Classic Rock: 1964

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
2She’s Not There
The Zombies42:26
3What Kind of Fool (Do You Think I Am)
registrazione di:
What Kind of Fool (Do You Think I Am)
paroliere e compositore:
Ray Whitley (60s/70s songwriter)
The Tams42:02
4You Never Can Tell
produttore:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess e Willie Dixon
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra :
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
voce:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1964)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
You Never Can Tell (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. e Isalee Music (nel 1994)
Chuck Berry4.152:44
5Bread and Butter
registrazione di:
Bread and Butter (nel 1964)
autore:
Larry Parks e Jay Turnbow
The Newbeats4.351:59
6Come See About Me
registrazione di:
Come See About Me
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
The Supremes42:45
7Needles and Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:14
8I Get Around
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico [6-string electric bass guitar] :
Glen Campbell (US country singer, guitarist & actor) (il 1964-04-02) e Ray Pohlman (il 1964-04-02)
batteria :
Dennis Wilson (Beach Boys) (il 1964-04-02)
chitarra basso :
Al Jardine (guitarist and singer) (il 1964-04-02)
chitarra elettrica :
Carl Wilson (Beach Boys) (il 1964-04-02)
clavicembalo , organo Hammond [Hammond B3 organ] , pianoforte e voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-04-02)
percussione [rim with thin stick] e timbales [timbales with brush] :
Hal Blaine (U.S. studio drummer and percussionist) (il 1964-04-02)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1964-04-02), Carl Wilson (Beach Boys) (il 1964-04-02) e Dennis Wilson (Beach Boys) (il 1964-04-02)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-04-02)
voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
I Get Around (il 1964-04-02)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
sub-editore:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.452:10
9How Do You Do It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Columbia Pictures Industries, Inc. (nel 1963)
registrazione di:
How Do You Do It (nel 1963-03)
paroliere e compositore:
Mitch Murray
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:56
10Farmer John
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 38)
registrazione di:
Farmer John
autore:
Don “Sugarcane” Harris (fino al 1957-10-21) e Dewey Terry (rock & roll, blues, US) (fino al 1957-10-21)
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
The Premiers2.52:15
11Out of Limits
The Marketts42:06
12Nobody I Know
registrazione di:
Nobody I Know
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
Peter & Gordon32:30
13Remember (Walkin’ in the Sand)
edit di:
Remember (Walkin’ in the Sand) di The Shangri‐Las
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 395)
registrazione di:
Remember (Walkin’ in the Sand) (nel 1964-07)
paroliere e compositore:
George “Shadow” Morton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:19
14Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:47
15You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:15
16Dead Man’s Curve
registrazione di:
Dead Man's Curve
autore:
Jan Berry, Roger Christian (US radio personality and lyricist), Artie Kornfeld e Brian Wilson (Beach Boys co‐founder)
editore:
Artie Kornfeld Music (BMI-affiliated) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean42:31
17Bad to Me
registrazione di:
Bad to Me
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
Billy J. Kramer & The Dakotas32:22
18The Way You Do the Things You Do
registrazione di:
The Way You Do the Things You Do
autore:
Smokey Robinson e Bobby Rogers
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations42:46
19A Summer Song
produttore:
Shel Talmy
registrazione di:
A Summer Song
autore:
Clive Metcalfe, Keith Noble (British singer/songwriter) e Chad Stuart
Chad & Jeremy3.652:39
20Fun, Fun, Fun
registrazione di:
Fun, Fun, Fun
paroliere e compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corporation (USA, affiliated with ASCAP), Elmwin Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Irving Music, Inc. e Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
sub-editore:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo)
The Beach Boys42:05
21I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:16
22Come a Little Bit Closer
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1964)
registrazione di:
Come a Little Bit Closer
autore:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell e Bobby Hart
editore:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Morris Music Inc
Jay & the Americans3.52:47
23A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon32:43
24Stop and Think It Over
Dale & Grace32:34
25I’m So Proud
registrazione di:
I’m So Proud
paroliere e compositore:
Curtis Mayfield
autore:
Momiji Tsukada (songwriter and producer; aka. Qrion)
editore:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Curtom Publishing Co Inc (dal 1964 al ????)
The Impressions22:50

Accreditamenti

Gruppo di pubblicazioni

parte di:Classic Rock (Time-Life Music) (numero: 3) (ordine: 3)
Discogs:https://www.discogs.com/master/120217 [info]