The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Uitgave van Karl Böhm (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1cd: Beethoven: Fidelio (Act I)
2cd: Beethoven: Fidelio (Act II)
3cd: Beethoven: Missa Solemnis [1955]
4cd: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5cd: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6cd: Berg: Wozzeck (Acts I, II & III beg.)
7cd: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8cd: Berg: Lulu (Act II)
9cd: Handel: Giulio Cesare (Highlights)
10cd: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11cd: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12cd: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13cd: Mozart: Idomeneo (Act I)
14cd: Mozart: Idomeneo (Act II)
15cd: Mozart: Idomeneo (Act III)
16cd: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17cd: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18cd: Mozart: Le nozze di Figaro (Acts I & II beg.)
19cd: Mozart: Le nozze di Figaro (Acts II cont. & III)
20cd: Mozart: Le nozze di Figaro (Act IV)
#TitelArtiestWaarderingDuur
1Le nozze di Figaro, K. 492: Atto Quarto. N. 23 Cavatina: “L’ho perduta…me meschina!” (Barbarina)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:41
2Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina, Marcellina)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
mezzo-sopraanvocalen [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena II. Recitativo “Barbarina, cos’hai?” (Barbarina, Figaro, Marcellina) / Atto IV, Scena III. Recitativo “Madre!… Figlio!” (Figaro, Marcellina) / Atto IV, Scena IV. “Presto, avvertiam Susanna…” (Marcellina) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:17
3Le nozze di Figaro, K. 492: Atto Quarto. N. 24 Aria: “Il capro e la capretta” (Marcellina)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
mezzo-sopraanvocalen [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VI. (no. 25) Aria “Il capro e la capretta” (Marcellina) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:39
4Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Nel padiglione a manca” (Barbarina, Figaro, Basilio, Bartolo)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
tenorvocalen [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena V. Recitativo “Nel padiglione a manca” (Barbarina) / Scena VI. Recitativo “È Barbarina…” (Figaro, Basilio, Bartolo) / Scena VII. Recitativo “Ha I diavoli nel corpo” (Basilio, Bartolo) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:49
5Le nozze di Figaro, K. 492: Atto Quarto. N. 25 Aria: “In quegli anni in cui val poco” (Basilio)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
tenorvocalen [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VII. (no. 26) Aria “In quegli anni in cui val poco” (Basilio) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:04
6Le nozze di Figaro, K. 492: Atto Quarto. N. 26 Recitativo: “Tutto è disposto” (Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:34
7Le nozze di Figaro, K. 492: Atto Quarto. N. 26 Aria: “Aprite un po’quegli occhi” (Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
edit van:
Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi van Hermann Prey (baritone), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:38
8Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Signora, ella mi disse” (Susanna, Marcellina, Contessa, Figaro)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
mezzo-sopraanvocalen [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:50
9Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo: “Giunse alfin il momento” (Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:23
10Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Aria: “Deh vieni, non tardar, o gioia bella” (Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement van:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:35
11Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Perfida! e in quella forma meco mentia?” (Figaro, Cherubino, Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
mezzo-sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:33
12Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Finale: “Pian pianin le andrò più presso” (Cherubino, Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
mezzo-sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een gedeeltelijke opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:20
13Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Finale: “Ecco qui la mia Susanna” (Conte, Susanna, Figaro, Cherubino, Contessa)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
mezzo-sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een gedeeltelijke opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:41
14Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:42
15Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Finale: “Pace, pace, mio dolce tesoro” (Figaro, Susanna, Conte)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
baritonvocalen [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:51
16Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Finale: “Gente, gente, all’armi, all’armi” (Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna, Contessa; tutti)
leidinggevend producent:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producent:
Wolfgang Lohse
baritonvocalen [Antonio]:
Klaus Hirte (baritone) (in 1968-03)
baritonvocalen [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
basvocalen [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
basvocalen [Figaro]:
Hermann Prey (baritone) (in 1968-03)
sopraanvocalen [Barbarina]:
Barbara Vogel (soprano) (in 1968-03)
sopraanvocalen [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
sopraanvocalen [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
sopraanvocalen [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenorvocalen [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
tenorvocalen [Don Curzio]:
Martin Vantin (tenor) (in 1968-03)
orkest:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
was dirigent:
Karl Böhm (Austrian conductor) (in 1968-03)
balanstechnicus:
Günter Hermanns (producer/engineer)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
opgenomen bij:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Duitsland (in 1968-03)
is een opname van:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1968-03)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:08
21cd: Mozart: Don Giovanni (1967) (Act I beg.)
22cd: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23cd: Mozart: Don Giovanni (1967) (Act II cont.)
24cd: Mozart: Don Giovanni (1977) (Act I beg.)
25cd: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26cd: Mozart: Don Giovanni (1977) (Act II cont.)
27cd: Mozart: Così fan tutte (Act I beg.)
28cd: Mozart: Così fan tutte (Acts I cont. & II)
29cd: Mozart: Die Zauberflöte (Act I)
30cd: Mozart: Die Zauberflöte (Act II beg.)
31cd: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32cd: Mozart: La clemenza di Tito (Act I)
33cd: Mozart: La clemenza di Tito (Act II)
34cd: Mozart: Requiem
35cd: R. Strauss: Salome (Scenes I-IV beg.)
36cd: R. Strauss: Salome: (Scene IV cont.)
37cd: R. Strauss: Elektra (beg.)
38cd: R. Strauss: Elektra (cont.)
39cd: R. Strauss: Der Rosenkavalier (1958) (Act I)
40cd: R. Strauss: Der Rosenkavalier (1958) (Act II)
41cd: R. Strauss: Der Rosenkavalier (1958) (Act III)
42cd: R. Strauss: Der Rosenkavalier (1969) (Act I)
43cd: R. Strauss: Der Rosenkavalier (1969) (Act II)
44cd: R. Strauss: Der Rosenkavalier (1969) (Act III)
45cd: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46cd: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47cd: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48cd: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49cd: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50cd: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51cd: R. Strauss: Die Frau ohne Schatten (Act I)
52cd: R. Strauss: Die Frau ohne Schatten (Act II)
53cd: R. Strauss: Die Frau ohne Schatten (Act III)
54cd: R. Strauss: Arabella (Act I)
55cd: R. Strauss: Arabella (Act II)
56cd: R. Strauss: Arabella (Act III)
57cd: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58cd: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59cd: R. Strauss: Daphne (beg.)
60cd: R. Strauss: Daphne (cont.)
61cd: R. Strauss: Capriccio (Scenes I - IX beg.)
62cd: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63cd: Wagner: Der fliegende Holländer (Acts I & II beg.)
64cd: Wagner: Der fliegende Holländer (Acts II cont. & III)
65cd: Wagner: Tristan und Isolde (Act I)
66cd: Wagner: Tristan und Isolde (Act II)
67cd: Wagner: Tristan und Isolde (Act III)
68cd: Das Vermächtnis meines Meisters
69cd: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70cd: Karl Böhm: Erzähltes Leben

Relaties

Uitgave

fotografie:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
diverse ondersteuning:Harald Reiter (taak: project manager)
samensteller:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
verzorgde het ontwerp:Fred Münzmaier
redacteur van het boekje:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discografisch lemma:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]