If You Got to Ask, You Ain't Got It!

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD: Fats Waller Sings and Plays Fats Waller
2▶CD: Fats Waller: Strictly instrumental
3▼CD: Fats Waller Sings and Plays Tin Pan Alley
Nr.TitelBewertungLänge
1I'll Be Glad When You're Dead, You Rascal You
bass saxophone:
Adrian Rollini (am 1931-10-14)
Gitarre:
Nappy Lamare (am 1931-10-14)
Klarinette:
Pee Wee Russell (am 1931-10-14)
Klavier:
Fats Waller (am 1931-10-14)
Kontrabass:
Artie Bernstein (am 1931-10-14)
Posaune:
Jack Teagarden (am 1931-10-14)
Schlagzeug:
Stan King (Big band-era drummer) (am 1931-10-14)
Tenorsaxophon:
Joe Catalyne (am 1931-10-14) und Max Farley (am 1931-10-14)
Trompete:
Sterling Bose (am 1931-10-14) und Charlie Teagarden (am 1931-10-14)
vocals:
Jack Teagarden (am 1931-10-14) und Fats Waller (am 1931-10-14)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1931-10-14)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1931-10-14)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:14
2You're Not the Only Oyster in the Stew
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
You’re Not the Only Oyster in the Stew (am 1934-09-28)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Harold Spina (composer/conductor)
3:12
3What's the Reason (I'm Not Pleasin' You)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-03-06)
alto saxophone und Klarinette:
Rudy Powell (am 1935-03-06)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-03-06)
Klavier:
Fats Waller (am 1935-03-06)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-03-06)
Schlagzeug:
Harry Dial (am 1935-03-06)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-03-06)
vocals:
Fats Waller (am 1935-03-06)
recording of:
What’s the Reason I’m Not Pleasing You (am 1935-03-06)
Verfasser(in):
Jimmie Grier (US jazz clarinetist), Earl Hatch (classical composer), Coy Poe (Songwriter) und Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:52
4Lulu's Back in Town
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone und Klarinette:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
cover recording of:
Lulu’s Back in Town (am 1935-05-08)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:38
5I'm Going to Sit Myself Right Down and Write Myself a Letter
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
Interpret(in):
Fats Waller and His Rhythm (am 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1935-05-08)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
3:32
6Dinah
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Dinah (am 1935-06-24)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:08
7There'll Be Some Changes Made
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
There’ll Be Some Changes Made (am 1935-06-24)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:09
8Somebody Stole My Gal
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
cover recording of:
Somebody Stole My Gal (am 1935-06-24)
Texter und Komponist(in):
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:29
9Christopher Columbus
recorded in:
New York, New York, Vereinigte Staaten (am 1936-04-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-04-08)
Klavier:
Fats Waller (am 1936-04-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-04-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-04-08)
Schlagzeug:
Arnold Boling (am 1936-04-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-04-08)
vocals:
Fats Waller (am 1936-04-08)
recording of:
Christopher Columbus (am 1936-04-08)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
2:52
10It's a Sin to Tell a Lie
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-06-05)
Klavier:
Fats Waller (am 1936-06-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-06-05)
Rohrblattinstrumente:
Gene Sedric (am 1936-06-05)
Schlagzeug:
Arnold Boling (am 1936-06-05)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-06-05)
vocals:
Fats Waller (am 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (am 1936-06-05)
Texter und Komponist(in):
Billy Mayhew (in 1936)
2:56
11She's Tall, She's Tan, She's Terrific
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
2:38
12The Sheik of Araby
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
cover recording of:
The Sheik of Araby (am 1938-04-12)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
recording of:
The Sheik of Araby (am 1938-04-12)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
3:08
13Two Sleepy People
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-10-13)
Klavier:
Fats Waller (am 1938-10-13)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-10-13)
Rohrblattinstrumente:
Gene Sedric (am 1938-10-13)
Schlagzeug:
Slick Jones (am 1938-10-13)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-10-13)
vocals:
Fats Waller (am 1938-10-13)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1938-10-13)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
3:06
14A Good Man Is Hard to Find
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-01-19)
Klavier:
Fats Waller (am 1939-01-19)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-01-19)
Rohrblattinstrumente:
Gene Sedric (am 1939-01-19)
Schlagzeug:
Slick Jones (am 1939-01-19)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-01-19)
vocals:
Fats Waller (am 1939-01-19)
recording of:
A Good Man Is Hard to Find (am 1939-01-19)
Komponist(in):
Eddie Green (1920's Jazz composer and actor) (in 1918)
publisher:
Mayfair Music Corp.
3:06
15Hold Tight (Want Some Seafood Mama)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-01-19)
Klavier:
Fats Waller (am 1939-01-19)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-01-19)
Rohrblattinstrumente:
Gene Sedric (am 1939-01-19)
Schlagzeug:
Slick Jones (am 1939-01-19)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-01-19)
vocals:
Fats Waller (am 1939-01-19)
recording of:
Hold Tight (am 1939-01-19)
Verfasser(in):
Jerry Brandow, Edward Robinson (songwriter), Lenny Kent, Willie Spotswood (US singer, composer, often credited as "Spotswood") und Leonard Ware (American jazz guitar player and composer)
2:07
16'Tain't What You Do (It's the Way That You Do It)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-03-09)
Klavier:
Fats Waller (am 1939-03-09)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-03-09)
Rohrblattinstrumente:
Gene Sedric (am 1939-03-09)
Schlagzeug:
Slick Jones (am 1939-03-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1939-03-09)
vocals:
Fats Waller (am 1939-03-09)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-03-09)
Verfasser(in):
Sy Oliver und Trummy Young
2:51
17Your Feet's Too Big
recorded in:
New York, New York, Vereinigte Staaten (am 1939-11-03)
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Gene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Fats Waller (am 1939-11-03)
recording of:
Your Feet’s Too Big (am 1939-11-03)
Texter:
Ada Benson
Komponist(in):
Fred Fisher (in 1936)
3:06
18Darktown Strutters Ball
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Gene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Fats Waller (am 1939-11-03)
recording of:
Darktown Strutters’ Ball (am 1939-11-03)
Texter und Komponist(in):
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. und Leo Feist, Inc.
enthalten in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
Teil von:
For Me and My Gal (1942 movie)
2:44
19I Can't Give You Anything but Love
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1939-11-03)
Klavier:
Fats Waller (am 1939-11-03)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1939-11-03)
Rohrblattinstrumente:
Eugene Sedric (am 1939-11-03)
Schlagzeug:
Slick Jones (am 1939-11-03)
Trompete:
John Hamilton (jazz trumpet player) (am 1939-11-03)
vocals:
Una Mae Carlisle (am 1939-11-03) und Fats Waller (am 1939-11-03)
recording of:
I Can’t Give You Anything but Love, Baby (am 1939-11-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:58
20You Run Your Mouth, I'll Run My Business
Gitarre:
John Smith (US jazz guitarist, active 1930s-1960s) (am 1940-04-11)
Klavier:
Fats Waller (am 1940-04-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1940-04-11)
Rohrblattinstrumente:
Eugene Sedric (am 1940-04-11)
Schlagzeug:
Slick Jones (am 1940-04-11)
Trompete:
John Hamilton (jazz trumpet player) (am 1940-04-11)
vocals:
Fats Waller (am 1940-04-11)
cover recording of:
You Run Your Mouth and I'll Run My Business (am 1940-04-11)
Texter und Komponist(in):
Lil Hardin Armstrong
3:05
21Let's Get Away From It All
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1941-03-20)
Hammond-Orgel:
Fats Waller (am 1941-03-20)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1941-03-20)
Rohrblattinstrumente:
Gene Sedric (am 1941-03-20)
Schlagzeug:
Slick Jones (am 1941-03-20)
Trompete:
John Hamilton (jazz trumpet player) (am 1941-03-20)
vocals:
Fats Waller (am 1941-03-20)
recording of:
Let’s Get Away From It All (am 1941-03-20)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
3:03
22'Tain't Nobody's Bizness If I Do
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1940-11-06)
Klavier:
Fats Waller (am 1940-11-06)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1940-11-06)
Rohrblattinstrumente:
Eugene Sedric (am 1940-11-06)
Schlagzeug:
Slick Jones (am 1940-11-06)
Trompete:
John Hamilton (jazz trumpet player) (am 1940-11-06)
vocals:
Fats Waller (am 1940-11-06)
aufgenommen bei:
RCA Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1940-11-06)
recording of:
T’ain’t Nobody’s Bizness If I Do (am 1940-11-06)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
3:00

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000452218 [Info]