Musikalisches Opfer / Sinfonias

~ Release by Johann Sebastian Bach; Aurèle Nicolet, Otto Büchner, Kurt Guntner, Siegfried Meinecke, Fritz Kiskalt, Hedwig Bilgram, Karl Richter (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Musikalisches Opfer c-Moll BWV 1079: Ricercare a 3
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:26
2Musikalisches Opfer c-Moll BWV 1079: Canon perpetuus super Thema Regium
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
viola:
Siegfried Meinecke (violist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:34
3Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 1, a 2
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
violin:
Otto Büchner (violinist) (in 1963-01) and Kurt Guntner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:55
4Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 2, a 2 Violini in unisono
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01) and Kurt Guntner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:40
5Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 3, a 2, per Motum contrarium
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
viola:
Siegfried Meinecke (violist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01) and Kurt Guntner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:30
6Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 4, a 2, per Augmentationem contratio Motu
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
viola:
Siegfried Meinecke (violist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01) and Kurt Guntner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:06
7Musikalisches Opfer c-Moll BWV 1079: 5 Canones diversi super Thema Regium: Canon 5, a 2, per Tonos
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
viola:
Siegfried Meinecke (violist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:33
8Musikalisches Opfer c-Moll BWV 1079: Fuga canonica in Epidiapente
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
viola:
Siegfried Meinecke (violist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:59
9Musikalisches Opfer c-Moll BWV 1079: Ricercare a 6
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:44
10Musikalisches Opfer c-Moll BWV 1079: Canon a 2 (Quaerendo invenietis): Fassung A
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:04
11Musikalisches Opfer c-Moll BWV 1079: Canon a 2 (Quaerendo invenietis): Fassung B
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (Fassung B) (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2
Johann Sebastian Bach1:08
12Musikalisches Opfer c-Moll BWV 1079: Canon a 4
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1963-01) and Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:30
13Musikalisches Opfer c-Moll BWV 1079: Trio: Largo
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
flute:
Aurèle Nicolet (flutist) (in 1963-01)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:18
14Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
flute:
Aurèle Nicolet (flutist) (in 1963-01)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:21
15Musikalisches Opfer c-Moll BWV 1079: Trio: Andante
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
flute:
Aurèle Nicolet (flutist) (in 1963-01)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:02
16Musikalisches Opfer c-Moll BWV 1079: Trio: Allegro
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
flute:
Aurèle Nicolet (flutist) (in 1963-01)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:08
17Musikalisches Opfer c-Moll BWV 1079: Trio: Canone perpetuo
recording engineer:
Harald Baudis (sound engineer)
producer:
Dr. Hans Hickmann
cello:
Fritz Kiskalt (cellist) (in 1963-01)
flute:
Aurèle Nicolet (flutist) (in 1963-01)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
violin:
Otto Büchner (violinist) (in 1963-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1963-01)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1963-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:30
18Sinfonias: Sinfonia aus der Kantate »Christ lag in Todesbanden« BWV 4
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:41
19Sinfonias: Sinfonia aus der Kantate »Weinen, Klagen« BWV 12
recording engineer:
Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
cello:
Fritz Kiskalt (cellist) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
double bass:
Herbert Duft (double bass player) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
oboe:
Robert Eliscú (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1973-05, in 1973-10, from 1974-01 until 1974-02) and Elmar Schloter (organist) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-01 until 1974-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1973-05, in 1973-10, from 1974-01 until 1974-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:53
20Sinfonias: Sinfonia aus der Kantate »Ich hatte viel Bekümmernis« BWV 21
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:01
21Sinfonias: Sinfonia aus der Kantate »Gottes Zeit« BWV 106
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
recorder [recorder I]:
Hans-Martin Linde (flutist and conductor) (in 1966-10)
recorder [recorder II]:
Konrad Hampe (flautist) (in 1966-10)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (in 1966-10) and Oswald Uhl (cellist) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:52
22Sinfonias: Sinfonia aus der Kantate »Himmelskönig sei willkommen« BWV 182
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1974-02 until 1974-03, in 1975-01)
cello:
Fritz Kiskalt (cellist) (from 1974-02 until 1974-03, in 1975-01)
double bass:
Herbert Duft (double bass player) (from 1974-02 until 1974-03, in 1975-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (organist) (from 1974-02 until 1974-03, in 1975-01)
recorder:
Hans-Martin Linde (flutist and conductor) (from 1974-02 until 1974-03, in 1975-01)
violin:
Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1974-02 until 1974-03)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:39

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part of:Resonance (Deutsche Grammophon) (order: 129)
ASIN:DE: B000024IBT [info]
other databases:https://d-nb.info/1003842828 [info]