The 1953-1962 Albums

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Swing Easy / Songs for Young Lovers
2▶CD: In the Wee Small Hours
3▶CD: Songs for Swingin’ Lovers!
4▶CD: Only the Lonely
5▼CD: Come Dance With Me! / Come Fly With Me
Nr.TitelBewertungLänge
1Come Dance With Me
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
recording of:
Come Dance With Me (am 1958-12-23)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
42:32
2Something’s Gotta Give
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Shelly Manne (US jazz drummer)
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-09)
Orchester:
The Billy May Orchestra (am 1958-12-09)
conductor:
Billy May (am 1958-12-09)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-09)
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (am 1958-12-09)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
recording of:
Something’s Gotta Give (from “Daddy Long Legs”)
Texter und Komponist(in):
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
42:37
3Just in Time
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Shelly Manne (US jazz drummer)
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-09)
Orchester:
The Billy May Orchestra (am 1958-12-09)
conductor:
Billy May (am 1958-12-09)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-09)
cover recording of:
Just in Time (Bells Are Ringing) (am 1958-12-09)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
32:24
4Dancing in the Dark
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Dancing in the Dark (am 1958-12-22)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
2.52:26
5Too Close for Comfort
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
cover recording of:
Too Close for Comfort (Mr. Wonderful) (am 1958-12-23)
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
publisher:
Carlin Music Corporation und Memory Lane Music Ltd.
32:35
6I Could Have Danced All Night
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (am 1958-12-23)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
recording of:
I Could Have Danced All Night (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
2.52:41
7Saturday Night (Is the Loneliest Night of the Week)
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1958-12-22)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC und WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
11:55
8Day In, Day Out
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
recording of:
Day In, Day Out (am 1958-12-22)
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2.53:25
9Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
13:06
10Baubles, Bangles and Beads
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (am 1958-12-22)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. und Scheffel Music Corp
basiert auf:
String Quartet no. 2 in D major: II. Scherzo. Allegro
Teil von:
Kismet (full musical)
42:46
11The Song Is You
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Shelly Manne (US jazz drummer)
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-09)
Orchester:
The Billy May Orchestra (am 1958-12-09)
conductor:
Billy May (am 1958-12-09)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-09)
cover recording of:
The Song Is You (am 1958-12-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
recording of:
The Song Is You (am 1958-12-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
12:43
12The Last Dance
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
recording of:
The Last Dance (am 1958-12-23)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp. und WB Music Corp. (1929–2019)
12:10
13Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:19
14Around the World
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
cover recording of:
Around the World (Around the World in 80 Days) (am 1957-10-08)
Texter:
Harold Adamson und Stella Unger
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
Teil von:
Around the World in 80 Days (1956 film soundtrack, main theme)
33:21
15Isle of Capri
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
Isle of Capri (am 1957-10-01)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Wilhelm Grosz (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd. (am 1934-07-27)
basiert auf:
מחנה זה עניין
12:29
16Moonlight in Vermont
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Joe Howard (american trombone player), Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Tuba:
Joe Washburne
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-03)
Orchester:
The Billy May Orchestra (am 1957-10-03)
conductor:
Billy May (am 1957-10-03)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
cover recording of:
Moonlight in Vermont (am 1957-10-03)
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:32
17Autumn in New York
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Joe Howard (american trombone player), Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Tuba:
Joe Washburne
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-03)
Orchester:
The Billy May Orchestra (am 1957-10-03)
conductor:
Billy May (am 1957-10-03)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
recording of:
Autumn in New York (1934) (am 1957-10-03)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
44:36
18On the Road to Mandalay
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
On the Road to Mandalay (am 1957-10-01)
Texter:
Rudyard Kipling
Komponist(in):
Oley Speaks
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
13:30
19Lets Get Away From It All
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
Let’s Get Away From It All (am 1957-10-01)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
recording of:
Let’s Get Away From It All
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
2.52:11
20April in Paris
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Billy May Orchestra
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1957-10, in 1958-03)
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:50
21London by Night
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Joe Howard (american trombone player), Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Tuba:
Joe Washburne
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-03)
Orchester:
The Billy May Orchestra (am 1957-10-03)
conductor:
Billy May (am 1957-10-03)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
recording of:
London by Night (am 1957-10-03)
Texter und Komponist(in):
Carroll Coates
publisher:
Barton Music Corp.
23:33
22Brazil
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
cover recording of:
Brazil (English translation) (am 1957-10-08)
Verfasser(in):
Ary Barroso
Übersetzer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
übersetzte Version von:
Aquarela do Brasil
Teil von:
Brazil
recording of:
Brazil (English translation)
Verfasser(in):
Ary Barroso
Übersetzer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
übersetzte Version von:
Aquarela do Brasil
Teil von:
Brazil
2.53:03
23Blue Hawaii
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
cover recording of:
Blue Hawaii (am 1957-10-08)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
12:44
24It’s Nice to Go Trav’Ling
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
It's Nice to Go Trav'ling (am 1957-10-08)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
23:51
25Nothing in Common
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Fred Falensby, Skeets Herfurt, Joe Koch, Irving “Babe” Russin und Willie Smith (US jazz alto saxophonist, 1910-1967)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Ed Kusby, Dick Noel (trombone), Pullman “Tommy” Pederson und William Schafer
Schlagzeug:
Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Johnny Best (jazz trumpeter), Harry “Sweets” Edison und Conrad Gozzo
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-03-03) und Keely Smith (am 1958-03-03)
Orchester:
The Billy May Orchestra (am 1958-03-03)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-03)
recording of:
Nothing in Common (am 1958-03-03)
Verfasser(in):
Sammy Cahn und Jimmy Van Heusen
2:32
26Same Old Song and Dance
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Fred Falensby, Skeets Herfurt, Joe Koch, Irving “Babe” Russin und Willie Smith (US jazz alto saxophonist, 1910-1967)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Ed Kusby, Dick Noel (trombone), Pullman “Tommy” Pederson und William Schafer
Schlagzeug:
Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Johnny Best (jazz trumpeter), Harry “Sweets” Edison und Conrad Gozzo
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Billy May Orchestra
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1958-03)
recording of:
Same Old Song and Dance
Verfasser(in):
Sammy Cahn, Jimmy Van Heusen und Bobby Worth (American songwriter)
12:52
27How Are Ya’ Fixed for Love
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Fred Falensby, Skeets Herfurt, Joe Koch, Irving “Babe” Russin und Willie Smith (US jazz alto saxophonist, 1910-1967)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Ed Kusby, Dick Noel (trombone), Pullman “Tommy” Pederson und William Schafer
Schlagzeug:
Alvin Stoller
Trompete:
Frank Beach (trombone, trumpet), Johnny Best (jazz trumpeter), Harry “Sweets” Edison und Conrad Gozzo
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-03-03) und Keely Smith (am 1958-03-03)
Orchester:
The Billy May Orchestra (am 1958-03-03)
conductor:
Billy May (am 1958-03-03)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-03)
recording of:
How Are Ya' Fixed for Love? (am 1958-03-03)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
12:27
6▶CD: Nice ’n’ Easy / Look to Your Heart
7▶CD: Sinatra’s Swingin’ Session!!! / A Swingin’ Affair
8▶CD: Come Swing With Me! / Swing Along With Me
9▶CD: Ring‐A‐Ding Ding! / I Remember Tommy…
10▶CD: Sings Great Songs From Great Britain / Sinatra‐Basie – An Historic Musical First

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