Star Wars - A Musical Anthology

~ Release by John Williams (see all versions of this release, 2 available)

Annotation

A compilation of tracks from the original soundtrack releases of the six Star Wars scores, remastered for the Blu-spec CD format.

Annotation last modified on 2012-06-05 11:31 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
120th Century Fox Fanfare *
recording of:
20th Century Fox Fanfare (in 1980)
composer:
Alfred Newman (in 1933)
Alfred Newman?:??
2“Star Wars” Main Title/Blockade Runner
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Main Title (Star Wars) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams3.4?:??
3Duel of the Fates
choir vocals:
London Voices (from 1999-02-05 until 1999-02-18)
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-18)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-18)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams4?:??
4Anakin’s Theme
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin’s Theme (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams2.75?:??
5The Arrival at Tatooine and the Flag Parade
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Arrival at Tatooine (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
recording of:
The Flag Parade (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
John Williams3.15?:??
6Accross the Stars
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams3.65?:??
7Battle of the Heroes
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Battle of the Heroes (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams3.5?:??
8The Imperial March
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams4.15?:??
9The Dune Sea of Tatooine/Jawa Sandcrawler
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
The Dune Sea of Tatooine / Jawa Sandcrawler (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3?:??
10The Hologram/Binary Sunset
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Binary Sunset (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Hologram (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.25?:??
11Tales of a Jedi Knight/Learn About the Force
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Tales of a Jedi Knight / Learn About the Force (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams1.5?:??
12Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3.9?:??
13Princess Leia’s Theme
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas and Tom Null
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16) and Abravanel Hall in Salt Lake City, Utah, United States (from 1983-06-21 until 1983-06-22)
recording of:
Princess Leia's Theme (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.75?:??
14Ben Kenobi’s Death/Tie Fighter Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2?:??
15Yoda’s Theme
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.15?:??
16The Asteroid Field
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.25?:??
17Luke and Leia
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2?:??
18The Forest Battle (Concert Suite)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.25?:??
19Leia Breaks the News/Funeral Pyre for a Jedi
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Leia's News (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Light of the Force (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams2.5?:??
20The Throne Room and End Title
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
End Titles (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams3?:??