Zar und Zimmermann: Großer Querschnitt (printed in Holland)

~ Release by Albert Lortzing; Hermann Prey, Peter Schreier, Gottlob Frick, Nicolai Gedda, Erika Köth, Annelies Burmeister, Chor des Leipziger Rundfunks, Staatskapelle Dresden, Robert Heger (see all versions of this release, 2 available)

Annotation

Similar to the other release with same barcode, but additional print on the back cover: Printed in Holland by EMI Services Benelux B.V., Uden

Annotation last modified on 2025-08-28 21:11 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Zar und Zimmermann: 1. Akt, No. 1: Introduktion „Greifet an und rührt die Hände“
producer:
Dr. Helmut Storjohann (German producer)
baritone vocals [Peter I.]:
Hermann Prey (baritone)
choir vocals:
Chor des Leipziger Rundfunks
tenor vocals [Iwanow]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt I. Nr. 1 Introduktion und Zimmermannslied „Greifet an und rührt die Hände“ … „Auf Gesellen, greift zur Axt“ (Iwanow, Peter I., Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing6:27
2Zar und Zimmermann: 1. Akt, No. 2: Ariette „Die Eifersucht ist eine Plage“
producer:
Dr. Helmut Storjohann (German producer)
soprano vocals [Marie]:
Erika Köth (soprano)
tenor vocals [Iwanow]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt I. Nr. 2 Ariette „Die Eifersucht ist eine Plage“ (Marie, Iwanow)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing5:04
3Zar und Zimmermann: 1. Akt, No. 3: Rezitativ und Arie „Verraten!“ – „Die Macht des Zepters“
producer:
Dr. Helmut Storjohann (German producer)
baritone vocals [Peter I.]:
Hermann Prey (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt I. Nr. 3 Rezitativ und Arie „Verraten! Von euch verraten“ / „Die Macht des Szepters“ (Peter I.)
composer:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing6:35
4Zar und Zimmermann: 1. Akt, No. 4: Arie „O sancta justitia! Ich möchte rasen“
producer:
Dr. Helmut Storjohann (German producer)
bass vocals [van Bett]:
Gottlob Frick (operatic bass)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt I. Nr. 4 Arie „O sancta justitia!“ (van Bett)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt I
Albert Lortzing6:35
5Zar und Zimmermann: 2. Akt, No. 8: Chor „Hoch lebe die Freude“
producer:
Dr. Helmut Storjohann (German producer)
choir vocals:
Chor des Leipziger Rundfunks
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt II. Nr. 8 Chor und Ensemble „Hoch lebe die Freude…“ (Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing2:28
6Zar und Zimmermann: 2. Akt, No. 9: Lied „Lebe wohl, mein flandrisch Mädchen“
producer:
Dr. Helmut Storjohann (German producer)
choir vocals:
Chor des Leipziger Rundfunks
soprano vocals [Marie]:
Erika Köth (soprano)
tenor vocals [Marquis]:
Nicolai Gedda (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:41
7Zar und Zimmermann: 2. Akt, No. 10: Sextett „Zum Werk, das wir beginnen“
producer:
Dr. Helmut Storjohann (German producer)
baritone vocals [Peter I.]:
Hermann Prey (baritone)
bass vocals [Lefort]:
Fred Teschler (bass vocalist)
bass vocals [Lord]:
Siegfried Vogel (operatic bass)
bass vocals [van Bett]:
Gottlob Frick (operatic bass)
tenor vocals [Iwanow]:
Peter Schreier (German tenor and conductor)
tenor vocals [Marquis]:
Nicolai Gedda (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt II. Nr. 10 Sextett „Zum Werk, das wir beginnen“ (Marquis, Peter I., Lefort, Iwanow, van Bett, Lord)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing8:42
8Zar und Zimmermann: 2. Akt, No. 11: Lied „Lieblich röten sich die Wangen“ (Brautlied)
producer:
Dr. Helmut Storjohann (German producer)
choir vocals:
Chor des Leipziger Rundfunks
soprano vocals [Marie]:
Erika Köth (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt II. Nr. 11 Brautlied „Lieblich röten sich die Wangen“ (Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing3:32
9Zar und Zimmermann: 3. Akt, No. 13: Ensemble „Den hohen Herrscher“ (Singschule)
producer:
Dr. Helmut Storjohann (German producer)
bass vocals [van Bett]:
Gottlob Frick (operatic bass)
choir vocals:
Chor des Leipziger Rundfunks
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt III. Nr. 13 Ensemble „Den hohen Herrscher würdig zu empfangen“ (van Bett, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing9:34
10Zar und Zimmermann: 3. Akt, No. 14: Lied „Sonst spielt ich mit Zepter“
producer:
Dr. Helmut Storjohann (German producer)
baritone vocals [Peter I.]:
Hermann Prey (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt III. Nr. 14 Lied „Sonst spielt’ ich mit Zepter“ (Peter I.)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing4:01
11Zar und Zimmermann: 3. Akt, No. 15: Duett „Darf eine niedre Magd es wagen“
producer:
Dr. Helmut Storjohann (German producer)
soprano vocals [Marie]:
Erika Köth (soprano)
tenor vocals [Iwanow]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt III. Nr. 15 Duett „Darf eine niedre Magd es wagen“ (Marie, Iwanow)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing5:21
12Zar und Zimmermann: 3. Akt, No. 16: Ballett: Holzschuhtanz – „Erhabner Held! Die Römer und Griechen“
producer:
Dr. Helmut Storjohann (German producer)
bass vocals [van Bett]:
Gottlob Frick (operatic bass)
choir vocals:
Chor des Leipziger Rundfunks
soprano vocals [Marie]:
Erika Köth (soprano)
spoken vocals [Ein Ratsdiener]:
Wilhelm Apel (german actor/singer)
tenor vocals [Iwanow]:
Peter Schreier (German tenor and conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Robert Heger (conductor)
balance engineer:
Klaus Strüben (german sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1966)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1965-08)
recording of:
Zar und Zimmermann: Akt III. Nr. 16 „Erhabner Held! Die Römer und Griechen“ (van Bett, Marie, Iwanow, Ratsdiener, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
recording of:
Zar und Zimmermann: Akt III. Nr. 16 Holzschuhtanz (Zar und Zimmermann, LoWV 38: Act III. Clog Dance)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt III
Albert Lortzing9:07

Credits

Release

manufactured in:Japan
printed in:Holland, Kingdom of the Netherlands
U.K.
copyrighted (©) by and phonographic copyright (℗) by:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1987)
printed by:EMI Services Benelux B.V.
Discogs:https://www.discogs.com/release/34919888 [info]