Droppin' Things

~ Release by Betty Carter (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
130 Years
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
30 Years (from 1990-05-25 until 1990-05-26)
lyricist and composer:
Betty Carter
4:00
2Star Dust / Memories of You
assistant engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player) and Dave Parla
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
piano:
Geri Allen (jazz pianist) (on 1990-06-07)
vocals:
Betty Carter (on 1990-06-07)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (on 1990-06-07)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
recording of:
Memories of You (on 1990-06-07)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
live recording of:
Stardust (the jazz standard) (on 1990-06-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
12:38
3What's the Use of Wond'rin'
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
What’s the Use of Wond’rin’ (Carousel) (from 1990-05-25 until 1990-05-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Carousel (Rodgers & Hammerstein musical)
5:21
4Open the Door '90
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
tenor saxophone:
Craig Handy (from 1990-05-25 until 1990-05-26)
trumpet:
Freddie Hubbard (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
Open the Door (from 1990-05-25 until 1990-05-26)
lyricist and composer:
Betty Carter (in 1964)
5:21
5Droppin' Things
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
tenor saxophone:
Craig Handy (from 1990-05-25 until 1990-05-26)
trumpet:
Freddie Hubbard (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
Droppin' Things (from 1990-05-25 until 1990-05-26)
lyricist and composer:
Betty Carter
46:34
6I Love Music
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
I Love Music (from 1990-05-25 until 1990-05-26)
lyricist:
Emil Boyd
composer:
Hale Smith
7:43
7Why Him
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
tenor saxophone:
Craig Handy (from 1990-05-25 until 1990-05-26)
trumpet:
Freddie Hubbard (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
Why Him (from 1990-05-25 until 1990-05-26)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
7:51
8Dull Day (In Chicago)
engineer and mixer:
Joe Ferla
producer:
Betty Carter
assistant mixer:
Ed Korengo
editor:
Jay Newland (producer, engineer and mixer)
bass:
Tarus Mateen (from 1990-05-25 until 1990-05-26)
drums (drum set):
Gregory Hutchinson (from 1990-05-25 until 1990-05-26)
piano:
Marc Cary (from 1990-05-25 until 1990-05-26)
tenor saxophone:
Craig Handy (from 1990-05-25 until 1990-05-26)
trumpet:
Freddie Hubbard (from 1990-05-25 until 1990-05-26)
vocals:
Betty Carter (from 1990-05-25 until 1990-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
recorded at:
The Bottom Line in Greenwich Village, New York, New York, United States (from 1990-05-25 until 1990-05-26)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edited at:
BMG Studios in Theater District, New York, New York, United States
live recording of:
Dull Day (In Chicago) (from 1990-05-25 until 1990-05-26)
composer:
Betty Carter
512:13

Credits

Release

art direction:Chris Thompson (Art director and designer)
graphic design:David Lau (engineer)
mastering:Jack Adelman (engineer)
manufactured by and marketed by:PolyGram Classics & Jazz (a division of PolyGram Records, Inc., US)
copyrighted (©) by:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990)
mastered at:BMG Studios in Theater District, New York, New York, United States
Discogs:https://www.discogs.com/release/3373027 [info]
ASIN:US: B0000047AU [info]