La Cenerentola

~ Release by Gioachino Rossini; Teresa Berganza, Luigi Alva, Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Scottish Opera Chorus, Claudio Abbado (see all versions of this release, 1 available)

Annotation

Note that the linked Discogs Release has the track list for a (legit, different) 2-CD-Set, but cover art of the 3 CD set

Annotation last modified on 2022-12-31 23:44 UTC.

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1La Cenerentola: Atto secondo: Recitativo: "Mi par che quei birbanti" / Aria: "Sia qualunque delle figlie" / Recitativo: "Ah! questa bella incognita"
baritone vocals [Dandini]:
Renato Capecchi (baritone) (in 1971-09)
bass vocals [Alidoro]:
Ugo Trama (operatic bass) (in 1971-09)
bass vocals [Don Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
mezzo-soprano vocals [Cenerentola]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1971-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals [Don Ramiro]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Recitativo: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) by Margherita Guglielmi (soprano), Paolo Montarsolo (operatic bass), Laura Zannini (soprano), London Symphony Orchestra, Claudio Abbado (conductor), La Cenerentola: Atto II. Aria: “Sia qualunque delle figlie” (Magnifico) by Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Recitativo: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro) by Luigi Alva (tenor), Teresa Berganza (mezzo-soprano), Renato Capecchi (baritone), Ugo Trama (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
recording of:
La Cenerentola: Atto II, scena 1. Aria “Sia qualunque delle figlie” (Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Ah! questa bella incognita” (Tisbe, Clorinda, Ramiro, Dandini, Cenerentola, Alidoro) (in 1971-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) (in 1971-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini9:01
2La Cenerentola: Atto secondo: Aria: "Si, ritrovaria io giuro" / Recitativo: "Ma dunque io son un ex"
baritone vocals [Dandini]:
Renato Capecchi (baritone) (in 1971-09)
bass vocals [Don Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
choir vocals:
Scottish Opera Chorus (in 1971-09)
tenor vocals [Don Ramiro]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Recitativo: “E allor … se non ti spiaccio” (Ramiro, Alidoro) by Luigi Alva (tenor), Ugo Trama (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor), La Cenerentola: Atto II. Aria: “Sì, ritrovarla io giuro” (Ramiro, coro) by Luigi Alva (tenor), Scottish Opera Chorus, London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Recitativo: “Ma dunque io son un ex?” (Dandini, Magnifico) by Renato Capecchi (baritone), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “E allor... se non ti spaccio” ... Aria “Si, ritrovarla io giuro” (Ramiro, Coro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini6:03
3La Cenerentola: Atto secondo: Duetto: "Un segreto d'importanza"
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:58
4La Cenerentola: Atto secondo: Canzone: "Una volta c'era un re" / Recitativo: "Quanto sei caro"
bass vocals [Don Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
mezzo-soprano vocals [Cenerentola]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1971-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Canzone: “Una volta c'era un re” (Cenerentola) by Teresa Berganza (mezzo-soprano), London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) by Teresa Berganza (mezzo-soprano), Margherita Guglielmi (soprano), Paolo Montarsolo (operatic bass), Laura Zannini (soprano), London Symphony Orchestra, Claudio Abbado (conductor)
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (in 1971-09)
composer:
Luca Agolini and Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini3:16
5La Cenerentola: Atto secondo: Temporale / Recitativo: "Scusate, amici"
baritone vocals [Dandini]:
Renato Capecchi (baritone) (in 1971-09)
bass vocals [Don Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
mezzo-soprano vocals [Cenerentola]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals [Don Ramiro]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Temporale by London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Recitativo: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) by Luigi Alva (tenor), Teresa Berganza (mezzo-soprano), Renato Capecchi (baritone), Margherita Guglielmi (soprano), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) (in 1971-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
recording of:
La Cenerentola: Atto II, scena 2. Temporale (in 1971-09)
composer:
Gioachino Rossini (composer)
part of:
La Cenerentola: Atto II
Gioachino Rossini3:38
6La Cenerentola: Atto secondo: Sestetto: "Siete voi? ...Questo è un nodo avviluppato"
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (operatic bass) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:34
7La Cenerentola: Atto secondo: Sestetto (cont.): "Donna sciocca, alma di fango" / Recitativo: "Giusto ciel"
baritone vocals [Dandini]:
Renato Capecchi (baritone) (in 1971-09)
bass vocals [Alidoro]:
Ugo Trama (operatic bass) (in 1971-09)
bass vocals [Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
mezzo-soprano vocals [Cenerentola]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1971-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals [Ramiro]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Sestetto: “Donna sciocca, alma di fango” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola) by Luigi Alva (tenor), Teresa Berganza (mezzo-soprano), Renato Capecchi (baritone), Margherita Guglielmi (soprano), Paolo Montarsolo (operatic bass), Laura Zannini (soprano), London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Recitativo: “Giusto ciel, ti ringrazio!” (Alidoro) by Ugo Trama (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Dunque noi siam burlate” (Tisbe, Clorinda, Alidoro) (in 1971-09)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
partial recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini8:46
8La Cenerentola: Atto secondo: Finale II: Coro: "Della Fortuna instabile"
miscellaneous support:
Theodor Guschlbauer (conductor) (task: musical assistant)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (chorus master) (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:43
9La Cenerentola: Atto secondo: Scena: "Sposa" / "Signor, perdona" / Rondò: "Nacqui all'affanno"
baritone vocals [Dandini]:
Renato Capecchi (baritone) (in 1971-09)
bass vocals [Alidoro]:
Ugo Trama (operatic bass) (in 1971-09)
bass vocals [Don Magnifico]:
Paolo Montarsolo (operatic bass) (in 1971-09)
choir vocals:
Scottish Opera Chorus (in 1971-09)
mezzo-soprano vocals [Cenerentola]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (soprano) (in 1971-09)
soprano vocals [Clorinda]:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals [Don Ramiro]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
compilation of:
La Cenerentola: Atto II. Finale II Scena: “Sposa” … “Signor, perdona” (Ramiro, Cenerentola, Magnifico) by Luigi Alva (tenor), Teresa Berganza (mezzo-soprano), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor) and La Cenerentola: Atto II. Finale II Rondò: “Nacqui all'affanno” (Cenerentola, tutti) by Teresa Berganza (mezzo-soprano), Renato Capecchi (baritone), Margherita Guglielmi (soprano), Paolo Montarsolo (operatic bass), Laura Zannini (soprano), London Symphony Orchestra, Claudio Abbado (conductor)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini8:37