Peter and the Wolf / Carnival of the Animals / Young Person's Guide to the Orchestra

~ Release by Prokofiev, Saint‐Saëns, Britten (see all versions of this release, 2 available)

Tracklist

1▼Medium
#TitleArtistRatingLength
1Peter and the Wolf: Introduction
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Сергей Сергеевич Прокофьев2:03
2Peter and the Wolf: Once Upon a Time
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Сергей Сергеевич Прокофьев8:45
3Peter and the Wolf: The Wolf
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Сергей Сергеевич Прокофьев8:35
4Peter and the Wolf: The Hunters
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Сергей Сергеевич Прокофьев2:22
5Peter and the Wolf: Procession
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Сергей Сергеевич Прокофьев4:31
6The Carnival of Animals: Introduction and Royal March of the Lions
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:58
7The Carnival of Animals: Hens and Cocks
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:49
8The Carnival of Animals: Wild Asses
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:33
9The Carnival of Animals: Tortoises
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:48
10The Carnival of Animals: The Elephant
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:14
11The Carnival of Animals: Kangaroos
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:58
12The Carnival of Animals: The Aquarium
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:24
13The Carnival of Animals: Persons With Long Ears
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:46
14The Carnival of Animals: Cuckoo in the Heart of the Wood
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:55
15The Carnival of Animals: The Aviary
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:16
16The Carnival of Animals: Pianists
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:38
17The Carnival of Animals: Fossils
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
18The Carnival of Animals: The Swan
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:54
19The Carnival of Animals: Finale
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:00
20Young Person's Guide to the Orchestra: Theme
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:25
21Young Person's Guide to the Orchestra: Woodwind
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:23
22Young Person's Guide to the Orchestra: Brass
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:19
23Young Person's Guide to the Orchestra: Strings
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:18
24Young Person's Guide to the Orchestra: Percussion
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:15
25Young Person's Guide to the Orchestra: Full Orchestra
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
26Young Person's Guide to the Orchestra: A. Flutes and Piccolo
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:35
27Young Person's Guide to the Orchestra: B. Oboes
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:56
28Young Person's Guide to the Orchestra: C. Clarinets
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:36
29Young Person's Guide to the Orchestra: D. Bassoons
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:54
30Young Person's Guide to the Orchestra: E. Violins
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:38
31Young Person's Guide to the Orchestra: F. Violas
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:01
32Young Person's Guide to the Orchestra: G. Cellos
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:12
33Young Person's Guide to the Orchestra: H. Double Basses
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:09
34Young Person's Guide to the Orchestra: I. Harp
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:52
35Young Person's Guide to the Orchestra: J. Horns
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:53
36Young Person's Guide to the Orchestra: K. Trumpets
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:30
37Young Person's Guide to the Orchestra: L. Trombones and Bass Tuba
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:04
38Young Person's Guide to the Orchestra: M. Percussion
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:50
39Young Person's Guide to the Orchestra: Fugue
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:54