The Complete Vanguard Recordings, Volume 2: Music of Henry Purcell

~ Release by Henry Purcell; Alfred Deller, The Deller Consort (see all versions of this release, 1 available)

Annotation

Artists listed here: https://www.cdandlp.com/purcell-henry/complete-vanguard-recordings-vol.2-alfred-deller-harnoncourt-leonhardt-tippett-marriner/cd-x-7/r116978645/

Annotation last modified on 2020-12-10 06:47 UTC.

Tracklist

1▶CD: Homage to Henry Purcell
2▶CD: Music of Purcell
3▼CD: Dido and Aeneas, Z. 626
#TitleArtistRatingLength
1Dido and Aeneas, Z. 626: Overture
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Overture (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:46
2Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:07
3Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:06
4Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing..." (Belinda, Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:35
5Dido and Aeneas, Z. 626: Act I. "When monarchs unite, how happy their state" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:26
6Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:01
7Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman, Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Attendant Woman]:
Ellen Dales (classical soprano vocalist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:45
8Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (bass-baritone) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:57
9Dido and Aeneas, Z. 626: Act I. "Cupid only throws the dart" (Cupid)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:44
10Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (bass-baritone) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:30
11Dido and Aeneas, Z. 626: Act I. "Pursue thy conquest, Love" (Belinda)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:49
12Dido and Aeneas, Z. 626: Act I. "To the hills and the vales" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
13Dido and Aeneas, Z. 626: Act I. The Triumphing Dance
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:15
14Dido and Aeneas, Z. 626: Act II. Prelude for the Witches
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:16
15Dido and Aeneas, Z. 626: Act II. "Wayward sisters, you that fright" (Sorceress, First Witch)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:17
16Dido and Aeneas, Z. 626: Act II. "Harm's our delight and mischief all our skill" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:20
17Dido and Aeneas, Z. 626: Act II. "The Queen of Carthage, whom we hate" (Sorceress)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:54
18Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:14
19Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:19
20Dido and Aeneas, Z. 626: Act II. "Ha, ha, ha" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:11
21Dido and Aeneas, Z. 626: Act II. "But ere we this perform" (Witches)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Witch]:
Ellen Dales (classical soprano vocalist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:25
22Dido and Aeneas, Z. 626: Act II. "In our deep vaulted cell" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:59
23Dido and Aeneas, Z. 626: Act II. Echo Dance of the Furies
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:02
24Dido and Aeneas, Z. 626: Act II. Ritornello
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales" (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
Henry Purcell0:35
25Dido and Aeneas, Z. 626: Act II. "Thanks to these lonesome vales" (Belinda, Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:14
26Dido and Aeneas, Z. 626: Act II. "Oft she visits this lov'd mountain" (Second Woman)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Attendant Woman]:
Ellen Dales (classical soprano vocalist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:09
27Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas, Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (bass-baritone) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:34
28Dido and Aeneas, Z. 626: Act II. "Haste, haste to town" (Belinda, Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:55
29Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Aeneas)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (bass-baritone) (from 1963-05-02 until 1963-05-09)
tenor vocals [Spirit]:
Robert Tear (tenor) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:08
30Dido and Aeneas, Z. 626: Act III. Prelude for the sailors
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:39
31Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
tenor vocals [First Sailor]:
Robert Tear (tenor) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:19
32Dido and Aeneas, Z. 626: Act III. The Sailors' Dance
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:51
33Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress, Witches)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:58
34Dido and Aeneas, Z. 626: Act III. "Our next motion" (Sorceress)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (contralto) (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:43
35Dido and Aeneas, Z. 626: Act III. "Destruction's our delight" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:37
36Dido and Aeneas, Z. 626: Act III. "The Witches' Dance" (Jack of the Lanthorn Dance)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:20
37Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (bass-baritone) (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (soprano) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:20
38Dido and Aeneas, Z. 626: Act III. "Great minds against themselves conspire" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:15
39Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:52
40Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord:
Harold Lester (organist) (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (British soprano) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:06
41Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus)
engineer:
Mario Mizzaro (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Oriana Concert Choir (active in the 1960s) (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (countertenor) (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:32
4▶CD: Music for Saint Cecilia's Day
5▶CD: The Masque in Dioclesian
6▶CD: Hail! Bright Cecilia / Come, Ye Sons of Art

Credits

Release

ASIN:US: B001EZ6H66 [info]

Release group

part of:Alfred Deller The Complete Vanguard Recordings (order: 2)