Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

1CD: Carmen: Acts 1 & 2 (beg.)
2CD: Carmen: Acts 2 (cont.) & 3
3CD: Lucia di Lammermoor: Parts 1 & 2 (beg.)
4CD: Lucia di Lammermoor: Part 2 (cont.)
5CD: Pagliacci
6CD: Cavalleria rusticana
7CD: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
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1Les Contes d’Hoffmann : Prologue. Introduction “Glou! glou! glou! glou! je suis le vin!” (Chœur) – Scène “La vérité, dit-on, sortait d’un puits” (Muse, Lindorf, Andrès)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:49
2Les Contes d’Hoffmann : Prologue. Couplets “Dans les rôles d’amoureux langoureux” (Lindorf) – Récit “Le premier acte de ‘Don Juan’ vient de finir” (Lindorf)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:29
3Les Contes d’Hoffmann : Prologue. Scène “Allons, allons mes enfants! Préparez cette salle” (Luther) – Chœur “Drig, drig, drig, maître Luther!” (Chœur, Hermann, Nathanaël, Luther)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
baritone vocals:
Paul Guigue (french baritone)
bass vocals:
Paul Guigue (french baritone) and Roland Jacques
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
tenor vocals:
Pedro di Proenza
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Allons, allons mes enfants ! Préparez cette salle » (Luther, Etudiants, Hermann, Nathanaël)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:41
4Les Contes d’Hoffmann : Prologue. Scène “Eh! Luther! Ma grosse tonne” (Nathanaël, Hermann, Chœur, Lindorf, Luther, Hoffmann, Nicklausse)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Guigue (french baritone) and Roland Jacques
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Eh ! Luther ! Ma grosse tonne » (Nathanaël, Hermann, Etudiants, Lindorf, Luther, Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:35
5Les Contes d’Hoffmann : Prologue. Chanson et scène “Il était une fois à la cour d’Eisenach” (Hoffmann, Chœur, Nathanaël)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
additional tenor vocals [Nathanael]:
Pedro di Proenza (in 1972-06)
choir vocals:
Chœur de la Suisse Romande (in 1972-06), Choeur du Brassus (in 1972-06) and Chœur Pro Arte de Lausanne (in 1972-06)
tenor vocals [Hoffmann]:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
chorus master:
André Charlet (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach5:29
6Les Contes d’Hoffmann : Prologue. Final “Peuh! Cette bière est détestable!” (Hoffmann, Chœur, Nicklausse, Nathanaël, Lindorf)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Peuh ! cette bière est détestable ! » (Hoffmann, Nathanaël, Hermann, Étudiants, Nicklausse, Lindorf)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach1:29
7Les Contes d’Hoffmann : Prologue. “Et par où votre diablerie” (Hoffmann, Lindorf, Nicklausse, Chœur, Nathanaël, Hermann)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Guigue (french baritone)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Pedro di Proenza and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Et par où votre diablerie » (Hoffmann, Lindorf, Nicklausse, Etudiants, Nathanaël, Hermann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach6:18
8Les Contes d’Hoffmann : Acte I. Entr’acte et scène “Là, là, là! Encore cette boucle à friser” (Spalanzani, Cochenille, Hoffmann)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Là ! dors en paix » (Spalanzani, Hoffmann, Cochenille)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
recording of:
Les Contes d’Hoffmann : Acte II. Entr’acte (Menuet)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:04
9Les Contes d’Hoffmann : Acte I. “Allons! Courage et confiance… Ah! vivre deux” (Hoffmann)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:26
10Les Contes d’Hoffmann : Acte I. Scène “Pardieu! J'étais bien sûr de te trouver ici!” (Nicklausse, Hoffmann) – Couplets “Une poupée aux yeux d’émail” (Nicklausse, Hoffmann) – Scène “Est-ce à Olympia que tu fais allusion?” (Hoffman, Nicklausse, Coppélius)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach4:25
11Les Contes d’Hoffmann : Acte I. Trio “J’ai des yeux, de vrais yeux” (Coppélius, Hoffmann, Nicklausse) – Scène “Voilà, voilà, tout est prêt” (Spalanzani, Coppélius, Cochenille)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:47
12Les Contes d’Hoffmann : Acte I. Chœur et scène “Non, aucun hôte vraiment” (Chœur, Spalanzani, Nicklausse, Hoffmann, Olympia)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 8 Chœurs, scène et couplets « Non, aucun hôte vraiment » (Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia, les invitès)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach4:57
13Les Contes d’Hoffmann : Acte I. Couplets “Les oiseaux dans la charmille” (Olympia, Spalanzani, Chœur) – Scène “Ah! mon ami, quel accent!” (Hoffmann, Nicklausse, Spalanzani, Chœur, Olympia)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach7:11
14Les Contes d’Hoffmann : Acte I. Récit et romance “Ils se sont éloingés enfin!” (Hoffmann, Olympia)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
tenor vocals:
Plácido Domingo (tenor) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:38
15Les Contes d’Hoffmann : Acte I. Scène “Tu me fuis? qu’ai-je fait?” (Hoffmann, Nicklausse, Coppélius)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:02
16Les Contes d’Hoffmann : Acte I. Final “Voici les valseurs!” (Spalanzani, Cochenille, Hoffmann, Olympia, Chœur, Nicklausse, Coppélius)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer) and Michael Woolcock (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne and Chorale du Brassus
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Jacques Charon, Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte II. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:12
17Les Contes d’Hoffmann : Acte II. Entr’acte et barcarolle “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, Chœur) – Scène “Messieurs, à la déesse de Venise” (Hoffmann, Chœur, Giulietta, Schlémil)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
Jacques Offenbach4:51
18Les Contes d’Hoffmann : Acte II. Couplets bachiques “Amis, l’amour tendre et rêveur” (Hoffmann, Chœur) – Scène “Que le diable l’emporte!” (Schlémil, Pitichinaccio, Hoffmann, Giulietta, Un laquais)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
André Neury
choir vocals:
Chœur de la Suisse Romande
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
vocals:
Jean Valaisan
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Amis ! l'Amour tendre et rêveur" (Hoffmann, Les invités, Schlemil, Pitichinaccio, Giulietta, Un laquais)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:48
19Les Contes d’Hoffmann : Acte II. “Au jeu, au jeu, messieurs!” (Giulietta, Chœur, Hoffmann, Nicklausse, Dapertutto)
sound engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Au jeu, au jeu, messieurs !" (Giulietta, Les invités, Hoffmann, Nicklausse, Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:22
8CD: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
9CD: Tosca: Act 1
10CD: Tosca: Acts 2 & 3
11CD: Turandot: Acts 1 & 2 (beg.)
12CD: Turandot: Acts 2 (cont.) & 3
13CD: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
14CD: Il barbiere di Siviglia: Act 2 (cont.)
15CD: Samson et Dalila: Act 1
16CD: Samson et Dalila: Acts 2 & 3
17CD: Il trovatore: Parts 1 & 2
18CD: Il trovatore: Parts 3 & 4
19CD: La traviata: Acts 1 & 2 (beg.)
20CD: La traviata: Acts 2 (cont.) & 3
21CD: Otello: Acts 1 & 2
22CD: Otello: Acts 3 & 4
23CD: Lohengrin: Act 1
24CD: Lohengrin: Act 2 (beg.)
25CD: Lohengrin: Act 2 (cont.)
26CD: Lohengrin: Act 3

Credits

Release

ASIN:DE: B0048JGQR0 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
Les Contes D'Hoffmann - Highlights (1971 or 1972 studio cast) by Offenbach (German-French composer, cellist and impresario)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)