The Best of Soft Rock (2020 version)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

The 2020 re-printing of "The Best of Soft Rock" is nearly identical to the prior 2019 set down to the barcode and packaging except disc 6 "Summer Breeze (disc 2)", where on the prior set track 13 John Waite's "Missing You" has been replaced with Orlean's "Dance With Me".

Annotazione modificata l'ultima volta il 2023-07-25 22:43 UTC.

Elenco tracce

1▶CD: More Than a Feeling (disc 1)
2▶CD: More Than a Feeling (disc 2)
3▶CD: Ride Like the Wind (disc 1)
4▶CD: Ride Like the Wind (disc 2)
5▶CD: Summer Breeze (disc 1)
6▶CD: Summer Breeze (disc 2)
7▼CD: California Dreamin’
#TitoloArtistaValutazioneDurata
1California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
2Kokomo
tecnico e tecnico di missaggio:
Keith Wechsler
produttore:
Terry Melcher
basso :
Rod Clark (UK bassist) (dal 1988-03-22 al 1988-04-06)
batteria :
Jim Keltner (dal 1988-03-22 al 1988-04-06)
chitarra acustica :
Jeffrey Foskett (dal 1988-03-22 al 1988-04-06)
chitarra slide [electric slide guitar] :
Ry Cooder (dal 1988-03-22 al 1988-04-06)
fisarmonica :
Van Dyke Parks (dal 1988-03-22 al 1988-04-06)
sassofono contralto :
Joel Peskin (dal 1988-03-22 al 1988-04-06)
voce di accompagnamento:
Al Jardine (guitarist and singer) (dal 1988-03-22 al 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1988-03-22 al 1988-04-06), Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
voce principale:
Mike Love (Beach Boys) (dal 1988-03-22 al 1988-04-06) e Carl Wilson (Beach Boys) (dal 1988-03-22 al 1988-04-06)
esecutore:
The Beach Boys (American rock band) (dal 1988-03-22 al 1988-04-06)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1988) e Touchstone Pictures (nel 1988)
video musicali:
Kokomo di The Beach Boys (American rock band)
registrazione di:
Kokomo (dal 1988-03-22 al 1988-04-06)
autore:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher e John Phillips (The Mamas & The Papas)
editore:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. e Yamaha Music EH(CM)
The Beach Boys4.253:36
3Ventura Highway
assistente tecnico:
Chuck Leary
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
America (US folk/soft rock band) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra :
Gerry Beckley, Dewey Bunnell e Dan Peek
tastiera :
Gerry Beckley e Dan Peek
voce:
Gerry Beckley, Dewey Bunnell e Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972), Warner Music International (trademark of Warner Music International the company) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrazione di:
Ventura Highway
paroliere e compositore:
Dewey Bunnell
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
America43:32
4Listen to the Music
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.353:28
5I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:49
6It Never Rains in Southern California
registrazione di:
It Never Rains in Southern California
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI April Music Inc.
Albert Hammond3:30
7Thank You for Being a Friend
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (nel 1978)
batteria :
Jeff Porcaro (nel 1978)
chitarra :
Waddy Wachtel (nel 1978)
percussione , pianoforte e sintetizzatore :
Andrew Gold (nel 1978)
voce:
Andrew Gold (nel 1978)
voce di accompagnamento:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (nel 1978), Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Thank You for Being a Friend (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold54:45
8Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
9When Will I Be Loved
tecnico di registrazione:
Val Garay e David Hassinger
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
batteria :
Russ Kunkel (session drummer)
campanaccio :
Peter Asher
famiglia delle chitarre e tamburello :
Andrew Gold
voce di accompagnamento:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold e Linda Ronstadt
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
registrazione cover di:
When Will I Be Loved? (dal 1974-06 al 1974-09)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt52:12
10I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:41
11Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Baby Come Back (Player song) (nel 1977)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player53:38
12Circle in the Sand
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987), Artist Management Services Ltd. (nel 1988) e Virgin Records, Inc. (nel 1988)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Circle in the Sand
autore:
Rick Nowels e Ellen Shipley
editore:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
Belinda Carlisle4.54:27
13Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:41
14I’ll Be Over You
tecnico di registrazione:
Shep Lonsdale e Tom Knox
programmazione:
Steve Porcaro
tecnico:
Tom Knox e Shep Lonsdale
tecnico aggiunto:
Dan Garcia (engineer/producer) (incarico: additional), Doug Linnell (incarico: additional), Duane Seykora (incarico: additional), Jack Puig (incarico: additional), John Jessel (incarico: additional), Julie Last (incarico: additional), Mike Ross (US engineer, active 1980s–present) (incarico: additional), Murray Dvorkin (incarico: additional) e Teruo "Mu" Murakami (incarico: additional)
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
basso :
Mike Porcaro
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Michael Porcaro
percussione :
Lenny Castro, Paulinho da Costa (Brazilian percussionist) e Jeff Porcaro
piano Rhodes [Yamaha DX7 rhodes] :
David Paich
sintetizzatore e tastiera :
David Paich e Steve Porcaro
strumenti:
Steve Porcaro
voce:
David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Michael McDonald (R&B & soul singer), Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), Michael McDonald (R&B & soul singer) e Joseph Williams (vocalist for Toto, son of composer John Williams)
voce principale:
Jean-Michel Byron e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
esecutore:
Mike McDonald (R&B & soul singer)
arrangiatore:
Toto (US rock group)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrazione di:
I'll Be Over You
autore:
R.Goodrum e S.Lukather (guitarist, vocalist, composer, producer and arranger)
registrazione di:
I’ll Be Over You
autore:
Randy Goodrum e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
editore:
California Phase Music, Randy Goodrum Inc., Rehtakul Veets Music e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Toto3.53:50
15Just the Way It Is, Baby
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1990) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991)
registrazione di:
Just the Way It Is, Baby
autore:
Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
editore:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
The Rembrandts3.54:09
8▶CD: The Air That I Breathe
9▶CD: Into the Night (disc 1)
10▶CD: Into the Night (disc 2)