The Ultimate Collection

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Ramblin’ Rose
cover recording of:
Ramblin’ Rose (1962 popular torch song) (am 1962-06-19)
Texter:
Noel Sherman
Komponist(in):
Joe Sherman
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
42:48
2When I Fall in Love
vocals:
Nat King Cole (am 1956-12-28)
conductor:
Gordon Jenkins (am 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (am 1956-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1.53:10
3Skip to My Lou
2:01
4Unforgettable
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
3.853:28
5Those Lazy‐Hazy Crazy Days of Summer
recording of:
Those Lazy Hazy Crazy Days of Summer
Texter:
Charles Tobias (Tin Pan Alley songwriter)
Komponist(in):
Hans Carste (composer and bandleader)
2:25
6Mona Lisa
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1950-03-11)
Bongos:
Jack Costanzo (am 1950-03-11)
Bratsche / Viola:
Allan Harshman (violist) (am 1950-03-11) und Dave Sterkin (am 1950-03-11)
Cello:
Cy Bernard (am 1950-03-11) und Eleanor Slatkin (US cellist, b. Aller) (am 1950-03-11)
Geige / Violine:
Sam Cytron (am 1950-03-11), David Frisina (am 1950-03-11), Murray Kellner (am 1950-03-11), Mark Levant (am 1950-03-11), Dan Lube (am 1950-03-11), Lou Raderman (am 1950-03-11), Paul Shure (am 1950-03-11) und Felix Slatkin (am 1950-03-11)
Gitarre:
Irving Ashby (am 1950-03-11)
Klavier:
Buddy Cole (am 1950-03-11)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1950-03-11)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-03-11)
vocals:
Nat King Cole (am 1950-03-11)
Orchester:
Les Baxter and His Orchestra (am 1950-03-11)
conductor:
Les Baxter (am 1950-03-11)
arranger:
Nelson Riddle (am 1950-03-11)
cover recording of:
Mona Lisa (am 1950-03-11)
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
43:26
7Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
2:54
8Fly Me to the Moon
cover recording of:
Fly Me to the Moon (am 1961-12-21)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
3:30
9(I Love You) For Sentimental Reasons
Produzent(in):
Lee Gillette
Gitarre:
John Collins (US jazz guitarist) (am 1961-03-23)
Klavier:
Nat King Cole (am 1961-03-23)
Kontrabass:
Charlie Harris (jazz bassist) (am 1961-03-23)
vocals:
Nat King Cole (am 1961-03-23)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten
cover recording of:
(I Love You) for Sentimental Reasons (am 1961-03-23)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
43:03
10Let There Be Love
Bratsche / Viola:
Joseph DiFiore (am 1961-12-20), Alvin Dinkin (am 1961-12-20), Allan Harshman (violist) (am 1961-12-20) und Paul Robyn (am 1961-12-20)
Cello:
Hyman Gold (cellist) (am 1961-12-20), Armand Kaproff (am 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (am 1961-12-20) und William Vandenburg (Session Musician/Cello) (am 1961-12-20)
Geige / Violine:
Victor Arno (am 1961-12-20), Emil Briano (Violinist) (am 1961-12-20), Jacques Gasselin (am 1961-12-20), James Getzoff (American concertmaster and violinist) (am 1961-12-20), Joseph Livoti (violinist) (am 1961-12-20), Dan Lube (am 1961-12-20), Erno Neufeld (am 1961-12-20), Isadore Roman (violin) (am 1961-12-20), Mischa Russell (violinist) (am 1961-12-20), Felix Slatkin (am 1961-12-20), Joseph Stepansky (am 1961-12-20) und Gerald Vinci (American violinist and strings conductor) (am 1961-12-20)
Gitarre:
Al Hendrickson (am 1961-12-20)
Klavier:
George Shearing (British jazz pianist) (am 1961-12-20)
Kontrabass:
Al McKibbon (double bassist) (am 1961-12-20)
Kontrabass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1961-12-20)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1961-12-20)
Vibraphon:
Emil Richards (am 1961-12-20)
vocals:
Nat King Cole (am 1961-12-20)
conductor:
Ralph Carmichael (am 1961-12-20)
arranger:
Ralph Carmichael
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-12-20)
cover recording of:
Let There Be Love (am 1961-12-20)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
1.22:45
11Too Young
recording of:
Too Young
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
13:24
12Nature Boy
Produzent(in):
Lee Gillette
vocals:
Nat King Cole (am 1961-03-27)
Orchester:
The Ralph Carmichael Orchestra and Chorus (am 1961-03-27)
conductor:
Ralph Carmichael (am 1961-03-27)
recording of:
Nature Boy (am 1961-03-27)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:54
13Love Letters
cover recording of:
Love Letters (von 1956-12-19 bis 1956-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
2:44
14Pretend
Produzent(in):
Lee Gillette
Gitarre:
Irving Ashby (am 1952-12-30)
Klavier:
Nat King Cole (am 1952-12-30)
Kontrabass:
Joe Comfort (am 1952-12-30)
vocals:
Nat King Cole (am 1952-12-30)
Orchester:
Nelson Riddle and His Orchestra (am 1952-12-30)
conductor:
Ralph Carmichael und Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (am 1952-12-30)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:44
15The More I See You
recording of:
The More I See You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
3:28
16Stardust
Produzent(in):
Lee Gillette
Klavier:
Charles LaVere (am 1956-12-19)
Sologesang:
Nat King Cole (am 1956-12-19)
conductor:
Gordon Jenkins (am 1956-12-19)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-12-19)
recording of:
Stardust (the jazz standard) (am 1956-12-19)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
2.653:14
17A Nightingale Sang in Berkeley Square
cover recording of:
A Nightingale Sang in Berkeley Square
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
4:43
18It’s All in the Game
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
23:07
19Answer Me
2:56
20Because You’re Mine
vocals:
Nat King Cole (in 1952)
Interpret(in):
Nelson Riddle and His Orchestra (in 1952)
recording of:
Because You’re Mine (Because You’re Mine) (in 1952)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 2)
3:12
21Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
2:26
22On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
3:08

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