Timeless

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:14
2Hold Me Close
recording of:
Hold Me Close
lyricist and composer:
David Essex
David Essex3:56
3Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (session drummer) (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:18
4Oh, Pretty Women
recording of:
Oh, Pretty Woman (Roy Orbison song)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison3:05
5Daydream Believer
Daniel O’Donnell3:04
6Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:41
7Annie’s Song
assistant engineer:
Artie Torgersen
engineer:
Mickey Crofford
additional producer and assistant producer:
Kris O'Connor
producer:
Milton Okun
bass:
Dick Kniss
guitar:
John Denver and Steve Weisberg
mandolin:
John Sommers (country music songwriter and multi- instrumentalist)
percussion:
Jim Gordon (US drummer with Derek and the Dominos)
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (on 1974-03-08)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver3.653:02
8I Love You Because
recording of:
I Love You Because
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
Jim Reeves2:47
9Don’t It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) and Capitol Nashville (in 1977, in 1979)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:46
10Crying
cover recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Don McLean3:52
11Tired of Being Alone
recorded at:
Royal Studios in Memphis, Tennessee, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 293)
recording of:
Tired of Being Alone
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. and Universal Music Publishing Group
Al Green4.452:53
12It Doesn’t Matter Anymore
Eva Cassidy3:15
13It’s Impossible
producer:
Ernie Altschuler
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1970-05-05)
conductor:
Marty Manning (on 1970-05-05)
arranger:
Marty Manning
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recording of:
It’s Impossible (on 1970-05-05)
composer:
Armando Manzanero (in 1970)
translator:
Sid Wayne
publisher:
BMG Songs, Inc.
translated version of:
Somos novios
Perry Como33:17
14Unchained Melody
Robson & Jerome3:24
15Somewhere Over the Rainbow / What a Wonderful World
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Cliff Richard4:49
16How Am I Supposed to Live Without You
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
writer:
Michael Bolton and Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. and Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Michael Bolton44:19
17Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
brass and strings arranger:
Paul Buckmaster
phonographic copyright (℗) by:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) and RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971-06)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:23
18Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow (in 1978)
strings arranger:
Joe Renzetti (US film composer, session musician)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Barry Manilow43:21
2▶CD
3▶CD