I’m Every Woman

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Yes Sir, I Can Boogie (edit)
registrazione di:
Yes Sir, I Can Boogie (original English version)
paroliere:
Frank Dostal
compositore:
Rolf Soja
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music e Peermusic (UK) Ltd.
Baccara43:15
2When Will I See You Again (single version)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:58
3Band of Gold
diritti fonografici (℗) detenuti da:
Holland Group Productions Inc. (nel 1970)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 278) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 391)
registrazione di:
Band of Gold (Freda Payne song)
autore:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) e Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:54
4I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:04
5Venus
produttore:
Shocking Blue
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.153:00
6Rose Garden (single version)
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.152:53
7Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:36
8Daddy Cool
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett (nel 1976), Frank Farian (nel 1976) e Liz Mitchell (nel 1976)
arrangiatore:
Steven Hammer
diritti fonografici (℗) detenuti da:
Far Music Productions GmbH (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1976)
parte di:
Cachitos Nochevieja 2022 (numero: 153)
registrazione di:
Daddy Cool (nel 1976)
paroliere:
George Reyam
compositore:
Frank Farian
editore:
BMG Music, Far Musikverlag GmbH e Intro (German publisher) (nel 1976)
Boney M.4.13:27
9Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:56
10Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:32
11Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
12Up in a Puff of Smoke
produttore:
Ron Roker
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1974)
registrazione di:
Up in a Puff of Smoke
autore:
Gerry Shury e Phillip Swern
editore:
Imagem Songs Ltd.
Polly Browne33:27
13Armed and Extremely Dangerous
parte di:
Songs banned by the BBC (numero: Gilf War ban)
registrazione di:
Armed and Extremely Dangerous
autore:
Allan Felder e Norman Harris (American Philly Soul guitarist, producer, and songwriter)
editore:
Warner Chappell North America
First Choice4.352:46
14Want Ads
registrazione di:
Want Ads
autore:
General Johnson (US soul singer, R&B songwriter & producer), Barney Perkins e Greg Perry
Honey Cone32:46
15Nathan Jones
produttore:
Frank Wilson (Motown singer/songwriter)
voce principale:
Jean Terrell
arrangiatore:
David Van dePitte e Jerry Long (Motown songwriter Jerry Long, Sr.)
registrazione di:
Nathan Jones
paroliere e compositore:
Leonard Caston (father of Leonard "Lenny" Caston jr.) e Kathy Wakefield (singer, songwriter)
autore:
Lenny Caston (son of Leonard Caston)
editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (nel 1971), Stone Agate Music Division (nel 1971), Jobete Music (appears also as: Jobete Msc.) (nel 1988) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes33:00
16The Man Who Sold the World
registrazione cover di:
The Man Who Sold the World
paroliere:
David Bowie (English singer‐songwriter) (il 1970-05-22)
compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (nel 1974) e MainMan (nel 1974)
Lulu33:48
17Imagine Me, Imagine You
Fox33:37
18You’re Moving Out Today
registrazione di:
You're Moving out Today
autore:
Carole Bayer Sager, Bette Midler e Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:31
19Chuck E’s in Love
tecnico:
Loyd Clifft e Lee Herschberg
tecnico aggiunto:
Tom Knox e Roger Nichols (US mastering, recording engineer and producer)
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
voce:
Rickie Lee Jones
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrata presso:
The Burbank Studios in Burbank, California, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Chuck E.’s in Love
paroliere e compositore:
Rickie Lee Jones
editore:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:28
20Angie Baby
registrazione di:
Angie Baby
paroliere e compositore:
Alan O’Day
editore:
Warner Chappell
Helen Reddy4.53:29
21The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:33
22Something
tecnico di registrazione:
John Kurlander (engineer) (dal 1984-07 al 1984-08)
assistente tecnico:
Toby Alington (nel 1984)
produttore:
Tony Colton, Johnny Harris (Scottish composer, conductor) e Norman Newell (nel 1984)
voce:
Shirley Bassey (Welsh singer) (dal 1984-07 al 1984-08)
orchestra:
London Symphony Orchestra (dal 1984-07 al 1984-08)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor) e Carl Davis (conductor and composer) (dal 1984-07 al 1984-08)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1970) e Towerbell Records (nel 1984)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1984-07 al 1984-08)
registrazione cover di:
Something (dal 1984-07 al 1984-08)
paroliere e compositore:
George Harrison (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. e Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:33
23Don’t Cry for Me Argentina
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Tim Rice
voce:
Julie Covington (nel 1976)
esecutore:
Julie Covington
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 56)
registrazione di:
Don’t Cry for Me Argentina (Evita) (nel 1976)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
parte di:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:28

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