100% Swing

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Perdido
producer:
Teddy Reig
bass:
Eddie Jones (US jazz double bassist) (on 1961-01-13)
drums (drum set):
Sonny Payne (on 1961-01-13)
guitar:
Freddie Green (on 1961-01-13)
piano:
Count Basie (pianist) (from 1960-07 until 1961-01) and Kirk Stuart (on 1961-01-13)
reeds:
Marshall Royal (on 1961-01-13)
tenor saxophone:
Frank Foster (saxophonist) (on 1961-01-13) and Billy Mitchell (US jazz saxophonist) (on 1961-01-13)
trombone:
Henry Coker (jazz trombonist) (on 1961-01-13), Al Grey (trombone) (on 1961-01-13) and Benny Powell (jazz trombonist) (on 1961-01-13)
trumpet:
Sonny Cohn (on 1961-01-13), Thad Jones (American jazz trumpeter) (on 1961-01-13), Joe Newman (US jazz trumpeter) (on 1961-01-13) and Snooky Young (on 1961-01-13)
woodwind:
Charlie Fowlkes (baritone saxophonist) (on 1961-01-13) and Frank Wess (on 1961-01-13)
vocals:
Sarah Vaughan (on 1961-01-13)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1961-01-13)
cover recording of:
Perdido (with lyrics) (on 1961-01-13)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
Count Basie & Sarah Vaughan52:11
2L-O-V-E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L‐O‐V‐E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Nat King Cole52:33
3Call Me IrresponsibleNancy Wilson2:27
4(Get Your Kicks on) Route 66
Bobby Troup2:39
55 Months, 2 Weeks, 2 Days
producer:
Voyle Gilmore
bass:
Amato Rodriguez (on 1956-09-13)
drums (drum set):
Bobby Morris (on 1956-09-13)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-09-13)
instruments:
Willie McCumber Jr. (on 1956-09-13)
tenor saxophone:
Sam Butera (on 1956-09-13)
trombone:
Jimmy 'Little Red' Blount (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (on 1956-09-13)
writer:
Don Donaldson and Debbie Morris (songwriter)
Louis Prima52:10
6Volare
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Dean Martin43:00
7C’est si bon
orchestra:
Henri René & His Orchestra (on 1953-03-12)
recording of:
C’est si bon (original French version) (on 1953-03-12)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
publisher:
Éditions Beuscher Arpège
Eartha Kitt43:00
8Big Spender
recording engineer:
John Kurlander (engineer) (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (conductor and composer) (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Big Spender (from 1984-07 until 1984-08)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey1:58
9Mack the Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong & His Orchestra3:19
10It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
11Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-02-09)
producer:
Nat Shapiro and Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
phonographic copyright (℗) by:
BMG Music (in 1971)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Nina Simone3.355:00
12Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Al Martino3:22
13Singin’ in the Rain
cover recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Lena Horne2:52
14The Beat Goes On
vocals:
Cathy Rich
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
Buddy Rich4:49
15Anything Goes
vocals:
Dakota Staton (from 1958-02-02 until 1958-02-09)
conductor:
Sid Feller (from 1958-02-02 until 1958-02-09)
arranger:
Sid Feller
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1958-02-02 until 1958-02-09)
cover recording of:
Anything Goes (from 1958-02-02 until 1958-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
Dakota Staton2:28
16Hello Dolly
Bobby Darin3:14
17Moanin’
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers3:03
18It’s Only Love
cover recording of:
It’s Only Love (1966 song)
lyricist and composer:
Hank Cochran (Nashville singer and songwriter)
Ella Fitzgerald3:02
19Watermelon Man
engineer:
Dayton “Bones” Howe
producer:
Richard Bock (record producer)
vocals:
Julie London
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
Julie London2:34
20Summertime
Joe Williams & Harry “Sweets” Edison2:34
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