The People vs. Larry Flynt (US release)

~ Release by Thomas Newman (see all versions of this release, 4 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Eggsplat recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Eggsplat orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:13
2	Kentucky, 1952 recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: kentucky, 1952 orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		2:47
3	Hello Walls recording of: Hello Walls lyricist and composer: Willie Nelson publisher: Pamper Music, Inc. (on 1961-02-08)	Faron Young		2:25
4	Hang On Sloopy recording of: Hang On Sloopy writer: Bert Russell Berns and Wes Farrell publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc and Robert Mellin Music, Inc.	The McCoys	3	3:54
5	Tick Tick Tick recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Tick Tick Tick orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:50
6	Jail Bait recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Jail Bait orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:09
7	Lewd and Shameful Manner recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Lewd And Shameful Manner orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:55
8	Cold Turkey Pervert recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Cold Turkey Pervert orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:14
9	Battle Hymn of the Republic recording of: Battle Hymn of the Republic lyricist: Julia Ward Howe (American poet) composer: William Steffe (in 1856) part of: Hymns of The Church of Jesus Christ of Latter-day Saints (1985 Hymnal) (number: 60) and Roud Folk Song Index (number: V17636) is based on: John Brown’s Body (Glory, Glory, Hallelujah)	Ruby Wilson and Kurt Clayton		1:08
10	My Soul Doth Magnify the Lord recording of: My Soul Doth Magnify the Lord composer: Johann Sebastian Bach (German Baroque period composer & musician)	The Collins Chapel Youth Choir		1:47
11	Shooting (Georgia, 1978) recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Shooting (Georgia, 1978) orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		2:43
12	Porn Again recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Porn Again orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:17
13	“Polonaise” From “Rusalka” orchestra: Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) conductor: Libor Pešek (conductor) recording of: Rusalka, op. 114, B. 203: 2. jednání: Polonaise composer: Antonín Dvořák (composer) part of: Rusalka, op. 114, B. 203: 2. jednání	Antonín Dvořák		0:58
14	Triple Dose recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Triple Dose orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:56
15	Surgery (North Carolina, 1983) recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Surgery (North Carolina, 1983) orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:32
16	“Fanfare and March” From “Dalibor” orchestra: Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) conductor: Libor Pešek (conductor) recording of: Dalibor: Fanfare and March composer: Bedřich Smetana (composer)	Bedřich Smetana		2:19
17	The Half With the Brain recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: The Half With The Brain orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:57
18	Psycho Ward recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Psycho Ward orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:35
19	Althea recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Althea orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:17
20	I’m Your Boogie Man producer: Harry Wayne Casey and Richard Finch phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and T.K. Records (Miami‐based disco label) (in 1977) recording of: I’m Your Boogie Man writer: Harry Wayne Casey and Richard Finch publisher: EMI Songs, EMI Songs Australia, Harrick Music and Longitude Music	K.C. & the Sunshine Band	4.35	4:04
21	Twenty‐One recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Twenty-One orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:56
22	Scumbag recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Scumbag orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:51
23	Deep Depravity recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Deep Depravity orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:41
24	Falwell Verdict (Virginia, 1984) recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Falwell Verdict (Virginia, 1984) orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:59
25	Happy You and Merry Me recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer)	Mae Questil		0:42
26	Los Angeles, 1987 recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Los Angeles, 1987 orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		1:20
27	Stabat Mater Dolorosa (Ending) From “Stabat Mater” vocals: Kühnův smíšený sbor (The Kühn Choir of Prague, Kühn Mixed Choir) orchestra: Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) conductor: Libor Pešek (conductor) partial recording of: Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro) lyricist: Jacopone da Todi composer: Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13) part of: Stabat Mater, op. 58, B. 71	Antonín Dvořák		1:11
28	Rosefall recording engineer: Dennis Sands (American sound engineer) and Tom Winslow (Audio engineer) producer: Bill Bernstein and Thomas Newman (American score composer) assistant editor: Jordan Corngold editor: Bill Bernstein conductor: Thomas Newman (American score composer) remixer: Thomas Newman (American score composer) and Tom Winslow (Audio engineer) recording of: Rosefall orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		0:41
29	Stabat Mater Dolorosa (Beginning) From “Stabat Mater” choir vocals: Kühnův smíšený sbor (The Kühn Choir of Prague, Kühn Mixed Choir) orchestra: Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) conductor: Libor Pešek (conductor) partial recording of: Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro) lyricist: Jacopone da Todi composer: Antonín Dvořák (composer) (from 1876-02-19 until 1876-05-07, from 1877-10 until 1877-11-13) part of: Stabat Mater, op. 58, B. 71	Antonín Dvořák		7:35
30	Dream Weaver conductor: Thomas Newman (American score composer) recording of: Dream Weaver orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer)	Thomas Newman		4:18

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ASIN:	US: B000002ULJ [info]

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IMDb:	https://www.imdb.com/title/tt0117318/ [info]

The People vs. Larry Flynt (US release)

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