Cantatas, BWV 10, 12, 13

~ Uitgave van Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1▼cd
#TitelArtiestWaarderingDuur
1Kantate, BWV 10 “Meine Seel erhebt den Herren”: I. Coro “Meine Seel erhebt den Herren”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
koor:
Gächinger Kantorei Stuttgart (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:56
2Kantate, BWV 10 “Meine Seel erhebt den Herren”: II. Aria (Soprano) “Herr, der du stark und mächtig bist”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
sopraanvocalen:
Arleen Augér (soprano) (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach6:47
3Kantate, BWV 10 “Meine Seel erhebt den Herren”: III. Recitativo (Tenore) “Des Höchsten Güt und Treu”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
tenorvocalen:
Aldo Baldin (tenor) (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:31
4Kantate, BWV 10 “Meine Seel erhebt den Herren”: IV. Aria (Basso) “Gewaltige stößt Gott vom Stuhl”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
basvocalen:
Wolfgang Schöne (bass-baritone) (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:59
5Kantate, BWV 10 “Meine Seel erhebt den Herren”: V. Duetto e Choral (Alto, tenore) “Er denket der Barmherzigkeit”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
altvocalen:
Margit Neubauer (mezzo-soprano) (in 1979-02)
tenorvocalen:
Aldo Baldin (tenor) (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:00
6Kantate, BWV 10 “Meine Seel erhebt den Herren”: VI. Recitativo (Tenore) “Was Gott den Vätern alter Zeiten”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
tenorvocalen:
Aldo Baldin (tenor) (in 1979-02)
vocalen:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:16
7Kantate, BWV 10 “Meine Seel erhebt den Herren”: VII. Choral “Lob und Preis sei Gott dem Vater und dem Sohn”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
koor:
Gächinger Kantorei Stuttgart (in 1979-02)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1979-02)
was dirigent:
Helmuth Rilling (conductor) (in 1979-02)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1979-02)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1979-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Breitkopf 389 Choralgesänge (nummer: 122)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:17
8Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: I. Sinfonia
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:46
9Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach7:35
10Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: III. Recitativo (Alto) “Wir müssen durch viel Trübsal”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
altvocalen:
Helen Watts (contralto)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:46
11Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: IV. Aria (Alto) “Kreuz und Krone sind verbunden”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
altvocalen:
Helen Watts (contralto)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:42
12Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: V. Aria (Basso) “Ich folge Christo nach”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
basvocalen:
Wolfgang Schöne (bass-baritone)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:47
13Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: VI. Aria (Tenore) “Sei getreu, alle Pein wird doch nur ein Kleines sein”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1972-02)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:50
14Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: VII. Choral “Was Gott tut, das ist wohlgetan”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (in 1972-02)
is een opname van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1972-02)
tekstschrijver:
Samuel Rodigast (German poet)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Breitkopf 389 Choralgesänge (nummer: 340)
deel van:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:06
15Kantate, BWV 13 “Meine Seufzer, meine Tränen”: I. Aria (Tenore) “Meine Seufzer, meine Tränen”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor) en recording supervisor (German chorus master and conductor)
tenorvocalen:
Adalbert Kraus (tenor)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:18
16Kantate, BWV 13 “Meine Seufzer, meine Tränen”: II. Recitativo (Alto) “Mein liebster Gott lässt mich annoch”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
altvocalen:
Carolyn Watkinson (mezzo-soprano and contralto)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:26
17Kantate, BWV 13 “Meine Seufzer, meine Tränen”: III. Choral (Alto) “Der Gott, der mir hat versprochen”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
altvocalen:
Carolyn Watkinson (mezzo-soprano and contralto)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1636)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach3:05
18Kantate, BWV 13 “Meine Seufzer, meine Tränen”: IV. Recitativo (Soprano) “Mein Kummer nimmet zu”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
sopraanvocalen:
Arleen Augér (soprano)
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:31
19Kantate, BWV 13 “Meine Seufzer, meine Tränen”: V. Aria (Basso) “Ächzen und erbärmlich Weinen”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
basvocalen:
Walter Heldwein
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:25
20Kantate, BWV 13 “Meine Seufzer, meine Tränen”: VI. Choral “So sei nun, Seele”
opnametechnicus:
Teije van Geest (engineer/producer)
producent:
Richard Hauck (engineer/producer) (taak: recording supervisor)
koor:
Gächinger Kantorei Stuttgart
orkest:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
was dirigent:
Helmuth Rilling (conductor)
opgenomen bij:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Duitsland (van 1981-03 tot 1981-11)
is een opname van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (van 1981-03 tot 1981-11)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Fleming (poet) (in 1642)
deel van:
Breitkopf 389 Choralgesänge (nummer: 295)
deel van:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:05

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deel van:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (nummer: 4) (volgorde: 4)