The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2CD: Dixit Dominus / Coronation Anthem no. 1
3CD: Rameau: Les Fêtes d’Hébé (La Danse)
4CD: Handel: The ways of Zion do mourn
5CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9CD: Music of the “Chapels Royal”
10CD: Purcell: The Tempest
11CD: Purcell: The Indian Queen
12CD: Messe des morts (Requiem)
13CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17CD: Handel: Concerti Grossi, op. 3
18CD: Handel: Water Music
19CD: J.S. Bach: Cantatas BWV 4 & 131
20CD: Handel: Semele, HWV 58 (beginning)
21CD: Handel: Semele, HWV 58 (conclusion)
22CD: Gluck: Don Juan ou Le Festin de Pierre
23CD: Purcell: Hail! Bright Cecilia
24CD: Monteverdi: Balli e Balletti
25CD: Rameau: Dardanus, suite d’orchestre
26CD: Rameau: Les Boréades (beginning)
27CD: Rameau: Les Boréades (continuation)
28CD: Rameau: Les Boréades (conclusion)
29CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30CD: J. S. Bach: Orchestral Suites no. 3 & 4
31CD: Purcell: King Arthur or The British Worthy (beginning)
32CD: Purcell: King Arthur or The British Worthy (conclusion)
33CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35CD: Chabrier: L’Étoile (beginning)
36CD: Chabrier: L’Étoile (conclusion)
37CD: Handel: Tamerlano (beginning)
38CD: Handel: Tamerlano (continuation)
39CD: Handel: Tamerlano (conclusion)
40CD: Leclair: Scylla et Glaucus (beginning)
41CD: Leclair: Scylla et Glaucus (continuation)
42CD: Leclair: Scylla et Glaucus (conclusion)
43CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44CD: Bizet: Symphony in C major / L’Arlésienne
45CD: Berlioz: L’Enfance du Christ (beginning)
46CD: Berlioz: L’Enfance du Christ (conclusion)
47CD: Messager: Fortunio (Acte 1 & 2)
48CD: Messager: Fortunio (Acte 3 & 4)
49CD: Gluck: Iphigénie en Aulide (beginning)
50CD: Gluck: Iphigénie en Aulide (conclusion)
51CD: Purcell: Timon of Athens / Dioclesian (beginning)
52CD: Purcell: Dioclesian (conclusion)
53CD: Offenbach: Les Brigands (Acte 1)
54CD: Offenbach: Les Brigands (Acte 2–3)
55CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58CD: Gluck: Orphée et Eurydice (beginning)
59CD: Gluck: Orphée et Eurydice (conclusion)
60CD: Berlioz: Les Nuits d’été & other mélodies
61CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64CD: England, my England (Purcell)
#TitleArtistRatingLength
1Sonata for trumpet and strings in D major, Z. 850: I. Allegro
producer:
Nick Parker (engineer)
trumpet:
David Blackadder (trumpet player) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850: I. Allegro (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850
Henry Purcell1:21
2Sonata for trumpet and strings in D major, Z. 850: II. Adagio
producer:
Nick Parker (engineer)
trumpet:
David Blackadder (trumpet player) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850: II. Adagio (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850
Henry Purcell1:30
3Sonata for trumpet and strings in D major, Z. 850: III. Allegro
producer:
Nick Parker (engineer)
trumpet:
David Blackadder (trumpet player) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850: III. Presto (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Sonata for trumpet, strings, and basso continuo in D major, Z. 850
Henry Purcell1:20
4The Married Beau, Z. 603: Overture
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
The Married Beau, Z. 603 "The Curious Impertinent": I. Overture (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
The Married Beau, Z. 603 "The Curious Impertinent"
Henry Purcell2:42
5Ode for the Birthday of Queen Mary, Z. 323: II. “Come, ye Sons of Art, come away”
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:53
6Ode for the Birthday of Queen Mary, Z. 323: III. “Sound the trumpet”
producer:
Nick Parker (engineer)
countertenor vocals:
James Bowman (UK countertenor) (from 1995-01-02 until 1995-01-07) and Michael Chance (British countertenor) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:45
7Saul and the witch of Endor, Z. 134: “In guilty night”
producer:
Nick Parker (engineer)
bass vocals:
David Thomas (British operatic bass) (from 1995-01-02 until 1995-01-07)
countertenor vocals:
Michael Chance (British countertenor) (from 1995-01-02 until 1995-01-07)
soprano vocals:
Jennifer Smith (soprano) (from 1995-01-02 until 1995-01-07)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
In guilty night, Z. 134 (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 134)
Henry Purcell10:20
8The Indian Queen, Z. 630: Adagio
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
partial recording of:
The Indian Queen, Z. 630: Act III (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630
Henry Purcell1:43
9King Arthur, Z. 628: “Fairest Isle”
producer:
Nick Parker (engineer)
soprano vocals:
Lynne Dawson (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:28
10Upon a quiet conscience, Z. 184: “Close thine eyes and sleep secure”
producer:
Nick Parker (engineer)
baritone vocals:
Peter Harvey (bass-baritone) (from 1995-01-02 until 1995-01-07)
soprano vocals:
Lynne Dawson (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Close thine eyes and sleep secure, Z. 184 (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 184)
Henry Purcell3:57
11Dido and Aeneas, Z. 626: Dido’s Lament. “They hand, Belinda” – “When I am laid in earth”
producer:
Nick Parker (engineer)
mezzo-soprano vocals:
Susan Graham (mezzo-soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:53
12Music for the funeral of Queen Mary, Z. 860: March
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:24
13Music for the funeral of Queen Mary, Z. 860: “Man that is born of woman”
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:25
14Music for the funeral of Queen Mary, Z. 860: Canzona
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:03
15Music for the funeral of Queen Mary, Z. 860: “In the midst of life” (plus canzona repeat)
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell6:23
16Music for the funeral of Queen Mary, Z. 860: “Thou knowest, Lord, the secrets of our Hearts”
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer) (in 1687)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:39
17Abdelazer, Z. 570: Rondeau
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
performer:
English Baroque Soloists (The English Baroque Soloists)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:29
18King Arthur or The British Worthy, Z. 628, Act 1. Symphony: “Come if you dare”
producer:
Nick Parker (engineer)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell3:57
19King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: Prelude
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:26
20King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “What ho! Thou genius of this isle”
producer:
Nick Parker (engineer)
soprano vocals:
Nancy Argenta (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:53
21King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “What power art thou”
producer:
Nick Parker (engineer)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:57
22King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “Thou doting fool”
producer:
Nick Parker (engineer)
soprano vocals:
Nancy Argenta (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:54
23King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “Great love, I know thee now”
producer:
Nick Parker (engineer)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:43
24King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “No part of my dominion”
producer:
Nick Parker (engineer)
soprano vocals:
Nancy Argenta (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:57
25King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: Prelude
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (from 1995-01-02 until 1995-01-07)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:50
26King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: Cgorus of Cold People: “See, see, we assemble”
producer:
Nick Parker (engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:12
27King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “Tis love that has warm’d us”
producer:
Nick Parker (engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:03
28King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: “Sound a parley” – Ritornello – “Tis love that has warm’d us”
producer:
Nick Parker (engineer)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1995-01-02 until 1995-01-07)
soprano vocals:
Nancy Argenta (soprano) (from 1995-01-02 until 1995-01-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:54
29King Arthur or The British Worthy, Z. 628, Act III. Frost Scene: Third Act Tune – Hornpipe
producer:
Nick Parker (engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-01-02 until 1995-01-07)
conductor:
John Eliot Gardiner (from 1995-01-02 until 1995-01-07)
balance engineer:
Richard Lee (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-01-02 until 1995-01-07)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (from 1995-01-02 until 1995-01-07)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:48