Live at Laren Jazz Festival 1975

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1The Man I Love
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
5:02
2I Got It Bad (and That Ain’t Good)
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
7:29
3Watch What Happens
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
recording of:
Watch What Happens
Texter:
Jacques Demy
Komponist(in):
Michel Legrand
Übersetzer:
Norman Gimbel
übersetzte Version von:
Les Parapluies de Cherbourg: Récit de Cassard
2:59
4’Round Midnight
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
5:55
5The Lamp Is Low
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
recording of:
The Lamp Is Low (1939 song)
Texter:
Mitchell Parish
Komponist(in):
Maurice Ravel (French composer)
zusätzliche(r) Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Bert Shefter
basiert auf:
Pavane pour une infante défunte (original version for solo piano)
1:52
6“Introduction” Body Heat
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
1:44
7Everything Must Change
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
recording of:
Everything Must Change
Texter und Komponist(in):
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Trans Traditional Suite
7:21
8On a Clear Day (You Can See Forever)
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
1:46
9Lover Man
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
5:19
10Sarah’s Blues
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
recording of:
Sarah's Blues (Sarah Vaughan song)
Verfasser(in):
Walter Booker, Jimmy Cobb (US jazz drummer), Carl Schroeder (pianist) und Sarah Vaughan
7:32
11What Are You Doing the Rest of Your Life
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
What Are You Doing the Rest of Your Life?
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
EMI April Music Inc. (beendet), EMI U Catalog Inc. (publisher; do NOT use as release label) (beendet) und Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 2)
6:47
12There Will Never Be Another You
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
recording of:
There Will Never Be Another You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:04
13Medley: It’s Magic / My Reverie / Body and Soul / Moonlight in Vermont
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
medley including a teilweise recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a teilweise recording of:
It’s Magic
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 2)
Teil von:
Romance on the High Seas
medley including a teilweise recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a teilweise recording of:
My Reverie (Debussy’s “Reverie”) (Adap. de Larry Clinton)
Texter:
Larry Clinton (in 1938)
Verfasser(in):
André Baruch
Komponist(in):
Claude Debussy (French composer) (in 1890)
arranger:
Larry Clinton
Arrangement von:
Rêverie, L. 68, CD 76 (for piano)
basiert auf:
Rêverie, L. 68, CD 76 (for piano)
11:01
14Tenderly
Bass:
Bob Magnusson (jazz, pop and classical bassist)
Klavier:
Carl Schroeder (pianist)
Schlagzeug:
Jimmy Cobb (US jazz drummer)
vocals:
Sarah Vaughan
cover recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
4:18

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Fondamenta (in 2016)
aufgenommen bei:Laren Jazz Festival (Amsterdam) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (am 1975-08-05)
zum Herunterladen kaufen:http://fondamenta-music.com/releases/live-at-laren-1975?locale=en [Info]

Veröffentlichungsgruppe

Teil von:The Lost Recordings (French series of unreleased live recordings) (Reihenfolge: 2)