Maria Callas: 90 Opera Arias (Remastered 2023)

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Andrea Chénier: “La mamma morta”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Maddalena]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (in 1954)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano4:47
2La Wally: “Ebben? Ne andrò lontana”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
soprano vocals [Wally]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
composer:
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
arrangement of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani4:45
3Mefistofele: Atto III. “L’altra notte in fondo al mare”
recorded in:
London (Greater London), England, United Kingdom (in 1954)
soprano vocals [Margherita]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954)
conductor:
Tullio Serafin (conductor) (in 1954)
recording of:
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele) (in 1954)
composer and librettist:
Arrigo Boϊto (librettist, composer)
publisher:
G. Ricordi & Co. London (UK division) and G. Ricordi & Co. Milan (Italian publisher)
part of:
Mefistofele: Atto III
Arrigo Boito7:21
4Medea: “Dei tuoi figli la madre”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Medea]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (in 1955)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini4:42
5La vestale: “Tu che invoco con orrore”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Giulia]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto II. "Tu che invoco" (Giulia) (in 1955)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte II. No. 8. Air « Toi que j’implore avec effroi » (Julia)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini10:45
6La vestale: “O Nume, tutelar”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Giulia]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto II. "O Nume tutelar" (Giulia, Gran Sacerdote) (in 1955)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte II. « Ô des infortunés déesse tutélaire ! » (Julia, Le grand pontife)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini2:25
7La vestale: “Caro ogetto”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1955)
soprano vocals [Giulia]:
Maria Callas (soprano) (in 1955)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recording of:
La vestale: Atto III. "Caro ogetto" (Giulia) (in 1955)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte III. No. 20. Air « Toi, que je laisse sur la terre … » (Julia)
part of:
La vestale: Atto III (italian version)
Gaspare Spontini3:40
8Rigoletto: “Gualtier Maldè” … “Caro nome”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
producer:
Walter Legge (British classical producer)
baritone vocals [Marullo]:
William Dickie (british bass-baritone) (from 1955-09-03 until 1955-09-16)
bass vocals [Il conte di Ceprano]:
Carlo Forti (operatic bass) (from 1955-09-03 until 1955-09-16)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1955, from 1955-09-03 until 1955-09-16)
soprano vocals [Gilda]:
Maria Callas (soprano) (from 1955-09-03 until 1955-09-16)
tenor vocals [Borsa]:
Renato Ercolani (tenor) (from 1955-09-03 until 1955-09-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-09-03 until 1955-09-16)
conductor:
Tullio Serafin (conductor) (from 1955-09-03 until 1955-09-16)
chorus master:
Norberto Mola (chorus master) (from 1955-09-03 until 1955-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1956)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-09-03 until 1955-09-16)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (from 1955-09-03 until 1955-09-16)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi7:29
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Credits