Peaceful Adagios

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Largo from Concerto for Lute in D, RV. 93
engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
classical guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Vivaldi5:16
2Meditation from Thaïs
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Massenet5:46
3Dance of the Girls with Lilies
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1989-10-04 until 1989-10-05)
conductor:
Charles Dutoit (conductor) (from 1989-10-04 until 1989-10-05)
balance engineer:
John Dunkerley (engineer) (from 1989-10-04 until 1989-10-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1989-10-04 until 1989-10-05)
recording of:
Romeo and Juliet, op. 64: Act III, Scene III. No. 49. Dance of the girls with the lilies (from 1989-10-04 until 1989-10-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act III
Prokofiev2:34
4Prélude à l'après-midi d'un faune
producer:
Volker Straus (producer/engineer)
orchestra:
Concertgebouw Orchestra, Amsterdam (Royal Concertgebouw Orchestra) (in 1976-12)
conductor:
Bernard Haitink (conductor) (in 1976-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1977)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands and Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1976-12)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1976-12)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Debussy11:14
5Sospiri
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1967-11-20 until 1967-11-21)
conductor:
Sir Neville Marriner (conductor) (from 1967-11-20 until 1967-11-21)
balance engineer:
Alan Reeve and Kenneth Wilkinson (engineer) (in 1967-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-11-20 until 1967-11-21)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (from 1967-11-20 until 1967-11-21)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Elgar4:57
6Adagio from Serenade in B-flat, K. 361 "Gran partita"
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer) and Martha de Francisco (classical producer and engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (clarinettist) (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
wind instruments:
Academy of St Martin in the Fields Wind Ensemble (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
Mozart5:45
7Last Sleep of the Virgin
producer:
Michael Williamson (classical music producer)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
balance engineer:
Kenneth Wilkinson (engineer) (in 1958-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge (in 1958-05)
composer:
Jules Massenet (French Romantic composer)
librettist:
Charles Grandmougin
part of:
La Vierge
Massenet5:06
8Pavane
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1987-10)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Fauré6:42
9Arabesque
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) and Onno Scholtze (sound engineer)
piano:
Kocsis Zoltán (pianist, conductor) (in 1988-10)
balance engineer:
Onno Scholtze (sound engineer) (in 1988-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1988-10)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1988-10)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Debussy3:58
10Adagio from Clarinet Concerto in A, K. 622
clarinet:
Jack Brymer (clarinettist) (in 1964-05)
orchestra:
London Symphony Orchestra (in 1964-05)
conductor:
Sir Colin Davis (English conductor) (in 1964-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1964-05)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1964-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Mozart7:22
11Andante from Piano Concerto no. 2 in F
producer:
Paul Myers (classical record producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1989-01)
orchestra:
Royal Philharmonic Orchestra (in 1989-01)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1989-01)
balance engineer:
John Dunkerley (engineer) (in 1989-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1989-01)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1989-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Shostakovich7:36
12Pavane pour une infante défunte
producer:
Ray Minshull (record producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1991-03-10 until 1991-03-14)
recorded at:
Wang Auditorium in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1991-03-10 until 1991-03-14)
recording of:
Pavane pour une infante défunte (original version for solo piano) (from 1991-03-10 until 1991-03-14)
premiered in:
Paris, Île-de-France, France (on 1902-04-05)
composer:
Maurice Ravel (French composer) (in 1899)
part of:
Classic 100: Music of France (2012) (number: 13), Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19) and Classic 100: Piano (2025) (number: 59)
Ravel6:14
13Gymnopédie no.1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Satie3:14
14Evening Prayer from Hänsel und Gretel
producer:
Richard Beswick and Christopher Raeburn (producer)
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1978-06)
soprano vocals:
Lucia Popp (soprano) (in 1978-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1978-06)
conductor:
Sir Georg Solti (conductor) (in 1978-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1978-06)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir) (in 1978-06)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Humperdinck2:50

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ASIN:US: B000FVBL7K [info]