Alle 40 goed: Wereldsterren

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1We Don’t Need Another Hero
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
music videos:
We Don’t Need Another Hero by Tina Turner
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:14
2Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
3Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland (producer, engineer and mixer)
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland (producer, engineer and mixer)
mixer:
Arif Mardin and Jay Newland (producer, engineer and mixer)
acoustic guitar and electric guitar:
Jesse Harris (in 2000-10)
bass guitar:
Lee Alexander (US bassist, songwriter & producer) (in 2000-10)
drums (drum set):
Dan Rieser (in 2000-10)
piano and lead vocals:
Norah Jones (in 2000-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States (in 2000-10) and Sorcerer Sound in New York, New York, United States (in 2000-10)
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.153:04
4It’s a Man’s Man’s Man’s World
recorded in:
New York, New York, United States (on 1966-02-16)
engineer:
Ron Lenhoff
producer:
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1966-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1966-02-16)
guitar:
Billy Butler (jazz guitarist) (on 1966-02-16)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1966-02-16), Waymon Reed (on 1966-02-16) and Lammar Wright (on 1966-02-16)
lead vocals:
James Brown (The Godfather of Soul) (on 1966-02-16)
recorded at:
Talent Masters Studios in New York, New York, United States (on 1966-02-16)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 123)
recording of:
It’s a Man’s Man’s Man’s World (on 1966-02-16)
writer:
James Brown (The Godfather of Soul) and Betty Jean Newsome
James Brown4.42:45
5This Is My Life
producer:
Dave Pell
vocals:
Shirley Bassey (Welsh singer)
arranger:
Sid Feller
recording of:
This Is My Life (La vita) (all English version, with lyrics by Norman Newell)
lyricist:
Antonio Amurri (lyricist, television author, writer)
composer:
Bruno Canfora
translator:
Norman Newell
translated version of:
La vita (all Italian lyric version)
Shirley Bassey3:13
6Wooden Heart
bass:
Ray Siegel (on 1960-04-28)
drums (drum set):
D.J. Fontana (on 1960-04-28)
guitar:
Neal Matthews (on 1960-04-28), Scotty Moore (American guitarist and recording engineer) (on 1960-04-28) and Tiny Timbrell (on 1960-04-28)
piano:
Dudley Brooks (on 1960-04-28)
tambourine:
Jimmie Haskell (on 1960-04-28)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-28)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (on 1960-04-28)
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
recording of:
Wooden Heart
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Elvis Presley22:01
7La Vie en rose
piano:
Robert Chauvigny (French composer, orchestra leader and conductor) (on 1946-10-09)
vocals:
Édith Piaf (on 1946-10-09)
orchestra:
Guy Luypaert and His Orchestra (on 1946-10-09)
conductor:
Guy Luypaerts (on 1946-10-09)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 71)
recording of:
La Vie en rose (French original) (on 1946-10-09)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf53:06
8Sing Our Own Song
producer:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Sing Our Own Song
lyricist and composer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) and Terence Wilson (aka Astro of UB40)
publisher:
ATV Music and New Claims (publisher)
UB404:05
9Can’t Stay Away From You
recording engineer and mixer:
Eric C. Schilling
producer:
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist) and Rafael Vigil
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) and Joe Galdo (US drummer & percussionist)
recorded at and mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Can’t Stay Away From You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan3.53:55
10Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (guitarist and singer) (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:23
11Them Heavy People
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
bass guitar:
David Paton (of Pilot) (from 1977-07 until 1977-08)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
guitar:
Ian Bairnson (from 1977-07 until 1977-08)
piano and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
background vocals:
Kate Bush (from 1977-07 until 1977-08) and Paddy Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
recording of:
Them Heavy People (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
publisher:
Castle (publisher), Ed. Itaipu and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush3.653:02
12Sorry Suzanne
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Sorry Suzanne
composer:
Tony Macaulay and Geoff Stephens
publisher:
Interworld Music Ltd. and Welbeck Music Ltd.
sub-publisher:
Sonora Musikförlags AB
The Hollies2:58
13Spoiled
recording of:
Spoiled
writer:
Beau Dozier, Lamont Dozier and Joss Stone
Joss Stone23:36
14Avalon
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (from 1981 until 1982)
drums (drum set):
Andy Newmark (from 1981 until 1982)
guitar:
Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
keyboard and lead vocals:
Bryan Ferry (from 1981 until 1982)
percussion:
Jimmy Maelen (percussion) (from 1981 until 1982)
saxophone:
Andy Mackay (of Roxy Music) (from 1981 until 1982)
background vocals:
Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
performer:
Roxy Music (from 1981 until 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
recording of:
Avalon (from 1981 until 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:14
15Troy
recording engineer:
Caroline (Eden) (engineer), Ian (Oasis) (engineer, Oasis Studios?) and Jaybee (engineer)
engineer:
Kevin Moloney
co-producer:
Kevin Moloney
producer:
Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Fachtna Ó Ceallaigh, Kevin Moloney and Sinéad O’Connor (Irish singer‐songwriter)
acoustic guitar [ac. gtrs.] and electric guitar [elec. gtrs.]:
Rob Dean (UK guitarist for Japan)
bass guitar [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] and drums (drum set) [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
electric guitar [elec. gtr.] and lead vocals [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
keyboard [keyboards] and synthesizer [synths.]:
Mike Clowes
conductor:
Gavyn Wright (UK violinist, conductor)
strings arranger:
Mike Clowes
arranger:
Mike Clowes and Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987) and Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
recorded at:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
recording of:
Troy
lyricist and composer:
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Ensign Records Ltd. (company; do NOT use as release label)
Sinéad O’Connor4.156:31
16What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:16
17Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
lead vocals:
Deborah Harry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978-06)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.34:09
18Hélène
vocals:
Julien Clerc
recording of:
Hélène
lyricist:
David McNeil
composer:
Julien Clerc
Julien Clerc3:40
19Morning Train (Nine to Five)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:20
20Apache
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:58
2CD

Credits

Release group

part of:Alle 40 goed (order: 38)
Allmusic:https://www.allmusic.com/album/mw0002339826 [info]