Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: 4-Part Chorales, BWV 250-318 AC-GO
2▶CD: 4-Part Chorales, BWV 319-381 GO-ME
3▶CD: 4-Part Chorales, BWV 382-438 MI-WO
4▶CD: Magnificat BWV 243, 243a
5▶CD: Motets
6▶CD: Mass in B minor (1 Mortensen)
7▶CD: Mass in B minor (2 Mortensen)
8▶CD: Mass in B minor (1 Brüggen)
9▶CD: Mass in B minor (2 Brüggen) / Missa BWV 233
10▶CD: Missas BWV 234-236
11▶CD: St. John Passion (1724) (1 Gardiner)
12▶CD: St. John Passion (1724) (2 Gardiner)
13▶CD: St. John Passion (1749) (1 Suzuki)
14▶CD: St. John Passion (1749) (2 Suzuki)
15▶CD: St. Matthew Passion (1 Gardiner)
16▶CD: St. Matthew Passion (2 Gardiner)
17▶CD: St. Matthew Passion (1 McCreesh)
18▶CD: St. Matthew Passion (2 McCreesh)
19▶CD: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
20▶CD: Easter Oratorio / Ascension Oratorio (Leonhardt)
21▶CD: Christmas Oratorio (1 Gardiner)
22▶CD: Christmas Oratorio (2 Gardiner)
23▶CD: Christmas Oratorio (1 Chailly)
24▶CD: Christmas Oratorio (2 Chailly)
25▶CD: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
26▼CD: Cantatas 134a, 203, 173a (1719-c. 1723)
#TitleRatingLength
1"Die Zeit, die Tag und Jahre macht", BWV 134a: 1. Recitative: "Die Zeit, die Tag und Jahre macht"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": I. Recitativo (Alt, Tenor) Die Zeit, die Tag und Jahre macht (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
0:36
2"Die Zeit, die Tag und Jahre macht", BWV 134a: 2. Aria: "Auf, Sterbliche, lasset ein Jauchzen ertönen"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": II. Aria (Tenor) "Auf, Sterbliche, lasset ein Jauchzen ertönen" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
5:55
3"Die Zeit, die Tag und Jahre macht", BWV 134a: 3. Recitative: "So bald, als dir die Sternen hold"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": III. Recitativo (Alt, Tenor) "So bald, als dir die Sternen hold" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
2:25
4"Die Zeit, die Tag und Jahre macht", BWV 134a: 4. Duet: "Es streiten, es siegen die künftigen Zeiten"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": IV. Aria (Alt, Tenor) "Es streiten, es siegen die künftigen Zeiten" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
8:17
5"Die Zeit, die Tag und Jahre macht", BWV 134a: 5. Recitative: "Bedenke nur, beglücktes Land"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": V. Recitativo (Alt, Tenor) "Bedenke nur, beglücktes Land" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
3:00
6"Die Zeit, die Tag und Jahre macht", BWV 134a: 6. Aria: "Der Zeiten Herr hat viel vergnügte Stunden"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VI. Aria (Alt) "Der Zeiten Herr hat viel vergnügte Stunden" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
5:28
7"Die Zeit, die Tag und Jahre macht", BWV 134a: 7. Recitative: "Hilf, Höchster, hilf, dass mich die Menschen preisen"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VII. Recitativo (Alt, Tenor) "Hilf, Höchster, hilf" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
1:54
8"Die Zeit, die Tag und Jahre macht", BWV 134a: 8. Chorus: "Ergetzet auf Erden, erfreuet von oben"
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
choir vocals:
Bach Collegium Japan Chorus (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VIII. Coro "Ergetzet auf Erden, erfreuet von oben" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
7:31
9"Amore traditore", BWV 203: 1. [Aria:] "Amore traditore"
sound engineer:
Fabian Frank
producer, mixer and editor:
Jens Braun (classical engineer)
instruments:
Bach Collegium Japan (in 2015-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-09)
recorded at:
白寿ホール (Hakuju Hall) in Tomigaya, Shibuya (Shibuya-ku), Tokyo, Japan (in 2015-09)
recording of:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore" (in 2015-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
5:31
10"Amore traditore", BWV 203: 2. Recitative: "Voglio provar, se posso sanar"
sound engineer:
Fabian Frank
producer, mixer and editor:
Jens Braun (classical engineer)
instruments:
Bach Collegium Japan (in 2015-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-09)
recorded at:
白寿ホール (Hakuju Hall) in Tomigaya, Shibuya (Shibuya-ku), Tokyo, Japan (in 2015-09)
recording of:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar" (in 2015-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
0:43
11"Amore traditore", BWV 203: 3. Aria: "Chi in amore ha nemica la sorte"
sound engineer:
Fabian Frank
producer, mixer and editor:
Jens Braun (classical engineer)
instruments:
Bach Collegium Japan (in 2015-09)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2015-09)
recorded at:
白寿ホール (Hakuju Hall) in Tomigaya, Shibuya (Shibuya-ku), Tokyo, Japan (in 2015-09)
recording of:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte" (in 2015-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
5:53
12"Durchlauchtster Leopold", BWV 173a: 1. [Recitative:] "Durchlauchtster Leopold"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": I. Recitativo (Sopran) "Durchlauchtster Leopold"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
0:39
13"Durchlauchtster Leopold", BWV 173a: 2. Aria: "Güldner Sonnen frohe Stunden"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": II. Aria (Sopran) "Güldner Sonnen frohe Stunden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
4:11
14"Durchlauchtster Leopold", BWV 173a: 3. [Bass solo:] "Leopolds Vortrefflichkeiten"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": III. Basso solo "Leopolds Vortrefflichkeiten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
1:35
15"Durchlauchtster Leopold", BWV 173a: 4. Duet: "Unter seinem Purpursaum"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": IV. Aria (Sopran, Bass) "Unter seinem Purpursaum"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
4:15
16"Durchlauchtster Leopold", BWV 173a: 5. Recitative: "Durchlauchtigster, den Anhalt Vater nennt"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": V. Recitativo (Sopran, Bass) "Durchlauchtigster, den Anhalt Vater nennt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
1:09
17"Durchlauchtster Leopold", BWV 173a: 6. Aria: "So schau dies holden Tages Licht"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VI. Aria (Sopran) "So schau dies holden Tages Licht"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
3:32
18"Durchlauchtster Leopold", BWV 173a: 7. Aria: "Dein Name gleich der Sonnen geh"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VII. Aria (Bass) "Dein Name gleich der Sonnen geh"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
2:47
19"Durchlauchtster Leopold", BWV 173a: 8. Chorus: "Nimm auch, großer Fürst, uns auf"
producer:
Hein Dekker (recording producer)
baritone vocals:
David Wilson‐Johnson (baritone) (in 1995-11)
soprano vocals:
Monika Frimmer (soprano) (in 1995-11)
orchestra:
Orchestra of the Age of Enlightenment (in 1995-11)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-11)
balance engineer:
Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-11)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VIII. Coro (Sopran, Bass) "Nimm auch, großer Fürst, uns auf"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
2:44
27▶CD: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]