Famous Cantatas, Vol. 1

~ Release by Johann Sebastian Bach; Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Christ lag in Todesbanden BWV 4: Sinfonia
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:12
2Christ lag in Todesbanden BWV 4: Versus I - Chorus: Christ lag in Todesbanden
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:43
3Christ lag in Todesbanden BWV 4: Versus II - Duet: Den Tod niemand zwingen kunnt
alto vocals:
Kai Wessel (countertenor) (from 1994-11-23 until 1994-12-03)
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:45
4Christ lag in Todesbanden BWV 4: Versus III - Jesus Christus, Gottes Sohn (tenor)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:03
5Christ lag in Todesbanden BWV 4: Versus IV - Chorus: Es war ein wunderlicher Krieg
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
6Christ lag in Todesbanden BWV 4: Versus V - Hier ist das rechte Osterlamm (bass)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:55
7Christ lag in Todesbanden BWV 4: Versus VI - Duet: So feiern wir das hohe Fest
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:57
8Christ lag in Todesbanden BWV 4: Versus VII Choral: Wir essen und leben wohl (chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:21
9Gott ist mein König BWV 71: Gott ist mein konig (Chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": I. Coro (Sopran, Alt, Tenor, Bass) "Gott ist mein König von altersher" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:48
10Gott ist mein König BWV 71: Chorale Aria: Ich bin nun achzig Jahr (Tenor, Soprano)
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": II. Aria (Sopran, Tenor) "Ich bin nun achtzig Jahr" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:29
11Gott ist mein König BWV 71: Dein Alter sei wie deine Jugend (Chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": III. Fuga (Coro) "Dein Alter sei wie deine Jugend" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:31
12Gott ist mein König BWV 71: Arioso: Tag und Nacht ist dein (Bass)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": IV. Arioso (Bass) "Tag und Nacht ist dein" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach2:52
13Gott ist mein König BWV 71: Aria: Durch machtige Kraft (Alto)
alto vocals:
Kai Wessel (countertenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": V. Aria (Alt) "Durch mächtige Kraft" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach1:11
14Gott ist mein König BWV 71: Du wollest dem Feinde nicht geben (Chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VI. Coro "Du wollest dem Feinde" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:51
15Gott ist mein König BWV 71: Das neue Regiment (Chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 71 "Gott ist mein König von altersher": VII. Coro (Sopran, Alt, Tenor, Bass) "Das neue Regiment" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 71 "Gott ist mein König"
Johann Sebastian Bach3:43
16Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Sinfonia: Aus der Tiefe rufe ich
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1994)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1994, from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (in 1994, from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994, from 1994-11-23 until 1994-12-03)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2008)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994, from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:18
17Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: So du willst (Bass, Soprano)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1994)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1994, from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (in 1994, from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994, from 1994-11-23 until 1994-12-03)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2008)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994, from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:20
18Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Ich harre des Herrn (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1994)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1994, from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (in 1994, from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994, from 1994-11-23 until 1994-12-03)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2008)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994, from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:35
19Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: Meine Seele wartet auf den Derrn (Tenor, Alto)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1994)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (in 1994, from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (in 1994, from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994, from 1994-11-23 until 1994-12-03)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2008)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994, from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach6:04
20Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Israel, hoffe auf den Herrn (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer) (in 1994)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1994, from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (in 1994, from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994, from 1994-11-23 until 1994-12-03)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2008)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1994, from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:06
21Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Sonatina
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:34
22Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Gottes Zeit ist die allerbeste Zeit (Chorus) b. Arioso: Ach, Herr, lehre uns bedenken (Tenor) c. Arioso: Bestelle dein Haus (Bass)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach8:24
23Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Aria: In deine Hande befehle ich meinen Geist (Alto) b. Chorale: Heute wirst du mit mir (Alto, Bass)
alto vocals:
Kai Wessel (countertenor) (from 1994-11-23 until 1994-12-03)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:56
24Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Glorie, Lob, Ehr und Herrlichkeit (Chorus)
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:04