The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1CD: Oberto (Atto I) (Marriner, 1966)
2CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11CD: I due Foscari (Atto I) (Gardelli, 1976)
12CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16CD: Alzira (Atto II) (Luisi, 1999)
17CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
#TitleRatingLength
1Macbeth: Preludio
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: N°1 Preludio (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth
part of:
Macbeth (german lyrics)
3:17
2Macbeth: Atto primo. "Che faceste? dite su! ... Giorno non vidi mai si fiero e bello!" (Streghe, Macbeth, Banco, messaggeri)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
bass vocals [Banco, general dell'esercito del re Duncano]:
Nicolaï Ghiaurov (operatic bass) (in 1976-01)
choir vocals [Streghe]:
Coro del Teatro alla Scala di Milano (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2a Coro d'introduzione “Che faceste? dite su!” (Streghe) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
7:46
3Macbeth: Atto primo. "Due vaticini compiuti or sono" (Macbeth, Banco, messaggeri)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
bass vocals [Banco, general dell'esercito del re Duncano]:
Nicolaï Ghiaurov (operatic bass) (in 1976-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2b Scena "Giorno non vidi mai sì fiero e bello!" (Macbeth, Banco, Streghe, Messaggeri) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°2d Duetto “Due vaticini compiuti or sono.. …” (Macbeth, Banco, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
3:22
4Macbeth: Atto primo. "S'allontanarono! ... 'Nel di della vittoria io le incontrai...'" (Streghe, Lady)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals [Streghe]:
Coro del Teatro alla Scala di Milano (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2e Coro “S'allontanarono! - N'accozzeremo” (Streghe) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
4:16
5Macbeth: Atto primo. "Vieni! t'affretta! ... Al cader della sera il Re qui guinge" (Lady, Servo)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Servo di Macbeth]:
Giovanni Foiani (operatic bass) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3d Cabaletta "Or tutti sorgete, ministri infernali" (Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
7:32
6Macbeth: Atto primo. "Oh donna mia!" (Macbeth, Lady)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°4a Scena “Oh donna mia! - Caudore!” (Macbeth, Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
3:33
7Macbeth: Atto primo. "Sappia la sposa mia che, pronta appena la mia tazza notturna ... Mi si affaccia un pugnal?! ... Regna il sonno su tutti ... Fatal mia donna!" (Macbeth, Lady)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°5a Gran scena “Sappia la sposa mia” (Macbeth) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°5c Duetto “Fatal mia donna! un murmure” (Macbeth, Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
11:32
8Macbeth: Atto primo. "Di destarlo per tempo il Re m'impose ... Qual subito scompiglio! ... Schiudi, inferno, la bocca" (Macduff, Banco, Lady, Macbeth, Malcolm, Dama di Lady, servi)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
bass vocals [Banco, general dell'esercito del re Duncano]:
Nicolaï Ghiaurov (operatic bass) (in 1976-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
mezzo-soprano vocals [Dama di Lady Macbeth]:
Stefania Malagú (mezzo-soprano) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
tenor vocals [Malcolm]:
Antonio Savastano (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°6a Finale primo “Di destarlo per tempo il re m'impose” (Macduff, Banco, Lady, Macbeth) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°6b Sestetto "Schiudi, inferno, la bocca, ed inghiotti" (Lady, Dama, Macduff, Macbeth, Malcolm, Banco, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
7:52
9Macbeth: Atto secondo. "Perché mi sfuggi" (Lady, Macbeth)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°7a Scena “Perché mi sfuggi, e fiso” (Lady, Macbeth) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
2:50
10Macbeth: Atto secondo. "La luce langue" (Lady)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
4:24
11Macbeth: Atto secondo. "Chi osò mandarvi a noi?" (Sicari)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals [Sicari]:
Coro del Teatro alla Scala di Milano (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°8a Coro “Chi v'impose unirvi a noi?” (Sicari) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
3:09
12Macbeth: Atto secondo. "Studia il passo, o mio figlio ... Come dal ciel precipita l'ombra" (Banco)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Banco, general dell'esercito del re Duncano]:
Nicolaï Ghiaurov (operatic bass) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°8b Scena "Studia il passo, o mio figlio!..." (Banco) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
recording of:
Macbeth: Atto II. N°8c Adagio "Come dal ciel precipita" (Banco) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
5:14
13Macbeth: Atto secondo. "Salve o Re!" (Dame e cavalieri, Macbeth, Lady, Dama di Lady)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
mezzo-soprano vocals [Dama di Lady Macbeth]:
Stefania Malagú (mezzo-soprano) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°9a Convito “Salve, o re!” … “Voi pur salvete” (Coro, Macbeth, Lady) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
1:52
14Macbeth: Atto secondo. "Si colmi il calice di vino eletto" (Lady, Macbeth, Sicari, Dama di Lady, dame e cavalieri)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
baritone vocals [Sicario]:
Alfredo Mariotti (baritone) (in 1976-01)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
mezzo-soprano vocals [Dama di Lady Macbeth]:
Stefania Malagú (mezzo-soprano) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°9b Brindisi “Si colmi il calice di vino eletto” (Lady, Dama, Macduff, coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
recording of:
Macbeth: Atto II. N°9e Brindisi 2 “Si colmi il calice … Vuotiam per l'inclito” (Lady, Macbeth, Dama, Macduff,Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
6:26
15Macbeth: Atto secondo. "Va', spirto d'abisso!" (Macbeth, Lady, Macduff, dama di Lady, dama e cavalieri)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Macbeth, general dell'esercito del re Duncano]:
Piero Cappuccilli (baritone) (in 1976-01)
mezzo-soprano vocals [Dama di Lady Macbeth]:
Stefania Malagú (mezzo-soprano) (in 1976-01)
mezzo-soprano vocals [Lady Macbeth]:
Shirley Verrett (mezzo-soprano) (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto II. N°9f Quartetto “Sangue a me quell'ombra chiede” … “Spirto d'abisso” (Macbeth, Lady, Macduff, Dama, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
6:48
20CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23CD: Jérusalem (Acte I) (Luisi, 1998)
24CD: Jérusalem (Acte II) (Luisi, 1998)
25CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27CD: Il corsaro (Atto III) (Gardelli, 1975)
28CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32CD: Stiffelio (Atto I) (Gardelli, 1979)
33CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34CD: Rigoletto (Atto I) (Giulini, 1979)
35CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64CD: Otello (Atto I, Atto II) (Chung, 1993)
65CD: Otello (Atto III, Atto IV) (Chung, 1993)
66CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71CD: Discoveries (Riccardo Chailly, 2002)
72CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)