The Menuhin Century: The Historic Recordings

~ Release by Yehudi Menuhin (see all versions of this release, 1 available)

Annotation

An 18-CD collection of Yehudi Menuhin's historically significant recordings.

Annotation last modified on 2020-12-26 08:46 UTC.

Tracklist

1▶CD: Elgar: Concerto / La Capricieuse
2▶CD: Bach: Sonata no. 1 / Partitas nos. 1 & 2
3▶CD: Bach: Sonatas nos. 2 & 3 / Partita no. 3 / Concerto, BWV 1041
4▶CD: Complete Recordings with Enescu: Bach / Dvořák / Paganini / Wieniawski
5▶CD: Complete Recordings with Enescu: Mozart: Concertos
6▶CD: Complete Recordings with Enescu: Mendelssohn / Lalo / Chausson
7▶CD: Schumann: Concerto / Mozart: Concerto, K. 281 / Liberation of Paris Concert, 1944 / 1st Anniversary of the Universal Declaration of Human Rights, 1949
8▶CD: Menuhin in Moscow, 1945: Bach: Double Concerto with David Oistrakh / Saint-Saëns / Wieniawski / Sarasate / Tchaikovsky / Dvořák / Kreisler / Bartók
9▶CD: Complete Recordings with Furtwängler: Concertos: Beethoven / Mendelssohn
10▶CD: Complete Recordings with Furtwängler: Concertos: Brahms / Bartók (no. 2)
11▶CD: Complete Recordings with Furtwängler: Beethoven: Concerto / Romances
12▶CD: Bartók: Sonatas
13▶CD: Walton: Sonata / Concertos (violin, viola)
14▶CD: Martin: Polyptyque / Ballade / Harris: Sonata
15▶CD: Concertos: Berkeley / Williamson / Panufnik
16▶CD: Bloch: Abodah / Suites / Finney: Fantasy / Somers: Solo Violin / Ben-Haim: Sonata
17▶CD: “West meets East” with Ravi Shankar
18▼CD: “Jealousy” with Stéphane Grappelli
#TitleArtistRatingLength
1Jealousy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
recording of:
Jalousie “Tango Tzigane” (catch-all for arrangements) (from 1972-06-14 until 1972-06-15)
composer:
Jacob Gade (in 1925)
arrangement of:
Jalousie “Tango Tzigane” (original orchestral version)
Jacob Gade3:08
2The Girl Friend: The Blue Room
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Blue Room (from 1972-06-14 until 1972-06-15)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
Richard Rodgers2:20
3Swing Time: A Fine Romance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
A Fine Romance (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
George Gershwin3:25
4Billy
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
Stéphane Grappelli2:04
5Goldwyn Follies: Love is here to stay
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Love Is Here to Stay (from 1972-06-14 until 1972-06-15)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
George Gershwin4:00
6Aurore
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15)
violin:
Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
Stéphane Grappelli2:38
7Swing Time: Pick yourself up
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental recording of:
Pick Yourself Up (from “Swing Time”) (from 1972-06-14 until 1972-06-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern2:19
8Gay Divorce: Night and Day
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) and Lennie Bush (from 1972-06-14 until 1972-06-15)
drums (drum set):
Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
piano:
Alan Clare (from 1972-06-14 until 1972-06-15)
violin:
Stéphane Grappelli (jazz violinist) (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (violinist) (from 1972-06-14 until 1972-06-15)
conductor:
Max Harris (from 1972-06-14 until 1972-06-15)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-14 until 1972-06-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1972-06-14 until 1972-06-15)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter4:08
9I Can't Believe That You're in Love with Me
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush and Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Chris Karan and Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
I Can’t Believe That You’re in Love With Me (from 1973-03-06 until 1973-03-07)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Jimmy McHugh3:06
10Spread It Abroad: These Foolish Things
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
These Foolish Things (Remind Me of You) (from 1973-03-06 until 1973-03-07)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Jack Strachey4:23
11Errol
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
Stéphane Grappelli3:21
12Lady, Be Good!: Oh, lady, be good!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set) and membranophone:
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Oh, Lady Be Good! (from 1973-03-06 until 1973-03-07)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
George Gershwin3:39
13Jermyn Street
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07)
violin:
Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
Stéphane Grappelli4:07
14Top Hat: Cheek to Cheek
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
performer:
Alan Clare Trio (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (from 1973-03-06 until 1973-03-07)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Irving Berlin3:48
15Babes in Arms: The Lady is a Tramp
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Ken Baldock (Contrabassist) (from 1973-03-06 until 1973-03-07)
drums (drum set):
Tony Crombie (from 1973-03-06 until 1973-03-07)
piano:
Alan Clare (from 1973-03-06 until 1973-03-07)
violin:
Stéphane Grappelli (jazz violinist) (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (violinist) (from 1973-03-06 until 1973-03-07)
conductor:
Max Harris (from 1973-03-06 until 1973-03-07)
arranger:
Max Harris
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-03-06 until 1973-03-07)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1973-03-06 until 1973-03-07)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Richard Rodgers4:27
16Funny Face: 'S Wonderful
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
guitar:
Ike Issacs (from 1975-05-21 until 1975-05-23)
piano:
Alan Clare (from 1975-05-21 until 1975-05-23) and Max Harris (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
’S Wonderful (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin2:47
17Porgy and Bess: Summertime
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
drums (drum set):
Ronnie Verrell (from 1975-05-21 until 1975-05-23)
electric piano:
Alan Clare (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1975-05-21 until 1975-05-23)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin4:25
18Menuet pour Menuhin
recorded in:
London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
sound engineer and balance engineer:
Tony Clark (engineer, Abbey Road)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and John Mordler (producer)
bass:
Lennie Bush (from 1975-05-21 until 1975-05-23)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23)
violin:
Stéphane Grappelli (jazz violinist) (from 1975-05-21 until 1975-05-23) and Yehudi Menuhin (violinist) (from 1975-05-21 until 1975-05-23)
conductor:
Max Harris (from 1975-05-21 until 1975-05-23)
phonographic copyright (℗) by:
EMI Electrola Ltd
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-05-21 until 1975-05-23)
recording of:
Menuet Pour Menuhin (from 1975-05-21 until 1975-05-23)
composer and arranger:
Stéphane Grappelli (jazz violinist)
Stéphane Grappelli3:11
19No, No, Nanette: Tea for Two
producer:
John Mordler (producer)
bass and double bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
guitar:
Jan Blok (guitar player) (from 1977-10-28 until 1977-10-29) and John Etheridge (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
recording of:
Tea for Two (No, No, Nanette) (from 1977-10-28 until 1977-10-29)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Vincent Youmans3:41
20Viva Vivaldi
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
Max Harris2:26
21Air on a Shoestring
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
Max Harris3:42
22Strike Up the Band: The Man I Love
producer:
John Mordler (producer)
bass:
Pierre Michelot (from 1977-10-28 until 1977-10-29)
drums (drum set):
Ronnie Verrell (from 1977-10-28 until 1977-10-29)
instruments:
Woodwind and Reed Ensemble (from 1977-10-28 until 1977-10-29)
keyboard:
Laurie Holloway (from 1977-10-28 until 1977-10-29)
violin:
Stéphane Grappelli (jazz violinist) (from 1977-10-28 until 1977-10-29) and Yehudi Menuhin (violinist) (from 1977-10-28 until 1977-10-29)
conductor:
Max Harris (from 1977-10-28 until 1977-10-29)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Bovema Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Netherlands, Kingdom of the Netherlands (from 1977-10-28 until 1977-10-29)
instrumental recording of:
The Man I Love (from 1977-10-28 until 1977-10-29)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
George Gershwin4:46
23Coucou
producer:
John Fraser (UK producer)
electric piano:
Stéphane Grappelli (jazz violinist) (from 1979-11-08 until 1979-11-09)
violin:
Yehudi Menuhin (violinist) (from 1979-11-08 until 1979-11-09)
balance engineer:
Tony Clark (engineer, Abbey Road)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-11-08 until 1979-11-09)
Stéphane Grappelli4:04