Magic Moments

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940–90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis3.75:58
2I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Ella Fitzgerald5:00
3Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1942-01-19)
alto saxophone:
Fred Stulce (on 1942-01-19)
bass:
Hank Stern (Jazz bassist) (on 1942-01-19)
cello:
Cy Bernard (on 1942-01-19)
clarinet:
Heinie Beau (on 1942-01-19)
guitar:
Clark Yocum (on 1942-01-19)
harp:
Ann Mason (American harpist) (on 1942-01-19)
instruments:
Manny Gershman (on 1942-01-19)
oboe:
Charles Strickfaden (on 1942-01-19)
piano:
Skitch Henderson (on 1942-01-19)
tenor saxophone:
Don Lodice (on 1942-01-19)
violin:
Harry Bluestone (on 1942-01-19), Sam Freed (on 1942-01-19), Nick Pisani (on 1942-01-19) and Mischa Russell (violinist) (on 1942-01-19)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1942-01-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Axel Stordahl (on 1942-01-19)
arranger:
Axel Stordahl
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1942-01-19)
part of:
V Disc (by matrix number) (number: VP 65)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1942-01-19)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frank Sinatra & The Tommy Dorsey Orchestra3:05
4Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:19
5What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:19
6All of Me
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Ella Fitzgerald3:24
7Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Sarah Vaughan2:32
8Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:24
9Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington3.52:49
10It's Imposible
producer:
Ernie Altschuler
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1970-05-05)
conductor:
Marty Manning (on 1970-05-05)
arranger:
Marty Manning
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recording of:
It’s Impossible (on 1970-05-05)
composer:
Armando Manzanero (in 1970)
translator:
Sid Wayne
publisher:
BMG Songs, Inc.
translated version of:
Somos novios
Perry Como33:17
11Unforgettable
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
vibraphone:
Teddy Charles (on 1964-02-10)
lead vocals:
Aretha Franklin (on 1964-02-10)
arranger:
Robert Mersey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (on 1964-02-10)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Aretha Franklin43:41
12Want to Buy Some Illusions
Ute Lemper3:06
13Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Billie Holiday3:30
14What a Difference a Day Made
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.22:31
15Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Louis Armstrong42:27
16Puttin' on the Ritz
vocals:
Fred Astaire (in 1937)
recording of:
Puttin’ On the Ritz (in 1937)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Fred Astaire2:10
17Cheek to Cheek
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire2:37
18Over the Rainbow
producer:
Norman Newell
lead vocals:
Judy Garland (on 1960-08-04)
conductor:
Norrie Paramor (on 1960-08-04)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-08-04)
recording of:
Over the Rainbow (The Wizard of Oz) (on 1960-08-04)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland3:39
19Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday2:55
20Look of Love
arranger:
Dave Grusin (American pianist and score composer)
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Sérgio Mendes & Brasil ’662:43
21Harvest for the World
recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Isley Brothers2.653:56
22California Dreamin'
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn and trumpet:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Phil Kraus (in 1971-11) and Airto Moreira (percussionist) (in 1971-11)
piccolo:
Hubert Laws (in 1971-11)
vibraphone:
Phil Kraus (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
California Dreamin’ (in 1971-11)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
George Benson47:18
4▶CD