The Very Best of Frank Sinatra

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Stardust
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-20)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
drums (drum set):
John Markham
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) and William Schwartz
French horn:
James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
William Kosinski
percussion:
Emil Richards
piano:
Bill Miller (pianist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-20)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Stardust (the jazz standard) (on 1961-11-20)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
12:48
2A Foggy Day
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (on 1960-12-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
12:17
3Let's Fall in Love
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
Let’s Fall in Love (on 1960-12-19)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2.52:11
4The Girl Next Door
recorded in:
Los Angeles, California, United States (on 1962-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-01-16)
conductor:
Gordon Jenkins (on 1962-01-16)
arranger:
Gordon Jenkins
recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1962-01-16)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
cover recording of:
The Girl Next Door (on 1962-01-16)
composer:
Ralph Blane and Hugh Martin
publisher:
EMI Feist Catalog Inc. and EMI United Partnership Ltd.
3:18
5Old Devil Moon
recorded in:
Los Angeles, California, United States (on 1963-07-18)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-07-18)
arranger:
Nelson Riddle
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1963-07-18)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
2:57
6The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-27)
conductor:
Nelson Riddle (on 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1964-01-27)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
2.853:22
7Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (baritone saxophonist) (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-09), Bill Hughes (jazz trombonist) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (on 1964-06-09)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
42:30
8Nice Work If You Can Get It
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (baritone saxophonist) (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (jazz trombonist) (on 1962-10-02) and Benny Powell (jazz trombonist) (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Nice Work If You Can Get It (on 1962-10-02)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:36
9I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3.653:15
10Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Come Rain or Come Shine (on 1961-11-22)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
14:06
11Please Be Kind
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (baritone saxophonist) (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (jazz trombonist) (on 1962-10-02) and Benny Powell (jazz trombonist) (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (on 1962-10-02)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
2:42
12Don'cha Go 'way Mad
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-11)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-11)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
Don’cha Go ’Way Mad (on 1962-04-11)
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp. and Rytvoc, Inc. (ASCAP)
version of:
Black Velvet
13:13
13They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1962-04-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2.52:41
14In the Wee Small Hours of the Morning
recorded in:
Los Angeles, California, United States (on 1963-04-29)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-04-29)
arranger:
Nelson Riddle
recording of:
In the Wee Small Hours of the Morning (on 1963-04-29)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
22:44
15I've Got You Under My Skin
recorded in:
Los Angeles, California, United States (on 1963-04-30)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-04-30)
arranger:
Nelson Riddle
cover recording of:
I’ve Got You Under My Skin (on 1963-04-30)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:32
16Let's Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1960-12-20)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3.52:59
17Come Fly With Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-10-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-10-11)
arranger:
Billy May
recording of:
Come Fly With Me (on 1965-10-11)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4.353:11
18My Kind of Town
recorded in:
Los Angeles, California, United States (on 1964-04-08)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-04-08)
orchestra:
Nelson Riddle and His Orchestra (on 1964-04-08)
conductor:
Nelson Riddle (on 1964-04-08)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1964-04-08)
recording of:
My Kind of Town (on 1964-04-08)
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 37th Academy Award for Best Original Song (number: 2)
33:09
19Luck Be a Lady
recorded in:
Los Angeles, California, United States (on 1963-07-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-07-25)
orchestra:
Morris Stoloff and His Orchestra (on 1963-07-25)
conductor:
Morris Stoloff (on 1963-07-25)
arranger:
Billy May (on 1963-07-25)
cover recording of:
Luck Be a Lady (from “Guys and Dolls”) (on 1963-07-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
recording of:
Luck Be a Lady (from “Guys and Dolls”) (on 1963-07-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
35:15
20The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer) (on 1964-06-09)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (baritone saxophonist) (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-09), Bill Hughes (jazz trombonist) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
3.652:54
2CD

Credits

Release

ASIN:US: B000002NFI [info]

Release group

Wikidata:Q7772313 [info]