland
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:57
9Kantate »Christum wir sollen loben schon« BWV 121: 1. Chor: Christum wir sollen loben schon
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:31
10Kantate »Christum wir sollen loben schon« BWV 121: 6. Choral: Lob, Ehr und Dank sei dir gesagt
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:05
11Kantate »Die Himmel erzählen die Ehre Gottes« BWV 76: 7. Choral: Es woll uns Gott gnädig sein
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1974-05, in 1975-01)
violin:
Ingo Sinnhoffer (in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-05, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05, in 1975-01)
recording of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes": VII. Choral "Es woll uns Gott genädig sein" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes"
Johann Sebastian Bach2:31
12Kantate »Die Himmel erzählen die Ehre Gottes« BWV 76: 14. Choral: Es danke, Gott, und lobe dich
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1974-05, in 1975-01)
violin:
Ingo Sinnhoffer (in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-05, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05, in 1975-01)
recording of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes": XIV. Choral "Es danke, Gott, und lobe dich" (in 1974-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 76 "Die Himmel erzählen die Ehre Gottes"
Johann Sebastian Bach2:31
13Kantate »Christ lag in Todesbanden« BWV 4: 1. Sinfonia
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:37
14Kantate »Christ lag in Todesbanden« BWV 4: 2. Versus 1 (Chor): Christ lag in Todesbanden
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:24
15Kantate »Christ lag in Todesbanden« BWV 4: 3. Versus 2 (Chor: Sopran, Alt): Den Tod niemand bezwingen kunnt
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
alto vocals, choir vocals and soprano vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:59
16Kantate »Christ lag in Todesbanden« BWV 4: 4. Versus 3 (Chor: Tenor): Jesus Christus, Gottes Sohn
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:57
17Kantate »Christ lag in Todesbanden« BWV 4: 5. Versus 4 (Chor): Es war ein wunderlicher Krieg
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
18Kantate »Christ lag in Todesbanden« BWV 4: 6. Versus 5 (Baß): Hier ist das rechte Osterlamm
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:35
19Kantate »Christ lag in Todesbanden« BWV 4: 7. Versus 6 (Chor: Sopran, Tenor): So feiern wir das hohe Fest
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals, soprano vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:01
20Kantate »Christ lag in Todesbanden« BWV 4: 8. Versus 7 (Chor): Wir essen und wir leben wohl
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19

Credits

Release

part of:Favorit (Deutsche Grammophon) (order: 58)
ASIN:DE: B000024MGS [info]
other databases:https://d-nb.info/355934124 [info]