The Dream of Gerontius

~ Release by Elgar; Richard Lewis, Dame Janet Baker, Kim Borg, Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers, Hallé Orchestra, Sir John Barbirolli (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar10:13
2The Dream of Gerontius, Op. 38: Part I (b) (Gerontius) Jesu, Maria - I am near to death
tenor vocals:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:31
3The Dream of Gerontius, Op. 38: Part I (c) (Gerontius, semi-chorus, chorus) So pray for me...Kyrie eleison...Holy Mary, pray for him
choir vocals:
Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:48
4The Dream of Gerontius, Op. 38: Part I (d) (Gerontius, chorus) Rouse thee, my fainting soul...Be merciful
choir vocals:
Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:20
5The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:29
6The Dream of Gerontius, Op. 38: Part I (f) (Gerontius, chorus) I can no more...Rescue him, O Lord
choir vocals:
Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:43
7The Dream of Gerontius, Op. 38: Part I (g) (semi-chorus, chorus, Gerontius) Noe from the waters...Novissima hora est
choir vocals:
Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:06
8The Dream of Gerontius, Op. 38: Part I (h) (Priest) Proficiscere, anima Christiana
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:57
9The Dream of Gerontius, Op. 38: Part I (i) (chorus, Priest, semi-chorus) Go in the name of Angels
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:42
2▶CD

Credits

Release

sampled by:The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity) by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ) by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes by Sir Adrian Boult (conductor)
The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord by Sir Adrian Boult (conductor)
part of:British Composers (EMI/Virgin/Warner Classics) (order: 19)
Discogs:https://www.discogs.com/release/7974859 [info]
ASIN:UK: B000026D0F [info]