101 Ultimate Aussie Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Who Could It Be Now
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:22
2The Unguarded Moment
producer:
Bob Clearmountain and Chris Gilbey
mixer:
Bob Clearmountain
bass and keyboard:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
vocals:
Steve Kilbey
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!), Sony/ATV Music Publishing (in 1981) and Sony/ATV Northern Productions Pty Limited (in 1981)
part of:
triple j’s Hottest 100 of Australian Songs (number: 75)
recording of:
The Unguarded Moment
writer:
Steve Kilbey and Michelle Parker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher) and Sony/ATV Music Publishing Ltd.
The Church4:15
3State of the Heart
phonographic copyright (℗) by:
Fable Records (in 1980)
part of:
Mixtape – Game Soundtrack (number: 9)
recording of:
State of the Heart
lyricist and composer:
Eric McCusker
publisher:
Origin Music (publisher)
Mondo Rock4:18
4Take Me Back
bass:
Steve Balbi
drums (drum set):
Kevin Nicol
guitar:
Stuart Fraser
keyboard:
Justin Stanley
vocals:
Jon Stevens (Australian/NZ rock singer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1987)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia (from 1987-04-13 to ????)
recording of:
Take Me Back
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Greenstone Music, peermusic (“Peermusic—the global independent”) and Warner Chappell
Noiseworks53:28
5Fall of Rome
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recording of:
Fall of Rome
lyricist and composer:
James Reyne
publisher:
Mushroom Music Pty. Ltd. and Mushroom Music Publishing
James Reyne4:58
6Am I Ever Gonna See Your Face AgainThe Angels4:04
7Bad Boy for Love
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
bass:
Ian Riland
drums (drum set):
Dallas Royal (Digger)
guitar:
Michael Cocks and Peter Wells (Rose Tattoo guitarist)
vocals:
Angry Anderson
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978) and J. Albert & Son Pty. Ltd. (in 1977)
recording of:
Bad Boy for Love
lyricist and composer:
Ian Rilen
publisher:
J. Albert & Son and J. Albert & Son Pty. Ltd.
Rose Tattoo3:06
8Never Gonna Die
phonographic copyright (℗) by:
Albert Productions (in 1983)
recording of:
Never Gonna Die
writer:
Brad Carr and Mark Gable
publisher:
J. Albert & Son Pty. Ltd.
Choirboys3:57
9I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
10Shivers
recording of:
Shivers
lyricist and composer:
Rowland S. Howard (Australian rock musician) (in 1976)
publisher:
Mushroom Music Pty. Ltd.
The Screaming Jets4:27
11One Word
recording of:
One Word
writer:
Suze DeMarchi and Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Baby Animals3:56
12You’re So Vain
cover recording of:
You’re So Vain
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Chocolate Starfish4:10
13We Will Together
recording of:
We Will Together
writer:
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Eurogliders4:33
14A Beat for You
co-producer:
Ross Fraser
producer and mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1984)
recording of:
A Beat for You (Pseudo Echo)
publisher:
Brian Canham (Australian singer ex. Pseudo Echo)
lyricist and composer:
Brian Canham (Australian singer ex. Pseudo Echo)
Pseudo Echo53:42
15People
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1980)
recording of:
People
writer:
Murray Burns, Steve Gilpin and Kevin Stanton
publisher:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and EMI Songs Australia Pty. Ltd.
Mi‐Sex3:53
16Lonesome Loser
recording of:
Lonesome Loser
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3:51
17You
recording of:
You
writer:
Tim Snow
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty. Limited (not for release label use!)
Marcia Hines3:13
18Hey St. Peter
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
drums (drum set):
Ray Arnott (Australian drummer) (in 1976)
electric bass guitar:
Les Karski (in 1976)
electric guitar:
Harry Vanda (Australian musician) (in 1976) and George Young (Australian musician and producer) (in 1976)
piano:
Warren Morgan (in 1976)
synthesizer and lead vocals:
George Young (Australian musician and producer) (in 1976)
vocals:
Harry Vanda (Australian musician) (in 1976)
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978) and J. Albert & Son Pty. Ltd. (in 1977)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia (in 1976)
recording of:
Hey, St. Peter (in 1976)
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan44:22
19Jump in My Car
phonographic copyright (℗) by:
Albert Productions (in 1974, in 1975)
recording of:
Jump in My Car
lyricist and composer:
Ted Mulry
publisher:
J. Albert & Son Pty. Ltd.
Ted Mulry Gang3:01
20Love and Other Bruises
producer:
Peter Dawkins and Jimmy Horowitz
arranger:
Jimmy Horowitz
phonographic copyright (℗) by:
Australian Record Company Ltd. (in 1976), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1976), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1976) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
arranged for and produced for:
Gaff Music Inc.
recording of:
Love and Other Bruises
lyricist and composer:
Graham Russell (Air Supply)
publisher:
EMI Songs Australia Pty. Ltd.
Air Supply3:41
3CD
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5CD

Credits

Release

manufactured by and distributed by:EMI Music Australia Pty. Limited (not for release label use!)
EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyrighted (©) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2013)
Discogs:https://www.discogs.com/release/14807415 [info]

Release group

part of:101 Hits (Australian compilation series) (number: Ultimate Aussie Hits) (order: 29)