Annotation

Livre-disque de la collection "Grandes Œuvres Deutsche Grammophone"

Annotation last modified on 2021-08-10 17:58 UTC.

Tracklist

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1La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 1. Chœur : « Kommt, ihr Töchter, helft mir klagen » Choral : « O Lamm Gottes, unschuldig » (sopranos in ripieno)
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
editor:
Werner Roth (Engineer) and Ulrich Vette (engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
The English Baroque Soloists (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach7:05
2La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 3. Choral : « Herzliebster Jesu, was has du verbrochen »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach0:44
3La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 6. Aria (contralto) : « Buss und Reu »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach4:16
4La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 8. Aria (soprano) : « Blute nur, du liebes Herz »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach4:46
5La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 17. Choral : « Ich will hier bei dir stehen »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach0:55
6La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 20. Aria (ténor) : « Ich will bei meinem Jesu wachen » Chœur : « So schlafen unsere Sünden ein »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach4:57
7La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 22. Récitatif (basse) : « Der heiland fällt vor seinem Vater nieder »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach0:54
8La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 23. Aria (basse) : « Gerne will ich mich bequemen »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach4:03
9La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Première partie : 25. Choral : « Was mein Gott will, das g’scheh allzeit »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Jean-Sébastien Bach0:59
10La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 39. Aria (contre-tenor) : « Erbarme dich, mein Gott »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach6:43
11La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 42. Aria (basse) : « Gebt mir meinen Jesum wieder »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach2:55
12La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 46. Choral : « Wie wunderbarlich ist doch diese Strafe »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1988-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach0:41
13La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 52. Aria (contralto) : « Können Tränen meiner Wangen »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach6:44
14La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 65. Aria (basse) : « Mache dich, mein Herze, rein »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach5:59
15La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 67. Récitatif (soprano, contralto, ténor, baryton, chœur I/II) : « Nun ist der Herr zur Ruh gebracht » Chœur : « Mein Jesu, gute Nacht »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
baritone vocals [bass]:
Olaf Bär (baritone) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-04)
soprano vocals:
Barbara Bonney (soprano) (in 1988-04)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach1:37
16La Passion selon saint Matthieu, BWV 244 (arias et chœurs): Seconde partie : 68. Chœur : « Wir setzen uns mit Tränen nieder »
recording engineer:
Klaus Behrens (engineer)
sound engineer and balance engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
instruments and orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1988-04)
choir vocals:
London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (English vocal Baroque ensemble) (in 1988-04)
conductor:
John Eliot Gardiner (in 1988-04)
chorus master:
Patrick Russill (in 1988-04)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Jean-Sébastien Bach5:05

Credits

Release

part of:Grandes Œuvres (Deutsche Grammophon) (number: 4) (order: 4)
Discogs:https://www.discogs.com/release/19814440 [info]