Soul of the ’70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Back In Love Again (CD 1)
2▶CD: Back In Love Again (CD 2)
3▶CD: Always & Forever (CD 1)
4▶CD: Always & Forever (CD 2)
5▶CD: Let’s Get It On (CD 1)
6▶CD: Let’s Get It On (CD 2)
7▶CD: Natural High (CD 1)
8▶CD: Natural High (CD 2)
9▶CD: Good Times (CD 1)
10▼CD: Good Times (CD 2)
Nr.TitelKünstlerBewertungLänge
1Boogie Oogie Oogie
Produzent(in):
Fonce Mizell und Larry Mizell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
Verfasser(in):
Janice Marie Johnson (Member of "A Taste of Honey") und Perry L. Kibble
publisher:
Conducive Music, Inc. und On Time Music, Inc.
A Taste of Honey2.653:39
2Boogie Fever
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recording of:
Boogie Fever
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
PolyGram Music Publishing und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:30
3Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce3:16
4Bad Girls
recording of:
Bad Girls
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer3:32
5How Long (Betcha Got a Chick on the Side)
recording of:
How Long (Betcha’ Got a Chick on the Side)
Verfasser(in):
Anita Pointer, Bonnie Pointer und David Rubinson
The Pointer Sisters3:52
6Ball of Confusion (That’s What the World Is Today)
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks und Paul Williams (member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1970), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 24)
recording of:
Ball of Confusion (That’s What the World Is Today)
Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd. und Stone Agate Music
The Temptations44:06
7Boogie Down
Produzent(in):
Leonard Caston (son of Leonard Caston) und Frank Wilson (Motown singer/songwriter)
arranger:
David Van dePitte und Leonard Caston (son of Leonard Caston)
recording of:
Boogie Down
Verfasser(in):
Lenny Caston (son of Leonard Caston), Anita Porée und Frank Wilson (Motown singer/songwriter)
Eddie Kendricks3:54
8Dancing Machine
Produzent(in):
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
Verfasser(in):
Hal Davis, Donald E. Fletcher und Dean Parks (American session guitarist)
Teil von:
MJ: The Musical
The Jackson 53.252:36
9Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:39
10Got to Give It Up (Part 1)
Produzent(in):
Art Stewart
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
Texter und Komponist(in):
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. und Jobete Music Publishing
Marvin Gaye3.44:13
11Keep On Truckin’ (Part 1)
Produzent(in):
Leonard Caston (son of Leonard Caston) und Frank Wilson (Motown singer/songwriter)
arranger:
James Carmichael und Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Keep On Truckin’
Verfasser(in):
Lenny Caston (son of Leonard Caston), Anita Porée und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Diamond Music Corporation
Eddie Kendricks3:35
12Love Hangover
Produzent(in):
Hal Davis
arranger:
Dave Blumberg und Clay Drayton
recording of:
Love Hangover
Verfasser(in):
Marilyn McLeod (soul/jazz singer and songwriter) und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.253:49
13Love Machine
recording of:
Love Machine
Texter und Komponist(in):
Billy Griffin und Warren Moore
Horn und Saiteninstrumente arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles2:56
14I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
15Shame
recording of:
Shame
Verfasser(in):
Reuben Cross und John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. und Mills & Mills Music
Evelyn “Champagne” King3.56:35

Nennungen