The Satchmo Era

~ Release by Louis Armstrong (see all versions of this release, 2 available)

Tracklist

1▶CD: 1923
2▶CD: 1923-1924
3▶CD: 1924
4▶CD: 1924-1925
5▶CD: 1925-1926
6▶CD: 1926-1927
7▶CD: 1927-1928
8▶CD: 1928-1929
9▶CD: 1930-1931
10▶CD: 1931-1932
11▼CD: 1932-1933
#TitleRatingLength
1All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:05
2Love, You Funny Thing
recorded in:
Chicago, Illinois, United States (on 1932-03-02)
alto saxophone:
Lester Boone (on 1932-03-02) and George James (US jazz saxophonist) (on 1932-03-02)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-02)
drums (drum set):
Tubby Hall (on 1932-03-02)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-02)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-02)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-02)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-02)
trumpet:
Louis Armstrong (on 1932-03-02) and Zilner Randolph (on 1932-03-02)
vocals:
Louis Armstrong (on 1932-03-02)
recording of:
Love, You Funny Thing (on 1932-03-02)
writer:
Fred Ahlert and Roy Turk
3:49
3The New Tiger Rag
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11)
clarinet:
George James (US jazz saxophonist) (on 1932-03-11)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1932-03-11)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
3:30
4Keepin' Out of Mischief Now
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone (on 1932-03-11) and George James (US jazz saxophonist) (on 1932-03-11)
double bass [bass]:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-03-11)
drums (drum set):
Tubby Hall (on 1932-03-11)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-03-11)
piano:
Charlie Alexander (US jazz pianist) (on 1932-03-11)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-03-11)
trombone:
Preston Jackson (jazz trombonist) (on 1932-03-11)
trumpet:
Louis Armstrong (on 1932-03-11) and Zilner Randolph (on 1932-03-11)
vocals:
Louis Armstrong (on 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (on 1932-03-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
3:40
5Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, United States (on 1932-03-11)
alto saxophone:
Lester Boone and George James (US jazz saxophonist)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
drums (drum set):
Tubby Hall
guitar:
Mike McKendrick (Jazz banjo and guitar)
piano:
Charlie Alexander (US jazz pianist)
tenor saxophone:
Albert Washington (jazz tenor sax)
trombone:
Preston Jackson (jazz trombonist)
trumpet:
Louis Armstrong and Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (on 1932-03-11)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:32
6That's My Home
recorded in:
Camden, New Jersey, United States (on 1932-12-08, on 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08, on 1932-12-28), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08, on 1932-12-28)
orchestra:
Louis Armstrong and His Orchestra (on 1932-12-28)
recording of:
That’s My Home (on 1932-12-08)
composer:
Ben Ellison, Leon René and Otis René
43:13
7Hobo, You Can't Ride This Train
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
alto saxophone and clarinet and clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
banjo and piano and guitar:
John Trueheart (on 1932-12-08)
bell:
Mezz Mezzrow (on 1932-12-08)
double bass [bass], double bass and tuba and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Bill Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (on 1932-12-08)
writer:
Louis Armstrong
3:02
8I Hate to Leave You Now
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
3:13
9You'll Wish You'de Never Been Born
recorded in:
Camden, New Jersey, United States (on 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08) and Edgar Sampson (on 1932-12-08)
clarinet:
Pete Clark (Jazz altoist born around 1910) (on 1932-12-08)
double bass [bass] and tuba:
Elmer James (on 1932-12-08)
drums (drum set):
Chick Webb (on 1932-12-08)
guitar:
John Trueheart (on 1932-12-08)
piano:
Don Kirkpatrick (jazz pianist) (on 1932-12-08)
tenor saxophone:
Elmer Williams (on 1932-12-08)
trombone:
Charlie Green (Trombonist) (on 1932-12-08)
trumpet:
Louis Armstrong (on 1932-12-08), Louis Bacon (on 1932-12-08), Billy Hicks (US jazz trumpeter) (on 1932-12-08) and Louis Hunt (on 1932-12-08)
violin:
Edgar Sampson (on 1932-12-08)
vocals:
Louis Armstrong (on 1932-12-08)
recording of:
You’ll Wish You’d Never Been Born (on 1932-12-08)
composer:
Louis Armstrong
3:17
10Medley: When You’re Smiling / Saint James Infirmary / Dinah
4:34
11Medley: You Rascal You / When It’s Sleepy Time Down South / Nobody’s Sweetheart
recorded in:
Camden, New Jersey, United States (on 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (on 1932-12-21) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1932-12-21)
banjo, guitar and trombone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1932-12-21)
drums (drum set):
Benny Hill (US jazz drummer, active 1930s) (on 1932-12-21)
piano:
Wesley Robinson (US jazz pianist) (on 1932-12-21)
tenor saxophone:
Ellsworth Blake (US jazz saxophonist) (on 1932-12-21)
trumpet:
Louis Armstrong (on 1932-12-21) and Charlie Gaines (US jazz trumpeter) (on 1932-12-21)
tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (on 1932-12-21)
vocals:
Louis Armstrong (on 1932-12-21)
medley including a recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1932-12-21)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
Nobody’s Sweetheart (on 1932-12-21)
lyricist:
Ernie Erdman (Songwriter/composer and pianist) and Gus Kahn
composer:
Billy Meyers (US jazz songwriter) and Elmer Schoebel
medley including a recording of:
When It’s Sleepy Time Down South (on 1932-12-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
4:22
12I've Got the World on a String
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
I’ve Got the World on a String (on 1933-01-26)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:17
13I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:03
14Hustlin' and Bustlin' for Baby
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Hustlin’ and Bustlin’ for Baby (on 1933-01-26)
writer:
Harry M. Woods (American 1920/30s songwriter)
3:09
15Sittin' in the Dark
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
Sittin’ in the Dark (on 1933-01-26)
writer:
Harold Adamson and Jesse Greer
3:00
16High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
3:26
17He's a Son of the South
recorded in:
Chicago, Illinois, United States (on 1933-01-26)
alto saxophone:
Scoville Browne (on 1933-01-26) and George Oldham (on 1933-01-26)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-26)
clarinet:
Scoville Browne (on 1933-01-26), Budd Johnson (on 1933-01-26) and George Oldham (on 1933-01-26)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-26)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-26)
piano:
Teddy Wilson (on 1933-01-26)
tenor saxophone:
Budd Johnson (on 1933-01-26)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-26)
trumpet:
Louis Armstrong (on 1933-01-26), Zilner Randolph (on 1933-01-26) and Elmer Whitlock (US trumpet player) (on 1933-01-26)
vocals:
Louis Armstrong (on 1933-01-26)
recording of:
He’s a Son of the South (on 1933-01-26)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Reginald Foresythe
2:39
18Some Sweet Day
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
recording of:
Some Sweet Day (on 1933-01-27)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
recording of:
Some Sweet Day (in 1933)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
3:01
19Basin Sreet Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:27
20Honey, Do!
recorded in:
Chicago, Illinois, United States (on 1933-01-27)
alto saxophone:
Scoville Browne (on 1933-01-27) and George Oldham (on 1933-01-27)
banjo and resonator guitar [dobro]:
Mike McKendrick (Jazz banjo and guitar) (on 1933-01-27)
clarinet:
Scoville Browne (on 1933-01-27), Budd Johnson (on 1933-01-27) and George Oldham (on 1933-01-27)
double bass [bass]:
Bill Oldham (Double Bass Player) (on 1933-01-27)
drums (drum set):
Yank Porter (jazz drummer) (on 1933-01-27)
piano:
Teddy Wilson (on 1933-01-27)
tenor saxophone:
Budd Johnson (on 1933-01-27)
trombone:
Keg Johnson (jazz trombonist) (on 1933-01-27)
trumpet:
Louis Armstrong (on 1933-01-27), Zilner Randolph (on 1933-01-27) and Elmer Whitlock (US trumpet player) (on 1933-01-27)
vocals:
Louis Armstrong (on 1933-01-27)
recording of:
Honey, Do (on 1933-01-27)
writer:
J.C. Johnson and Andy Razaf
2:34
12▶CD: 1933-1935
13▶CD: 1935-1936
14▶CD: 1936-1937
15▶CD: 1937-1938
16▶CD: 1938-1939
17▶CD: 1939-1940
18▶CD: 1940-1941
19▶CD: 1941-1946
20▶CD: 1946-1947