Un ballo in maschera

~ Release by Verdi; Renata Tebaldi, Luciano Pavarotti, Sherrill Milnes, Regina Resnik, Helen Donath, Chorus and Orchestra of The Accademia Nazionale di Santa Cecilia, Rome, Bruno Bartoletti (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Un ballo in maschera: Atto II. "Ahimè, S'appressa alcun!"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals:
Nicolas Christou (Belgian Bass-Baritone) and Leonardo Monreale (operatic bass)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:09
2Un ballo in maschera: Atto II. "Seguitemi - Mio Dio!""
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:31
3Un ballo in maschera: Atto II. "Ve', se di notte qui colla spossa"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:55
4Un ballo in maschera: Atto III, Scena I. "A tal colpa è nulla il pianto"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:06
5Un ballo in maschera: Atto III, Scena I. "Morrò, ma prima in grazia"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:45
6Un ballo in maschera: Atto III, Scena I. "Alzati; là tuo figlio"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:56
7Un ballo in maschera: Atto III, Scena I. "Eri tu che macchiavi quell'anima"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals:
Renata Tebaldi (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:14
8Un ballo in maschera: Atto III, Scena I. "Siam soli, Udite"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:22
9Un ballo in maschera: Atto III, Scena I. "Dunque l'onta di tutti sol una"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:48
10Un ballo in maschera: Atto III, Scena I. "D'una grazia vi supplico" / "E chi vien?" / "Qual tristezza m'assale, qual pena!"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. Scena "E chi vien?..." (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. Quartetto "Qual tristezza m'assale, qual pena!" (Amelia, Renato, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:09
11Un ballo in maschera: Atto III, Scena I. "Il messaggio entri"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:59
12Un ballo in maschera: Atto III, Scena I. "Ah! di che fulgor, che musiche"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:09
13Un ballo in maschera: Atto III, Scena II. "Force la soglia attinse"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:25
14Un ballo in maschera: Atto III, Scena II. "Ma se m'è forza perderti" / "Ah! dessa è là"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi6:08
15Un ballo in maschera: Atto III, Scena II. "Saper vorreste"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:56
16Un ballo in maschera: Atto III, Scena II. "Fervono amori e danze" / "So che tu sai distinguere gli amici suoi"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24b. “So che tu sai distinguere gli amici suoi” (Renato, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:49
17Un ballo in maschera: Atto III, Scena II. "Ah! perché qui! fuggite"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24d. Duettino “T'amo, si, t'amo, e in lagrime” (Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:27
18Un ballo in maschera: Atto III, Scena II. "Ella è pura: in braccio a morte"
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:08