The Complete Anita O'Day Verve/Clef Sessions

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1What's Your Story Morning Glory?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
What's Your Story, Morning Glory?
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
3:51
2My Funny Valentine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
My Funny Valentine (from “Babes in Arms”) (am 1958-04-02)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:37
3Sing Sing Sing
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Instrumente:
Ken Shroyer (trombonist)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen und Archie LeCoque
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (vom 1958-04-02 bis heute)
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
3:33
4Body and Soul
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
Body and Soul (am 1958-04-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:24
5The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
The Peanut Vendor
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
2:42
6Frenesi
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
Frenesi
Komponist(in):
Alberto Domínguez
Übersetzer:
Leonard Whitcup
übersetzte Version von:
Frenesí
3:05
7Take the "A" Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
Produzent(in):
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
vocals:
Anita O’Day (am 1958-04-03)
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1958-04-03)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
2:53
8Tenderly
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
2:41
9Four Brothers
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
Produzent(in):
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
vocals:
Anita O’Day (am 1958-04-03)
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
recording of:
Four Brothers
Komponist(in):
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
2:26
10Early Autumn
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
Produzent(in):
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
vocals:
Anita O’Day (am 1958-04-03)
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
recording of:
Early Autumn (am 1958-04-03)
Texter:
Johnny Mercer (in 1949)
Komponist(in):
Ralph Burns (in 1949) und Woody Herman (in 1949)
3:12
11Interlude (A Night in Tunisia)
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
recording of:
A Night in Tunisia (version with lyrics by Frank Minion)
Texter:
Frank Minion
Komponist(in):
Dizzy Gillespie und Frank Paparelli
Version von:
Night in Tunisia (instrumental)
2:38
12Four
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
Produzent(in):
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
vocals:
Anita O’Day (am 1958-04-03)
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
2:51
13Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Come Rain or Come Shine (in 1959-04)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
2:16
14You're a Clown
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
2:33
15Easy Come, Easy Go
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-04-06)
vocals:
Anita O’Day (am 1959-04-06)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
recording of:
Easy Come, Easy Go (am 1959-04-06)
Texter:
Edward Heyman (in 1934)
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) (in 1934)
3:13
16A Lover Is Blue
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
A Lover Is Blue (in 1959-04)
Verfasser(in):
Charles Carpenter, James R. Mundy und Trummy Young
3:02
17Mack the Knife
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
recording of:
Mack the Knife (1954 Blitzstein translation) (in 1959-04)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:09
18Gone With the Wind
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Gone With the Wind (in 1959-04)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:27
19Hershey Bar
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Hershey Bar (in 1959-04)
Komponist(in):
Johnny Mandel (American composer and arranger)
recording of:
Hershey Bar
Komponist(in):
Johnny Mandel (American composer and arranger)
2:07
20My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
Produzent(in):
Norman Granz
Bass:
Buddy Clark (US jazz bassist)
Klavier:
Jimmy Rowles
Posaune:
Frank Rosolino
Rohrblattinstrumente:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
Schlagzeug:
Lawrence Marable
Trompete:
Lee Katzman und Jack Sheldon
Tuba:
Al Pollan
vocals:
Anita O’Day (vom 1959-04-07 bis heute, in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
My Heart Belongs to Daddy (in 1959-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
2:54
21Orphan Annie
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
2:03
22The Way You Look Tonight
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
The Way You Look Tonight (from “Swing Time”) (in 1959-04)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
2:12
23It Had to Be You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
It Had to Be You (in 1959-04)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
3:14
24Hooray for Hollywood
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Hooray for Hollywood (in 1959-04)
Texter:
Johnny Mercer
Komponist(in):
Richard A. Whiting (composer)
2:22
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Nennungen

Veröffentlichung

ASIN:US: B00106BU8Y [Info]

Veröffentlichungsgruppe

Wikidata:Q124253058 [Info]