Deutsche Harmonia Mundi: 50 Jahre: 1958–2008

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD 21 a.k.a. "Missa cum jubilo" due to the Kyrie. This does not appear to be a complete recording of the mass, due to the missing Kyrie and Christe settings. Tracks 19 and 20 are gregorian chants alternated with works from Frescobaldi's second book of toccatas.

Annotation last modified on 2011-08-10 02:38 UTC.

Tracklist

1▶CD: Balthasar-Neumann-Chor & Freiburger Barockorchester feat. conductor: Thomas Hengelbrock
2▶CD: Camerata Köln
3▶CD: feat. harpsichord: Gustav Leonhardt
4▶CD: Barthold Kuijken et al.
5▶CD: Cantus Cölln feat. conductor: Konrad Junghänel
6▼CD: Bach: Messe in H-Moll
#TitleArtistRatingLength
1Messe in H-Moll, BWV 232: Ia. Coro "Kyrie eleison"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach11:33
2Messe in H-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison"
alto vocals:
Bernhard Landauer (countertenor) (in 1996-10)
soprano vocals:
Gundula Anders (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
3Messe in H-Moll, BWV 232: Ic. Coro "Kyrie eleison"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
4Messe in H-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:37
5Messe in H-Moll, BWV 232: IIb. Coro "Et in terra pax"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:39
6Messe in H-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te"
soprano vocals:
Mona Spägele (mezzo-soprano) (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:14
7Messe in H-Moll, BWV 232: IId. Coro "Gratias agimus"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:11
8Messe in H-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus"
soprano vocals:
Ursula Fiedler (soprano) (in 1996-10)
tenor vocals:
Hermann Oswald (tenor) (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:24
9Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
10Messe in H-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris"
alto vocals:
Jürgen Banholzer (organ, tenor, classical) (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:11
11Messe in H-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus"
bass vocals:
Stephan McLeod (bass-baritone / conductor) (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
12Messe in H-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu"
choir vocals:
Balthasar‐Neumann‐Chor (in 1996-10)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra) (in 1996-10)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 1996-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1996-10)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1996-10)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
7▶CD: Bach: Messe in H-Moll
8▶CD: Bach, Vivaldi
9▶CD: Bach, Cello-Suiten
10▶CD: Bach, Cello-Suiten
11▶CD: Barroco Espagñol Vol. 2
12▶CD: Das Violoncello im 17. Jahrhundert
13▶CD: Biber: Requiem à 15, Steffani: Stabat mater
14▶CD: Boccherini: Cello Concertos, Sinfonias
15▶CD: Buxtehude: Abendmusik
16▶CD: Caccini
17▶CD: Couperin: La Sultane
18▶CD: Facco: 6 Concerti, Op. 1 / Vivaldi, Concerto RV 157
19▶CD: Forqueray: Pièces de viole
20▶CD: Messa della Domenica
21▶CD: Messa della Madonna
22▶CD: Gluck: Le Cinesi
23▶CD: De Lassus
24▶CD: De Lassus
25▶CD: De Literes: Los Elementos
26▶CD: Lully: Divertisements
27▶CD: Machaut, Magnus
28▶CD: Knüpfer, Schelle, Kuhnau
29▶CD: Marais: "Fantasie Champestre"
30▶CD: Monteverdi / Farina
31▶CD: Claudio Monteverdi: Vespro della Beata Vergine
32▶CD: Claudio Monteverdi: Vespro della Beata Vergine
33▶CD: Pachelbel, Bach: Motets
34▶CD: Palestrina
35▶CD: Pergolesi: La Serva Padrona
36▶CD: Purcell: Orchestral Suite from "Dioclesian" / Händel: Concerto grosso Op. 6 No. 6 / "Il duello amoroso"
37▶CD: Delight in Disorder: The English Consort of Two Parts 1640-1680
38▶CD: Rameau: Hippolyte et Aricie, suite pour orchestre
39▶CD: Rameau: Suites from Platée and Dardanus
40▶CD: Rameau: Pygmalion
41▶CD: Jean-Féry Rebel: "Tombeau"
42▶CD: Sainte Colombe: Pièces pour viole de gambe
43▶CD: Alessandro Scarlatti: Cantatas
44▶CD: Alessandro Scarlatti: St. John Passion
45▶CD: Georg Philipp Telemann: Concertos for Woodwind Instruments
46▶CD: Antonio Vivaldi: Le Quattro Stagione
47▶CD: Antonio Vivaldi: Sinfonie "Avanti l'Opera" e Concerti
48▶CD: Antonio Vivaldi: Six Sonatas for Violoncello and Basso Continuo
49▶CD: Jan Dismas Zelenka: Missa Dei Filii
50▶CD: Jan Dismas Zelenka and Johan Georg Pisendel: Concerti et al.