Pfitzner: Von deutscher Seele / Schoeck: Lebendig begraben

~ Release by Pfitzner, Schoeck; Agnes Giebel, Hertha Töpper, Fritz Wunderlich, Otto Wiener, Joseph Keilberth, Dietrich Fischer‐Dieskau, Fritz Rieger (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Von deutscher Seele, op. 28: “Liederteil”: Der alte Garten: "Kaiserkron' und Päonien rot"
soprano vocals:
Agnes Giebel (soprano) (in 1965-12)
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: I. Der alte Garten: “Kaiserkron' und Päonien rot” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner3:57
2Von deutscher Seele, op. 28: “Liederteil”: Spruch: "Von allen guten Schwingen"
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: II. Spruch: “Von allen guten Schwingen” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner1:32
3Von deutscher Seele, op. 28: “Liederteil”: Die Nonne und der Ritter: "Da die Welt zur Ruh..."
alto vocals:
Hertha Töpper (mezzo soprano) (in 1965-12)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: III. Die Nonne und der Ritter: “Da die Welt zur Ruh' gegangen” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner8:43
4Von deutscher Seele, op. 28: “Liederteil”: (Intermezzo) "Wohl vor lauter Singen"
soprano vocals:
Agnes Giebel (soprano) (in 1965-12)
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: IV. “Wohl vor lauter Singen” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner0:48
5Von deutscher Seele, op. 28: “Liederteil”: Der Friedensbote: "Schlaf ein, mein Liebchen"
bass vocals:
Otto Wiener (baritone) (in 1965-12)
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: V. Der Friedensbote: “Schlaf ein, mein Liebchen” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner3:15
6Von deutscher Seele, op. 28: “Liederteil”: Schlussgesang: "Wenn die Wogen unten toben"
alto vocals:
Hertha Töpper (mezzo soprano) (in 1965-12)
bass vocals:
Otto Wiener (baritone) (in 1965-12)
soprano vocals:
Agnes Giebel (soprano) (in 1965-12)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian Symphony Orchestra (Bavarian Radio Symphony Orchestra) (in 1965-12)
conductor:
Joseph Keilberth (conductor) (in 1965-12)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
live recording of:
Von deutscher Seele, op. 28: Teil III “Lieder”: VI. Schlussgesang: “Wenn die Wogen unten toben” (in 1965-12)
composer:
Hans Pfitzner (German composer)
librettist:
Joseph von Eichendorff
part of:
Von deutscher Seele, op. 28: Teil III “Der Liederteil”
Hans Pfitzner6:56
7Lebendig begraben, op. 40: No. 1, Wie poltert es! Abscheuliches Geroll
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 1. Wie poltert es! Abscheuliches Geroll (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck4:01
8Lebendig begraben, op. 40: No. 2, Da lieg' ich denn, ohnmächtiger Geselle
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 2. Da lieg' ich denn, ohnmächtiger Geselle (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:19
9Lebendig begraben, op. 40: No. 3, Ha! was ist das?
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 3. Ha! was ist das? (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:10
10Lebendig begraben, op. 40: No. 4, Läg' ich, wo es Hyänen gibt
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 4. Läg' ich, wo es Hyänen gibt (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:05
11Lebendig begraben, op. 40: No. 5, Horch! Stimmen und Geschrei
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 5. Horch! Stimmen und Geschrei (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:42
12Lebendig begraben, op. 40: No. 6, Als endlich sie den Sarg hier abgesetzt
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 6. Als endlich sie den Sarg hier abgesetzt (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:24
13Lebendig begraben, op. 40: No. 7, Horch, endlich zittert es durch meine Bretter
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 7. Horch, endlich zittert es durch meine Bretter! (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:34
14Lebendig begraben, op. 40: No. 8, Da hab' ich gar die Rose aufgegessen
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 8. Da hab' ich gar die Rose aufgegessen (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:36
15Lebendig begraben, op. 40: No. 9, Zwölf hat's geschlagen
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 9. Zwölf hat's geschlagen (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:39
16Lebendig begraben, op. 40: No. 10, Ja, hätt' ich ein verlassnes Liebchen nun
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 10. Ja, hätt' ich ein verlassnes Liebchen nun (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:37
17Lebendig begraben, op. 40: No. 11, Wie herrlich wär's, zerschnittner Tannenbaum
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 11. Wie herrlich wär's (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:16
18Lebendig begraben, op. 40: No. 12, Der erste Tannenbaum, den ich gesehn
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 12. Der erste Tannenbaum, den ich gesehn (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck5:01
19Lebendig begraben, op. 40: No. 13, Der schönste Tannenbaum, den ich gesehn
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 13. Der schönste Tannenbaum, den ich gesehn (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:48
20Lebendig begraben, op. 40: No. 14, Und wieder schlägt's
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 14. Und wieder schlägt's ein Viertel erst (in 1962-02)
lyricist:
Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck5:10

Credits

Release

part of:20th Century Classics (Deutsche Grammophon) (order: 14)
Discogs:https://www.discogs.com/release/17638594 [info]